The battle of the sexes and relationships among the elite of Britian's industrial Midlands in the 1920s. Gerald Crich and Rupert Berkin are best friends who fall in love with a pair of ... See full summary »
Joan Webster is an ambitious and stubborn middle-class English woman determined to move forward since her childhood. She meets her father in a fancy restaurant to tell him that she will ... See full summary »
Pip, a good-natured, gullible young orphan, lives with kind blacksmith Joe Gargery and his bossy, abusive wife 'Mrs. Joe'. When the boy finds two hidden escaped galley convicts, he obeys under -probably unnecessary- threat of a horrible death to bring the criminals food he must steal at peril of more caning from the battle-ax. Just when Pip fears to get it really good while they have guests, a soldier comes for Joe who takes Pip along as assistant to work on the chains of escaped galley-convicts, who are soon caught. The better-natured one takes the blame for the stolen food. Later Pip is invited to became the playmate of Estelle, the equally arrogant adoptive daughter of gloomy, filthy rich Miss Havisham at her estate, who actually has 'permission' to break the kind kid's heart; being the only pretty girl he ever saw, she wins his heart forever, even after a mysterious benefactor pays through a lawyer for his education and a rich allowance, so he can become a snob in London, by now '... Written by
David Lean was not a particularly well-read man, and only became aware of the power of Charles Dickens' story when his wife Kay Walsh dragged him along to a theatrical production of "Great Expectations" in 1939. Incidentally, playing Herbert Pocket in this production, was a young Alec Guinness, whom Lean subsequently cast in the same role in the film version. Aside from bit parts, it was Guinness' first major screen role and was also the first of six films he made with Lean. Martita Hunt was also in the stage production, playing Miss Havisham, a role she reprised in the film. See more »
As Pip and Herbert Pocket navigate the rowboat carrying Magwitch to the buoy, its light blinks, signifying that it's electrical; electricity was not in use in early 19th century England. See more »
[welcoming Pip to her decaying mansion]
Come nearer. Let me look at you. Come close. Look at me. You aren't afraid of a woman who has never seen the sun since before you were born?
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The identity of the actress playing Molly is never revealed, because this would constitute a spoiler. See more »
I came to watch this film with no knowledge of the book, having never read it and only the vaguest knowledge of a couple of the characters - Magwitch the escaped convict and the jilted Miss Haversham. I had absolutely no idea how events would turn out or what would happen to the characters involved. Good for me - no baggage!!
Taken, then, in its own right I can say that I was quite staggered at the overall quality of this film in every respect and from the very opening shots: The acting, cinematography, costumes, sets, lighting, effects etc. etc. were all perfect and gave no hint of the film's vintage. Surprise surprise (or maybe no surprise), the storyline was quite superb - the ripe 'Dickensian' dialogue was a pleasure to hear and the plot was intelligent and interesting while maintaining a steady pace throughout.
All in all, a very pleasant experience for me and I'm glad it eventually found its way onto my radar!
So - a timeless masterpiece in my opinion and well worth watching by anyone looking for a break from modern CGI-laden disaster/action movies or who do not want to see yet another instance of the Americans saving the world from extra-terrestrial menace.
Nine out of ten without a moment's hesitation....
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