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Silent Movie (1976)

 -  Comedy  -  16 June 1976 (USA)
6.7
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Ratings: 6.7/10 from 11,050 users  
Reviews: 53 user | 34 critic

A film director and his strange friends struggle to produce the first major silent feature film in forty years.

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(screenplay), (screenplay), 3 more credits »
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Title: Silent Movie (1976)

Silent Movie (1976) on IMDb 6.7/10

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Nominated for 4 Golden Globes. Another 1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
...
Studio Chief
...
Engulf
...
Devour
...
Vilma Kaplan
...
Pregnant Lady
Liam Dunn ...
Newsvendor
Fritz Feld ...
Maitre d'
...
Studio Gate Guard
...
Intensive Care Nurse
Yvonne Wilder ...
Studio Chief's Secretary
Harry Ritz ...
Man in Tailor Shop
...
Blindman
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Storyline

Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them. The film contains only one word of dialogue, spoken by an unlikely source. Written by Scott Renshaw <as.idc@forsythe.stanford.edu>

Plot Summary | Plot Synopsis

Genres:

Comedy

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Release Date:

16 June 1976 (USA)  »

Also Known As:

La última locura de Mel Brooks  »

Box Office

Budget:

$4,400,000 (estimated)

Gross:

SEK 7,052,046 (Sweden)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The cameo in this film was the last movie appearance for Harry Ritz, whom Mel Brooks described as "the funniest man on Earth" and one of his strongest comedic influences. See more »

Goofs

When Mel's car is lowered when the pregnant lady steps off, a small set of wheels can be seen below the car. These small wheels raise and low the front wheels of the car. See more »

Quotes

Mel Funn: [via title card] Marry me and you will never have to take your clothes off again.
See more »

Crazy Credits

When the movie starts, the word ''HELLO'' can be seen. Then the camera zooms on the O and Hollywood can be seen. See more »

Connections

Referenced in Johnny Dangerously (1984) See more »

Soundtracks

Rio Bomba Bossa Nova
Composed by John Morris
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Minor Mel Worth A Chuckle
11 February 2014 | by (Greenwich, CT United States) – See all my reviews

Don't expect too much from this Mel Brooks send-up of silent comedy and, well, you'll probably still be disappointed. Just not as much.

Mel Funn (Brooks) is an out-of-work movie director who has an idea for how to get back in the business: Make the first silent movie in over 40 years. To get the backing of Big Picture Studios, Mel and partners Marty Eggs (Marty Feldman) and Dom Bell (Dom DeLuise) set about signing Hollywood stars to the project. Can Mel stay off the sauce long enough to see it through?

"Silent Movie" was Brooks' first film after owning 1974 with "Blazing Saddles" and "Young Frankenstein"; as a result he could do pretty much whatever he wanted. You want to do a silent movie, Mel? Sure, why not? Well, maybe because Brooks' type of comedy was more verbal than visual. "Silent Movie" too often plays like a movie whose maker thinks it's funnier than it really is.

Take the cameo appearances of several big-name stars, another sign of Brooks' clout. Burt Reynolds has fun playing up his own ego, and so we do, too, while mime Marcel Marceau gets the funniest line in the picture (also the only line.) But the other stars brought in - Paul Newman, James Caan, Liza Minnelli, and Anne Bancroft - showcase their amiability more than their comedy potential.

The physical comedy gets really labored and obvious at times, not what you got watching the silent clowns, or even "Blazing Saddles." When Mel and his two buddies try to recruit Liza, for example, they dress as knights in bulky suits of armor. Instead of engaging Minnelli in conversation while trying to look natural in their odd attire, the three just bumble around in a commissary, knocking down tables and chairs until Liza pulls a face, recognizes Mel, and asks to be in his movie. End scene.

This strained gagginess extends to various sight gags. When we see a nurse in a hospital reading a smutty book, we can see patients on monitors behind her falling out of their beds, crying for help, etc. It's not much of a joke, but Brooks the director then pans over to put these monitors in close-up for a few seconds.

The movie does have moments of genuine funniness, albeit in the same patchy way as the later Brooks' comedies "High Anxiety" and "History Of The World Part I." When we first see Mel driving down a street, a card tells us we are in "Hollywood, Film Capital of Greater Los Angeles." The plaque on the door of Big Pictures' boss (Sid Caesar) reads "Current Studio Chief."

Caesar is pretty funny, too, as is Bernadette Peters as a sexy vamp who is sicced on Mel to take his mind off the movie. I love her big entrance, on stage inside a giant banana, from which she is peeled to deliver her silent catchphrase: "Ba-Ba-Loo!" Both Marty and Dom make for enjoyable company throughout, although they don't do much more than ogle ladies (Marty) or eat (Dom). In the technical department, John Morris's score and Paul Lohmann's cinematography are non-distractingly enjoyable.

The big negative in this film, as with "High Anxiety," is Brooks. There is no funnier white person in living history, but he doesn't work as an actor, even in a farce. He's always smiling too much, pressing too hard to show us what a nice guy he is. Of course, it doesn't help that he's his own director here. (Brooks did better work as the lead in the 1983 remake of "To Be Or Not To Be," which he didn't direct.)

"Silent Movie" is funny enough in spots and has enough of that old Brooks magic to make it pleasant if forgettable viewing. You can't help wanting more, but if you are like me, you're almost satisfied to get what you do.


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