Villa Amalia is the story of Ann, a musician, whose life is turned upside down by a kiss. When she sees Thomas kissing another woman, Ann makes a clean break, leaving him and everything ... See full summary »
In 1865, Timothee, a wanderer, arrives in a village in southern France pretending he is deaf and mute. There, he is struck by the beauty of a young woman, Josephine, and asks for ... See full summary »
Isild Le Besco,
Nahuel Pérez Biscayart,
Agathe lives with her husband and son in a posh apartment in front of the Parc du Luxembourg. Patrick lives with his son in the back of a van. She is the head of an important contemporary ... See full summary »
Boldly unconventional and cheerful, that's how one could describe Babou. Never having cared about social conventions, she is suddenly faced with the realization that her own daughter is ... See full summary »
Seventeen-year-old Beth is just finishing school, and lives in Paris with her bedridden mother and younger brother. She is annoyed because her boyfriend suggested she try sleeping with ... See full summary »
Villa Amalia is the story of Ann, a musician, whose life is turned upside down by a kiss. When she sees Thomas kissing another woman, Ann makes a clean break, leaving him and everything else far behind her. Suddenly unsure of everything that seemed so certain, Ann knows only that she must change her life and become someone else to find herself. With her music and the friendship of Georges, who pops out of her distant past, she sets off on a journey that will take her to an island where the Villa Amalia stands. Written by
The Film Catalogue
Dreamy, existential drama primarily that works because of the presence of Isabelle Huppert. She plays Ann, a concert pianist who is betrayed by her lover. By way of retort she sells up and hits the road, intending to 'disappear' and forge a new identity. Her destination is wherever the day takes her, though it turns out to be Italy. This isn't convincing in the least, her idea seems more illusory than a firm commitment, though maybe that's the point. Antonioni pulled off this trick in The Passenger by locating its alienated journalist in Morocco. Ann obliquely refers to this when she observes that "Tangiers is an easy place to disappear in". There are other pleasures the film offers notably the superb performance by Huppert, she's never off-screen during the entire film and you never want her to be.
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