Anthony Hope's classic tale gets a decidedly 'un-classic' treatment at the hands of Peter Sellers. Following the story somewhat, friends of the new King Rudolph of Ruritania fear for his ... See full summary »
Owner of Zenda, Inc., a successful business empire, disappears. His son is about to inherit the company, but a kid who looks just like him takes over the young man's identity and the company. The "good" kid now must get his life back.
Richard Lee Jackson
A woman is relieved to learn she is not dying of radium poisoning as earlier assumed, but when she meets a reporter looking for a story about a young girl braving terminal illness, she feigns sickness again for her own profit.
William A. Wellman
This is a classic swashbuckler. Rudolph Rassendyll, Rudolf V's identical distant cousin, is asked to risk his life and impersonate the would-be king when his relative is kidnapped before his impending coronation. If Rudolf V isn't present at the ceremony, he will forfeit the crown to his older half-brother. Complications ensue when Princess Flavia, the king's cousin and betrothed, begins to notice a "personality change" in her fiancé. Written by
Albert Sanchez Moreno <firstname.lastname@example.org>
When Antoinette de Mauban leaves the dungeon after caring for the imprisoned king, Rupert bows to her and quotes a poem. It's an abbreviated version from Walter Scott: "O woman! in our hours of ease Uncertain, coy, and hard to please, And variable as the shade By the light quivering aspen made; When pain and anguish wring the brow, A ministering angel thou!" See more »
Colman's hairstyle changes during the scene on the terrace with Madeleine Carroll. In the brief dialogue with Aubrey Smith, his hair is longer and swept back. Presumably this part of the scene had to be re-shot a few weeks later. See more »
John Cromwell's direction sparks this entry into " The Prisoner of Zenda" This film redone by MGM with James Mason as Black Michael and in colour( Color)
This version has more wit and sweep even though its in black and white. For sure the screenwriters and Cromwell made Doug Fairbanks Jr into more of a rascal than a criminal and of course he escaped in the final reel. I like Coleman and Carroll in their leading roles as well as C A. Smith and Niven as the co conspirators
Raymond Massey looks like he is uncomfortable with his lines and would rather be doing Hamlet Nevertheless this is the best version and it still has legs and looks more Gothic than the MGM Vehicle which is saturated in colors and may cause headaches after the first reel
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