The poet Missak Manouchian leads a mixed bag of youngsters and immigrants in a clandestine battle against the Nazi occupation. Twenty-two men and one woman fighting for an ideal and for ... See full summary »
In May 1944, a group of French servicewomen and resistance fighters are enlisted into the British Special Operations Executive commando group under the command of Louise Desfontaines and ... See full summary »
The extraordinary true story of Oliver Woodward. It's 1916 and Woodward must tear himself from his new young love to go to the mud and carnage of the Western Front. Deep beneath the German ... See full summary »
Steve Le Marquand
Near the end of World War II, 14-year-old Michiel becomes involved with the Resistance after coming to the aid of a wounded British soldier. With the conflict coming to an end, Michiel ... See full summary »
Yorick van Wageningen,
Jamie Campbell Bower
An investigation of the massacre of 24 men, women and children in Haditha, Iraq allegedly shot by 4 U.S. Marines in retaliation for the death of a U.S. Marine killed by a roadside bomb. The movie follows the story of the Marines of Kilo Company, an Iraqi family, and the insurgents who plant the roadside bomb.
The poet Missak Manouchian leads a mixed bag of youngsters and immigrants in a clandestine battle against the Nazi occupation. Twenty-two men and one woman fighting for an ideal and for freedom. News of their daring attacks, including the assassination of an SS general, eventually reaches Berlin. Written by
American Film Market
Henri Krasucki, part of the Manouchian group, was the general secretary of the French Communist Party from 1982 to 1992. See more »
When showed up to the press after being arrested in November 1943, a member of the group tells a policeman the FFI will avenge them when they come. The FFI (Forces Francaises de l'Interieur) was regrouping several resistance groups and was created in 1944. See more »
Sharing, from a safe cinema seat, the anguish of an occupied people gave us a view of how we might behave in such terrible circumstances. The villains are not the Germans but the French people themselves. The real horror is not in the big scenes of torture but the ordinariness of the concierge cheerfully denouncing people in her own building. The French are still living today with the guilt of all that and this film is one of the rare examples of a frank look at this from the inside. I called it a "worthy" film which carries the film-makers problem of telling a tough story but still needing to seduce an audience into the cinema. The Picture House had a very small audience when I saw it tonight.
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