Sinbad and his crew intercept a homunculus carrying a golden tablet. Koura, the creator of the homunculus and practitioner of evil magic, wants the tablet back and pursues Sinbad. Meanwhile... See full summary »
John Phillip Law,
Upon moving into the run-down Spiderwick Estate with their mother, twin brothers Jared and Simon Grace, along with their sister Mallory, find themselves pulled into an alternate world full of faeries and other creatures.
Prince Ahmad is the rightful King of Bagdad but he has been blinded and cast out as a beggar. Now a captive of the wicked Grand Vizier Jaffar he is cast into a dungeon where he meets Abu, the best thief in all Bagdad. Together they escape and set about a series of adventures that involve a Djinni in a bottle, a mechanical flying horse, an all-seeing magic jewel, a flying carpet and a beautiful princess. Written by
Steve Crook <firstname.lastname@example.org>
Most of the 18 riders who clear the market prior to the Princess's procession are women. This may have been because so many men had been taken into the British armed forces. See more »
The Sultan of Basra's palace has many decorations in the form of Hindu iconography, which would be found in India, but not in the ancient Middle East. (It was considered "Oriental" enough to pass by a 1940s audience, but stands out for a modern audience.) See more »
But she loves the blind man.
Do you call the lisping of two children in the garden love? Love she has yet to learn and I have yet to teach her.
See more »
Probably the best "Arabian Nights" film ever made.
Most of the genre of "Arabian Nights" films were silly, cheesy, low-budget things, like "The Prince Who Was A Thief" starring Tony Curtis as an Arabian prince with a Brooklyn accent. This is an exception: A genuinely magical film, one of the best fantasy films ever made.
A beautiful film made in the most glowing of technicolors, it tells the simple story of a boy thief (Sabu) meeting a dethroned prince (the gorgeous John Justin), and helping him defeat the wonderfully evil usurper Conrad Veidt. Like "The Wizard of Oz" made the year before, the performances are so good that you believe in what you see on the screen. Flying carpets and horses, towering genies, dancing idols, it all seems perfectly believable and exiting. A classic.
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