6.2/10
873
6 user 43 critic

Villa Amalia (2009)

Villa Amalia is the story of Ann, a musician, whose life is turned upside down by a kiss. When she sees Thomas kissing another woman, Ann makes a clean break, leaving him and everything ... See full summary »

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(scenario), (collaboration) | 1 more credit »
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1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
Ann
...
Georges
...
Thomas
...
Giulia
Viviana Aliberti ...
Veri
Michelle Marquais ...
La mère d'Ann
Peter Arens ...
Le père d'Ann
Ignazio Oliva ...
Carlo
Jean-Pierre Gos ...
L'agent immobilier
Jean Coulon ...
L'organisateur des concerts
Jean-Michel Portal ...
L'acheteur des pianos
Clara Bindi ...
Marion
Maurice Bernart
Massato
Florence d'Azémar
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Storyline

Villa Amalia is the story of Ann, a musician, whose life is turned upside down by a kiss. When she sees Thomas kissing another woman, Ann makes a clean break, leaving him and everything else far behind her. Suddenly unsure of everything that seemed so certain, Ann knows only that she must change her life and become someone else to find herself. With her music and the friendship of Georges, who pops out of her distant past, she sets off on a journey that will take her to an island where the Villa Amalia stands. Written by The Film Catalogue

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Details

Country:

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Language:

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Release Date:

8 April 2009 (France)  »

Also Known As:

Nea zoi  »

Company Credits

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Technical Specs

Runtime:

| (European Film Market)

Color:

Aspect Ratio:

1.85 : 1
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User Reviews

 
Final destination?
15 August 2012 | by (United Kingdom) – See all my reviews

Dreamy, existential drama primarily that works because of the presence of Isabelle Huppert. She plays Ann, a concert pianist who is betrayed by her lover. By way of retort she sells up and hits the road, intending to 'disappear' and forge a new identity. Her destination is wherever the day takes her, though it turns out to be Italy. This isn't convincing in the least, her idea seems more illusory than a firm commitment, though maybe that's the point. Antonioni pulled off this trick in The Passenger by locating its alienated journalist in Morocco. Ann obliquely refers to this when she observes that "Tangiers is an easy place to disappear in". There are other pleasures the film offers notably the superb performance by Huppert, she's never off-screen during the entire film and you never want her to be.


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