Great Expectations (1946)

A humble orphan suddenly becomes a gentleman with the help of an unknown benefactor.

Director:

David Lean

Writers:

Charles Dickens (by), David Lean (adapted for the screen by),

Stars:

John Mills, Tony Wager, Valerie Hobson

Won 2 Oscars. Another 2 wins & 3 nominations.

Cast

Cast overview, first billed only:
John Mills	...	Pip
Tony Wager	...	Young Pip (as Anthony Wager)
Valerie Hobson	...	Estella
Jean Simmons	...	Young Estella
Bernard Miles	...	Joe Gargery
Francis L. Sullivan	...	Mr. Jaggers
Finlay Currie	...	Magwitch
Martita Hunt	...	Miss Havisham
Alec Guinness	...	Herbert Pocket
Ivor Barnard	...	Mr. Wemmick
Freda Jackson	...	Mrs.Joe
Eileen Erskine	...	Biddy
George Hayes	...	Convict
Hay Petrie	...	Uncle Pumblechook
John Forrest	...	The Pale Young Gentleman

Storyline

Pip, a good-natured, gullible young orphan, lives with kind blacksmith Joe Gargery and his bossy, abusive wife 'Mrs. Joe'. When the boy finds two hidden escaped galley convicts, he obeys under -probably unnecessary- threat of a horrible death to bring the criminals food he must steal at peril of more caning from the battle-ax. Just when Pip fears to get it really good while they have guests, a soldier comes for Joe who takes Pip along as assistant to work on the chains of escaped galley-convicts, who are soon caught. The better-natured one takes the blame for the stolen food. Later Pip is invited to became the playmate of Estelle, the equally arrogant adoptive daughter of gloomy, filthy rich Miss Havisham at her estate, who actually has 'permission' to break the kind kid's heart; being the only pretty girl he ever saw, she wins his heart forever, even after a mysterious benefactor pays trough a lawyer for his education and a rich allowance, so he can become a snob in London, by now '...

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Plot Keywords:

benefactor | blacksmith | orphan | boy | secret | 

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Taglines:

NOW The Screen Fulfills Your Greatest Expectations...In ACTION! In ADVENTURE! In ROMANCE!

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Genres:

Drama | Romance

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Certificate:

Not Rated

Details

Country:

UK

Language:

English

Release Date:

26 December 1946 (UK)

Also Known As:

Grandes Esperanças

Filming Locations:

D&P Studios, Denham Studios, Denham, Buckinghamshire, England, UK

Company Credits

Production Co:

Cineguild

Technical Specs

Runtime:

118 min

Sound Mix:

Mono (Western Electric Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Valerie Hobson also played Estella's mother Molly.

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Goofs

As Pip and Herbert Pocket navigate the rowboat carrying Magwitch to the buoy, its light blinks, signifying that it's electrical; electricity was not in use in early 19th century England.

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Quotes

Magwitch: Keep still, you young devil, or I'll slit your throat!

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Crazy Credits

Martita Hunt plays Miss Havisham, and receives screen credit for it, but she can also be heard as the voice of the cow who, in Pip's mind, disapproves of him stealing food to give to Magwitch ("Somebody else's pork pie!"). She receives no screen credit for playing the voice of the cow.

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Connections

Version of The Boy and the Convict. (1909)

User Reviews

A miracle of invention, economy and detail

This adaptation of Charles Dickens's classic novel, directed by David Lean from a script he co-adapted, and photographed by Guy Green, is a miracle of invention, economy and detail. Every piece on every set; every line of dialogue; every gesture and line reading of every actor; every black-and-white frame of this beautiful film seems perfect. Dickens's characters, situations and themes are all vividly dramatized. Pip, Pocket, Joe, Mr. Jaggers, Magwitch and—unforgettably—Miss Havisham, are all here and all ready to move, amuse, frighten and entertain anyone willing to spend time with them.

I haven't read the book since I was thirteen. I vividly remember Miss Havisham, but I don't remember noting the contrast between her and Magwitch, the ex-convict. She becomes bitter and vengeful after a great heartbreak; he becomes great of heart through one small act of kindness. That's what made the movie for me this time; but clearly there's richness to spare for future viewings.

There is so much here not only for Dickens fans, but for anyone who loves movies. I especially liked that shot from Pip's point of view as he becomes sick. It's the kind of crazy effect beloved of filmmakers, too; but I love it not so much for itself, but for being the right shot at the right moment. Some directors hide, others show off, but directors like David Lean know how to do both and know when to do which.