John and his class go on a school trip to the Tower of London. While he is there he loses his pet mouse and vows to return and find her later. Back in school, he is not very attentive and ... See full summary »
A tiger escapes from a circus truck as it passes by a small town, and hides itself in the surrounding woods. This throws the town into a panic and everyone wants the animal killed ... See full summary »
Prince Ahmad is the rightful King of Bagdad but he has been blinded and cast out as a beggar. Now a captive of the wicked Grand Vizier Jaffar he is cast into a dungeon where he meets Abu, the best thief in all Bagdad. Together they escape and set about a series of adventures that involve a Djinni in a bottle, a mechanical flying horse, an all-seeing magic jewel, a flying carpet and a beautiful princess. Written by
Steve Crook <email@example.com>
Filming began in Britain, but because of the Blitz, the production relocated to Hollywood. There was such a long break in production, Sabu's early scenes had to be re-shot because he had grown several inches. See more »
The wires used to suspend the flying carpet are visible in the last scene of Abu on the carpet. The film was originally shot in three strip Technicolor, with prints made using a dye transfer process that resulted in a slight reduction in overall resolution. This reduction in resolution hid the wires in original prints, making them invisible. Modern prints, especially on Hi-Def DVDs, have restored the resolution making the support wires plainly visible. See more »
But she loves the blind man.
Do you call the lisping of two children in the garden love? Love she has yet to learn and I have yet to teach her.
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Like the Arabian Nights this film plays with storytelling conventions in order to make us feel that there's plot, plot and more plot: it opens with what appears to be the frame device of a blind man telling the story of his life, then plunges into a flashback which takes us right up to the blind man's present, where we discover that about half of the story is yet to come. (It must be admitted that the second half doesn't quite live up to the promise of the first.) Like the Arabian Nights it tries to cram as many Middle-Eastern folk motiffs as possible into the one work. A freed genie, a beautiful princess, a flying carpet, fantastic mechanical toys, sea voyages, a crowded marketplace, a wicked vizier, jewels ... I don't know why it all works, but it does. Everything is just so beautiful. The sets are beautiful. June Duprez is beautiful. Rozsa's score is especially beautiful. As usual, it sounds Hungarian; but somehow he manages to convince us that he's being Hungarian in a Persian way.
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