Sinbad and his crew intercept a homunculus carrying a golden tablet. Koura, the creator of the homunculus and practitioner of evil magic, wants the tablet back and pursues Sinbad. Meanwhile... See full summary »
John Phillip Law,
Upon moving into the run-down Spiderwick Estate with their mother, twin brothers Jared and Simon Grace, along with their sister Mallory, find themselves pulled into an alternate world full of faeries and other creatures.
Prince Ahmad is the rightful King of Bagdad but he has been blinded and cast out as a beggar. Now a captive of the wicked Grand Vizier Jaffar he is cast into a dungeon where he meets Abu, the best thief in all Bagdad. Together they escape and set about a series of adventures that involve a Djinni in a bottle, a mechanical flying horse, an all-seeing magic jewel, a flying carpet and a beautiful princess. Written by
Steve Crook <email@example.com>
The first assigned director, Ludwig Berger, wanted his old friend, 80-year-old Austrian operetta composer Oscar Straus, to compose the score. Miklós Rózsa only won the assignment by sitting in an office adjoining Berger's and playing his catchy melodies over and over. The Viennese waltzes that Straus had supplied were quickly dropped in favor of Rozsa's sweeping and colorful score. See more »
When Abu is climbing the spiderweb we can see a skeleton. Its skull has a division line that runs through the parietal periphery and which reveals it as a dummy. See more »
Strange how an unpleasant child can make a decent dog!
See more »
Probably the best "Arabian Nights" film ever made.
Most of the genre of "Arabian Nights" films were silly, cheesy, low-budget things, like "The Prince Who Was A Thief" starring Tony Curtis as an Arabian prince with a Brooklyn accent. This is an exception: A genuinely magical film, one of the best fantasy films ever made.
A beautiful film made in the most glowing of technicolors, it tells the simple story of a boy thief (Sabu) meeting a dethroned prince (the gorgeous John Justin), and helping him defeat the wonderfully evil usurper Conrad Veidt. Like "The Wizard of Oz" made the year before, the performances are so good that you believe in what you see on the screen. Flying carpets and horses, towering genies, dancing idols, it all seems perfectly believable and exiting. A classic.
49 of 56 people found this review helpful.
Was this review helpful to you?