A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
Phoenix officeworker Marion Crane is fed up with the way life has treated her. She has to meet her lover Sam in lunch breaks and they cannot get married because Sam has to give most of his money away in alimony. One Friday Marion is trusted to bank $40,000 by her employer. Seeing the opportunity to take the money and start a new life, Marion leaves town and heads towards Sam's California store. Tired after the long drive and caught in a storm, she gets off the main highway and pulls into The Bates Motel. The motel is managed by a quiet young man called Norman who seems to be dominated by his mother. Written by
Col Needham <email@example.com>
According to Alfred Hitchcock, "Psycho" was originally intended to be a comedy. Speaking with the TV program Monitor in July 1964: "I once made a movie, rather tongue-in-cheek, called "Psycho." The content was, I felt, rather amusing and it was a big joke. I was horrified to find some people took it seriously. It was intended to make people scream and yell and so forth - but no more than screaming and yelling on a switchback railway. So you mustn't go too far because you want them to get off the railway giggling with pleasure." See more »
When Marion pulls into the motel during the rain and sees the office, she drives over to it and stops. In the next shot two lights on a stand can be seen to the immediate left of the office, left by the crew. See more »
[voiceover in police custody, as Norman is thinking]
It's sad, when a mother has to speak the words that condemn her own son. But I couldn't allow them to believe that I would commit murder. They'll put him away now, as I should have years ago. He was always bad, and in the end he intended to tell them I killed those girls and that man... as if I could do anything but just sit and stare, like one of his stuffed birds. They know I can't move a finger, and I won't. I'll just sit here ...
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Let me start out by saying that I am a fan of Alfred Hitchcock. This movie, in my opinion, is his best work ever. But I think that Hitchcock owes a lot of his success to his long time partner Bernard Herman, who scored the music for many of his films including this one. Anthony Perkins filled the shoes of Norman Bates perfectly. He didn't overact, and he didn't underact. Janet Leigh wasn't the best person to portray Marion, but she played the part fairly adequetly. However, I liked Vera Miles the best in this film. Hitchcock had her in mind for the role after she had to quit working on his last film "Vertigo". She was probably the key role here, since she was the one who discovered Norman's terrifying secret. Tony Award-winning actor Martin Basalm was terrific in his brief appearance as the private detective trying to track Marion down. John Gavin was ok, but nothing to brag about. Hitchcock made a wise decision in filming the movie in black and white, and made history when he demanded that no one be let into the theater after the movie started in order not to cause confusion. This is the most brilliant film I have ever seen, and I give it 5 stars (out of 5).
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