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Silent Movie (1976)

 -  Comedy  -  16 June 1976 (USA)
6.7
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Ratings: 6.7/10 from 10,650 users  
Reviews: 54 user | 33 critic

A film director and his strange friends struggle to produce the first major silent feature film in forty years.

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(screenplay), (screenplay), 3 more credits »
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Title: Silent Movie (1976)

Silent Movie (1976) on IMDb 6.7/10

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Nominated for 4 Golden Globes. Another 1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
...
Studio Chief
...
Engulf
...
Devour
...
Vilma Kaplan
...
Pregnant Lady
Liam Dunn ...
Newsvendor
Fritz Feld ...
Maitre d'
...
Studio Gate Guard
...
Intensive Care Nurse
Yvonne Wilder ...
Studio Chief's Secretary
Harry Ritz ...
Man in Tailor Shop
...
Blindman
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Storyline

Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them. The film contains only one word of dialogue, spoken by an unlikely source. Written by Scott Renshaw <as.idc@forsythe.stanford.edu>

Plot Summary | Plot Synopsis

Genres:

Comedy

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Release Date:

16 June 1976 (USA)  »

Also Known As:

La última locura de Mel Brooks  »

Box Office

Budget:

$4,400,000 (estimated)

Gross:

SEK 7,052,046 (Sweden)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Brooks and his writers concoct a sight gag they loved, in which the customers at a seafood restaurant would be human-sized lobsters, who pick terrified humans out of an aquarium to be cooked for dinner. However, the gag bombed at sneak previews and was deleted. See more »

Goofs

When Mel's car is lowered when the pregnant lady steps off, a small set of wheels can be seen below the car. These small wheels raise and low the front wheels of the car. See more »

Quotes

Mel Funn: [seen as an insert title] Mr. Marceau, how would you like to appear in the first silent movie made in nearly fifty years?
Marcel Marceau: [in French, the only spoken line in the film] Non!
Dom Bell: [seen as an insert title after Mel hangs up the phone] What did he say?
Mel Funn: [seen as an insert title] I don't know. I don't speak French!
See more »

Crazy Credits

At the opening credits, the 20th Century Fox logo is shown on a billboard, past which Mel Brooks drives. Then the credits begin. See more »

Connections

Referenced in Johnny Dangerously (1984) See more »

Soundtracks

Brazil
Music by Ary Barroso
Dance performed by Bernadette Peters
refrain briefly played by orchestra when Vilma is holding the audience at the sneak preview
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Go-For-Broke Gagfest
22 May 2010 | by (Cincinnati, OH, United States) – See all my reviews

I suppose if anything epitomizes the style of Mel Brooks it is audacity, obscenity and a forthright quality that others seem either reluctant to use or often overplay with disastrous results. Brooks will do anything for a laugh. Anything. He is, for all intents and purposes, incapable of embarrassment. He's a rabble-rouser. His movies abide in a world in which everything is likely, especially the outrageous, and Silent Movie, where Brooks makes a bountiful aesthetic gamble and pulls it off, makes me laugh abundantly. On the Brooks calibration of amusement, I laughed not too radically more or less than at Young Frankenstein, Blazing Saddles or The Producers. It just doesn't have the subversive and ironic panache of those classic films.

Brooks' fifth film as director, Silent Movie is streamlined fun. It's obvious in almost every shot that the filmmakers had a party making it. It's set in Hollywood, where Big Pictures Studio lurches on the brink of Chapter 11 and a merger with the mammoth Engulf and Devour syndicate, a daintily disguised reference to Gulf+Western's Paramount takeover. Enter Mel Funn (guess who), a has-been director whose career was stopped cold by drunkenness, who pledges to salvage the studio by persuading Hollywood's biggest stars to make a silent movie. This is a scenario that results in countless inside jokes, but the thing about Brooks's inside jokes is that their outsides are funny as well.

The wild bunch of Mel, Dom DeLuise and Marty Feldman embark to charm the superstars, resulting in the shower of one, who counts his hands, confused, and discovers he has eight; and swooping another out of a nightclub audience. There are several "actual" stars in the movie, but the fun is in not knowing who's next. Everything transpires surrounded by a glossary of sight gags, classic and original. There are bits that don't work and durations of up to a minute, I guess, when we don't laugh, but a minute can feel pretty long. Perhaps it is Brooks' desire to control all that displaces an objective view of what will work.

Nevertheless, in a movie overflowing with skillful Chaplin-, Keaton- and Laurel and Hardy-inspired set pieces, these parts are the chef d'oeuvre: Right before seeing the Studio Chief, Mel and his friends cross their fingers for good luck, and Mel can't uncross his. He shakes hands with the Chief, and the Chief's fingers are crossed rather than Mel's. The Chief then passes this crossed state to his secretary's fingers the same way. Another running gag is obvious discrepancy between the title cards and what the characters are really saying. The spoken lines are inaudible, as it is indeed a silent movie, but they can be clearly lipread. At one point Brooks asserts misgivings about DeLuise's idea of a silent movie by shouting "That's crazy!" as well as an agitated mouthful, but the screen says "Maybe you're right." In another scene, Marty hits on a nurse but gets slapped. When he gets back in the car, Mel obviously mouths a curse word, although the screen says "You bad boy!" And then there's the scene where Feldman and DeLuise haphazardly unplug and plug in his heart monitor various times, winding up changing the screen to a ping pong game and playing while the Chief flatlines and recovers over and over. Brooks stands outside the majority of Jewish comics and filmmakers in his lack of self-derision and in the success of his main characters, but still, humor is his own defense mechanism against the world, and he goes for broke.


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