At Maria Vargas' funeral, several people recall who she was and the impact she had on them. Harry Dawes was a not very successful writer/director when he and movie producer Kirk Edwards ... See full summary »
Joseph L. Mankiewicz
A writer meets a young socialite on board a train. The two fall in love and are married soon after, but her obsessive love for him threatens to be the undoing of both them and everyone else around them.
Lora May Hollingsway, who grew up next to the wrong side of the tracks, married her boss who thinks she is just a gold digger. Rita Phipps makes as much money writing radio scripts at night as her school teacher husband does. Deborah Bishop looked great in a Navy uniform in WWII but fears she'll never be dressed just right for the Country Club set. These three wives are boarding a boat filled with children going on a picnic when a messenger on a bicycle hands them a letter addressed to all three from Addie who has just left town with one of their husbands. They won't know which one until that night. Written by
Dale O'Connor <email@example.com>
Joan Crawford was considered for the offscreen role of Addie Ross. See more »
The wire used to tip over the glass is visible. See more »
Of all the times to quit a job, just before Christmas with all the bills due and five months due on the icebox!
You got to make up your mind whether you want your kids happy or your icebox paid up.
See more »
There's no doubt about it: "Letter to Three Wives" is, to use a character quote from the script, a "Bingo!"
I agree that the screenplay, directing, acting, and general production are all excellent. What a pleasure to see how well it holds up after so many years.
Constantly engaging, a powerhouse, perfect cast offers beautifully modulated performances, and the writing is creatively brilliant.
I'd forgotten what an effective actor is Paul Douglas. Like Thelma Ritter (also in the cast) he seems like an ordinary guy from real life, not even "acting." Both he and Ritter are "naturals," in that they just seem to "live" their parts, never showing their technique.
Plaudits also go to Linda Darnell, whose scenes with Douglas are gems, as well as veterans Ann Southern, Jeanne Crain and Kirk Douglas. Their casting couldn't have been bettered.
Here's a film that seems to, like fine wine, grow increasingly better with age. It's becoming (if has not already become) a genuine classic.
30 of 35 people found this review helpful.
Was this review helpful to you?