Einar and Eric are two Viking half-brothers. The former is a great warrior whilst the other is an ex-slave, but neither knows the true identity of the other. When the throne of Northumbria ... See full summary »
The film chronicles a long-ago time when men relied not on their intellect to make points, but on their swords. A mythical warrior ('Ralf Moeller (I)') wanders the snow-capped landscapes of... See full summary »
The adventures of Ragnar Lothbrok: the greatest hero of his age. The series tells the saga of Ragnar's band of Viking brothers and his family as he rises to become King of the Viking tribes... See full summary »
Inspired by true events. Cast into a violent and bloody world of murder, Hereward, a novice monk, must deliver the Holy Gospel of Lindisfarne - a book of great beauty and power - to the ... See full summary »
Einar and Eric are two Viking half-brothers. The former is a great warrior whilst the other is an ex-slave, but neither knows the true identity of the other. When the throne of Northumbria in Britain becomes free for the taking, the two brothers compete against one another for the prize, but they have very different motives - both involving the princess Morgana, however. Written by
Graeme Roy <firstname.lastname@example.org>
The movie was shot in Kvinnherad, Norway, which is a small community by the Hardanger Fjord. Many locals still remember "when Hollywood showed up in Kvinnherad", and many of the extras are local inhabitants. See more »
During the attack on the castle some vikings run/slide down an embankment to fight a line of soldiers stood waiting on them. You can clearly see that the soldier's swords are made of rubber as the blades bend and wobble as they are being waved around. See more »
Call me a fool, but I feel strongly that the Richard Fleischer/ Kirk Douglas 1958 film THE VIKINGS is a waiting-to-be-rediscovered masterpiece.
Of the costume drama spectaculars of the 1950s-1960s, it has the most coherent script and theme. It knowledgeably explores the themes Europe was dealing with during its Dark Ages. Acting performances are first rate (Frank Thring's villainy drips pure acid), and the photography is breathtaking. Mario Nacimbene's score has a majesty that matches any, including its little love theme. See it (if possible) on the big screen/wide screen format.
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