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The Prisoner of Zenda (1937)

Approved  |   |  Adventure, Drama, Romance  |  3 September 1937 (USA)
7.8
Your rating:
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Ratings: 7.8/10 from 3,093 users  
Reviews: 41 user | 7 critic

An Englishman on a Ruritarian holiday must impersonate the king when the rightful monarch, a distant cousin, is drugged and kidnapped.

Directors:

, (uncredited)

Writers:

(celebrated novel), (screen play), 5 more credits »
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Title: The Prisoner of Zenda (1937)

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Nominated for 2 Oscars. Another 1 win & 1 nomination. See more awards »
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Cast

Complete credited cast:
...
...
...
...
...
...
...
Montagu Love ...
Philip Sleeman ...
Albert von Lauengram
Eleanor Wesselhoeft ...
Frau Holf - Cook
Florence Roberts ...
Duenna (scenes deleted)
Torben Meyer ...
Max - Butler
Rest of cast listed alphabetically:
Arthur Byron ...
(scenes deleted)
Francis Ford ...
(scenes deleted)
Margaret Tallichet ...
(scenes deleted)
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Storyline

This is a classic swashbuckler. Rudolph Rassendyll, Rudolf V's identical distant cousin, is asked to risk his life and impersonate the would-be king when his relative is kidnapped before his impending coronation. If Rudolf V isn't present at the ceremony, he will forfeit the crown to his younger brother. Complications ensue when Princess Flavia, the cousin's betrothed, begins to notice a "personality change" in her fiancé. Written by Albert Sanchez Moreno <a.moreno@mindspring.com>

Plot Summary | Plot Synopsis

Taglines:

The most thrilling swordfight ever filmed... See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

3 September 1937 (USA)  »

Also Known As:

Der Gefangene von Zenda  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The Persian word for "prison" is "zendân". See more »

Goofs

The sword fight in the castle of Zenda between Coleman and one of the king's guards appears to be with rapiers, however when the fight is picked up again in the outside room the rapiers have become sabers - necessary in order to cut the rope of the drawbridge. See more »

Quotes

Rudolph Rassendyll: My work here is done.
See more »

Connections

Referenced in Love with the Proper Stranger (1963) See more »

Soundtracks

On the Beautiful Blue Danube, Op.314
(1866) (uncredited)
Written by Johann Strauß
Whistled by Wilhelm von Brincken
See more »

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User Reviews

 
A classic with class
21 February 2002 | by (Los Angeles, CA) – See all my reviews

If anyone wants to see an excellent movie made before the banner cinematic year of 1939, this would be a film to watch. It could hardly have gone wrong, with David O. Selznick as producer and John Cromwell as director. And a superlative cast of popular stalwarts, mostly from Hollywood's British colony. Ronald Colman is his usual smooth and accomplished self in a dual role, King Rupert (of some fictitious country) and look-alike Englishman Rudolph Rassendyll, very distant cousins. The scenes in which he faces himself onscreen – called `trick photography' then – are remarkable for the period. Lovely Madeleine Carroll plays a princess, betrothed to the king. Her equal in elegance and beauty wasn't seen on the screen again until Audrey Hepburn and Julie Andrews. Many critics have praised Douglas Fairbanks, jr, as a likeable rogue. He's very good, in an easy role. My applause goes to the two stars. The film is a glamorous combination of romance, spectacle and adventure. Don't even dream of realism; there was too much realism in ordinary life during most of the Thirties. This is a grand escape to a time and place that never were. If I had to pick a favorite scene in the film, it would be the famous entrance of Colman and Carroll into the coronation ball. The shot opens on the couple, walking fast, arm in arm, directly toward us. The camera pulls back and back and BACK until the grand staircase of the palace and the entire ballroom, filled with people, are revealed. Visually and technically, this single fluid shot is a stunning achievement. It shows us the creative work that could be done at the time, by hugely talented artists, long before the advent of zoom lenses and computer graphics. Elegance and class are not hallmarks of most current movies. `The Prisoner of Zenda' (1937) is a stylish and very satisfying example – a symbol, perhaps – of what escapist entertainment can be. And of what it could and should be, now and then, even today.


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