Prince Ahmad is the rightful King of Bagdad but he has been blinded and cast out as a beggar. Now a captive of the wicked Grand Vizier Jaffar he is cast into a dungeon where he meets Abu, the best thief in all Bagdad. Together they escape and set about a series of adventures that involve a Djinni in a bottle, a mechanical flying horse, an all-seeing magic jewel, a flying carpet and a beautiful princess. Written by
Steve Crook <firstname.lastname@example.org>
Dwarfing anything ever seen...a mountainous Genie piercing the clouds...flying horses winging over Jewelled cities...a magic carpet that spans the world like the swiftest bird. (original poster) See more »
Most of the 18 riders who clear the market prior to the Princess's procession are women. This may have been because so many men had been taken into the British armed forces. See more »
The wires used to suspend the flying carpet are visible in the last scene of Abu on the carpet. The film was originally shot in three strip Technicolor, with prints made using a dye transfer process that resulted in a slight reduction in overall resolution. This reduction in resolution hid the wires in original prints, making them invisible. Modern prints, especially on Hi-Def DVDs, have restored the resolution making the support wires plainly visible. See more »
Strange how an unpleasant child can make a decent dog!
See more »
Still a Solidly Wonderful Fantasy After Sixty-Plus Years
The story of the boy thief of Bagdad (as it was once spelled) has attracted filmmakers from Raoul Walsh in 1924, who starred Douglas Fairbanks in the first, silent, rendering of "Thief of Bagdad," to less imposing, more recent attempts. The best, however, remains 1940's version which for its time was a startling, magical panoply of top quality special effects. Those effects still work their charm.
No less than six directors are listed for the technicolor movie which starred Sabu as the boy thief, Abu, John Justin as the dreamily in love deposed monarch, Ahmad and June Duprez as the lovely princess sought by Ahmad and pursued by the evil vizier, Jaffar, played by a sinister Conrad Veidt. The giant genie is ably acted by Rex Ingram.
Ahmad is treacherously deposed by Jaffar and when later arrested by that traitorous serpent, he and the boy, Abu, suffer what are clearly incapacitating fates. Ahmad is rendered blind and Abu becomes a lovable mutt. Their adventures through the gaily decorated Hollywood backlots are fun but the special effects make this film work.
Two men were responsible for everything from a magic flying carpet to the gargantuan genie who pops out of a bottle with a tornado-like black swirl: Lawrence W. Butler and Tom Howard. (Howard, incidentally, did the special effects for the 1961 version of this film. Both men had long and distinguished careers in technical wizardry.)
Duprez is outstandingly lovely while little called on for serious acting. Justin's Ahmad projects a driven but dreamy romanticism untouched by erotic impulses. Sabu is really the central actor in many scenes and he's very good. For a movie meant for kids as well as adults there's a fair amount of violence but of the bloodless kind. Still, I don't think anyone under eight ought to see "Thief of Bagdad."
This film makes periodic appearances on TV but today my teenage son and I saw it in a theater with quite a few youngsters present. It was great to see computer-besotted kids in an affluent community respond with cheers and applause to special effects that must seem primitive to them.
"Thief of Bagdad" is a pre-war Hollywood classic from a time when strong production values often resulted in enduringly attractive and important releases. This is one of the best of its kind.
55 of 63 people found this review helpful.
Was this review helpful to you?