John and his class go on a school trip to the Tower of London. While he is there he loses his pet mouse and vows to return and find her later. Back in school, he is not very attentive and ... See full summary »
Prince Ahmad is the rightful King of Bagdad but he has been blinded and cast out as a beggar. Now a captive of the wicked Grand Vizier Jaffar he is cast into a dungeon where he meets Abu, the best thief in all Bagdad. Together they escape and set about a series of adventures that involve a Djinni in a bottle, a mechanical flying horse, an all-seeing magic jewel, a flying carpet and a beautiful princess. Written by
Steve Crook <firstname.lastname@example.org>
Dwarfing anything ever seen...a mountainous Genie piercing the clouds...flying horses winging over Jewelled cities...a magic carpet that spans the world like the swiftest bird. (original poster) See more »
Filming began in Britain, but because of the Blitz, the production relocated to Hollywood. There was such a long break in production, Sabu's early scenes had to be re-shot because he had grown several inches. See more »
Abu throws tomatoes at his pursuers as he flees though Baghdad. These would have been unknown on Arabia at this time as they originated in the Americas. See more »
Are men only to be ruled by fear?
Men are evil. Hatred behind their eyes, lies on their lips, betrayal in their hearts. You will learn one day, Great King, that there are three things that men respect: the lash that descends, the yoke that breaks, and the sword that slays. By the power and terror of these you may conquer the earth.
See more »
Like the Arabian Nights this film plays with storytelling conventions in order to make us feel that there's plot, plot and more plot: it opens with what appears to be the frame device of a blind man telling the story of his life, then plunges into a flashback which takes us right up to the blind man's present, where we discover that about half of the story is yet to come. (It must be admitted that the second half doesn't quite live up to the promise of the first.) Like the Arabian Nights it tries to cram as many Middle-Eastern folk motiffs as possible into the one work. A freed genie, a beautiful princess, a flying carpet, fantastic mechanical toys, sea voyages, a crowded marketplace, a wicked vizier, jewels ... I don't know why it all works, but it does. Everything is just so beautiful. The sets are beautiful. June Duprez is beautiful. Rozsa's score is especially beautiful. As usual, it sounds Hungarian; but somehow he manages to convince us that he's being Hungarian in a Persian way.
42 of 50 people found this review helpful.
Was this review helpful to you?