A diplomat is nearly assassinated. In order to save him, a submarine is shrunken to microscopic size and injected into his blood stream with a small crew. Problems arise almost as soon as they enter the bloodstream.
When Adams and his crew are sent to investigate the silence from a planet inhabited by scientists, he finds all but two have died. Dr. Morbius and his daughter Altaira have somehow survived a hideous monster which roams the planet. Unknown to Adams, Morbius has made a discovery, and has no intention of sharing it (or his daughter!) with anyone. Written by
David Rose, composer of light orchestral music such as "Holiday For Strings", was originally hired to write the score. He was relieved of his contract by producer Dore Schary in December 1955 when Schary discovered avant-garde electronic music creators Louis Barron and Bebe Barron in a nightclub in Greenwich Village, New York, and hired them on the spot. The only confirmed piece of music which still remains from Rose's discarded original score is his Main Title Theme, which he released as a single on MGM Records in 1956. See more »
Dr. Morbius invites Commander Adams to try his blaster on the Krell metal door. Cmdr. Adams inspects the result after firing, but he's not touching the spot where the beam hit the door. See more »
Commander John J. Adams:
Alta, about a million years from now the human race will have crawled up to where the Krell stood in their great moment of triumph and tragedy. And your father's name will shine again like a beacon in the galaxy. It's true, it will remind us that we are, after all, not God.
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Sorry "Star Wars"--the greatest Science Fiction film ever
Sure Star Wars (a movie I have seen at least fifty times) beats all the others in special effects, but this film has every thing else!
It has horror(non-graphical), romance, robots, witty repartee, intelligence, (surprisingly good) special effects, and drama.
I saw this film a couple of years ago in a revival with a newly struck print, and I was amazed at how well it held up today. I thought the old 40's style electronics would look hokey, but they somehow looked futuristic and moderne.
Ann Francis in here (mostly) short skirts and bare feet with a girlish innocence that is hard to beat still gets a rise out of me.
The Krell monster appearing in the ray beams still scares the bejebees out of me.
Of course we all know that the "Great Bird of the Galaxy" probably modeled much of "Star Trek" from this movie.
No one has yet to beat Robby, the Robot, in terms of personality
(sorry, R2D2 and C3PO).
This movie, overall, is the standard that all other Science Fiction films will have to measure up to!
Honorable mention for the haunting electronic score which kept us all on pins and needles.
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