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The Thief of Bagdad (1940)

Not Rated  |   |  Adventure, Family, Fantasy  |  25 December 1940 (USA)
7.6
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Ratings: 7.6/10 from 8,231 users  
Reviews: 94 user | 66 critic

After being tricked and cast out of Bagdad by the evil Jaffar, King Ahmad joins forces with a thief named Abu to reclaim his throne, the city, and the Princess he loves.

Writers:

(screen play and dialogue), (scenario by) (as Lajos Biro) , 1 more credit »
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Title: The Thief of Bagdad (1940)

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Won 3 Oscars. Another 1 nomination. See more awards »
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Cast

Complete credited cast:
...
...
Abu
...
Princess
John Justin ...
Ahmad
...
Miles Malleson ...
Sultan
Morton Selten ...
The Old King
Mary Morris ...
Halima / Six-Armed Lady
Bruce Winston ...
The Merchant
Hay Petrie ...
Astrologer
Adelaide Hall ...
Singer
Roy Emerton ...
Jailer
Allan Jeayes ...
The Story Teller
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Storyline

Prince Ahmad is the rightful King of Bagdad but he has been blinded and cast out as a beggar. Now a captive of the wicked Grand Vizier Jaffar he is cast into a dungeon where he meets Abu, the best thief in all Bagdad. Together they escape and set about a series of adventures that involve a Djinni in a bottle, a mechanical flying horse, an all-seeing magic jewel, a flying carpet and a beautiful princess. Written by Steve Crook <steve@brainstorm.co.uk>

Plot Summary | Add Synopsis

Plot Keywords:

thief | king | flying | princess | prince | See All (168) »

Taglines:

The Wonder Picture of All Time See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 December 1940 (USA)  »

Also Known As:

Le voleur de Bagdad  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

When filming began in the US, the stricter censorship codes of the Hays Office there were applied. One of the most obvious differences between the scenes shot in the UK and those filmed in the USA is that the tops of the actresses' costumes were buttoned up all the way to satisfy the Hays Office. That kind of clue makes it easier to identify the US-shot scenes than trying to spot differences in the sets. See more »

Goofs

The wires used to suspend the flying carpet are visible in the last scene of Abu on the carpet. The film was originally shot in three strip Technicolor, with prints made using a dye transfer process that resulted in a slight reduction in overall resolution. This reduction in resolution hid the wires in original prints, making them invisible. Modern prints, especially on Hi-Def DVDs, have restored the resolution making the support wires plainly visible. See more »

Quotes

Astrologer: But she loves the blind man.
Jaffar: Do you call the lisping of two children in the garden love? Love she has yet to learn and I have yet to teach her.
See more »


Soundtracks

Hungarian Lullabye
(uncredited)
Music by Miklós Rózsa
Lyrics by Zoltan Korda
Sung by Adelaide Hall
See more »

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User Reviews

 
There is magic in the number three...
17 June 2003 | by (Portugal) – See all my reviews

Three flash-backs introduce the main characters (Abu, Jaffar, and the Princess) who will interact with Ahmad; three are the songs, each linked to those same characters. Three times does Ahmad pronounce the absolute word 'Time', in his declaration of love to the Princess, answering her three questions at their first of three meetings. So strong is the impression he causes, that the Princess will resist the three attempts by Jaffar to conquer her - by three successive ploys: deceit, hypnosis, and memory erasing. Yet, Jaffar owns what he describes as the three inescapable instruments of domination over a woman: the whip, the power, and the sword. Three is the number of flying entities: the mechanical-horse, the Genie, and the The Genie and the magic carpet. The Genie offers three wishes to Abu at their first of three encounters; three times does the Genie laugh loud in the mountain gorges, and three are his considerations about human frailty, before he departs. Abu overcomes three obstacles in the Temple of Dawn (armed guards, giant-spider, and giant-octopus). Three are the instruments of justice: the magical eye that shows Abu the future, the magical carpet that transports him just in time to save Ahmad and the Princess, and the bow-and-arrow to execute Jaffar. There's magic in the number three, and there is magic in this movie.


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