It's 1649: Mazarin hires the impoverished D'Artagnan to find the other musketeers: Cromwell has overthrown the English king, so Mazarin fears revolt, particularly from the popular Beaufort.... See full summary »
This is the sequel to "Romancing the Stone" where Jack and Joan have their yacht and easy life, but are gradually getting bored with each other and this way of life. Joan accepts an ... See full summary »
Roistering sea captain Jonathan Clark, who poaches seal pelts from Russian Alaska, meets and woos Russian countess Marina in 1850 San Francisco. Events separate them, but after an exciting ... See full summary »
The three best of the disbanded Musketeers - Athos, Porthos, and Aramis - join a young hotheaded would-be-Musketeer, D'Artagnan, to stop the Cardinal Richelieu's evil plot: to form an ... See full summary »
A prisoner of war working at a zoo gets the chance to escape from the Germans, so he does and he takes with him the elephant that he's been caring for. Together they head for the Swiss border and freedom.
Michael J. Pollard
The young D'Artagnan arrives in Paris with dreams of becoming a king's musketeer. He meets and quarrels with three men, Athos, Porthos, and Aramis, each of whom challenges him to a duel. D'Artagnan finds out they are musketeers and is invited to join them in their efforts to oppose Cardinal Richelieu, who wishes to increase his already considerable power over the king. D'Artagnan must also juggle affairs with the charming Constance Bonancieux and the passionate Lady De Winter, a secret agent for the cardinal. Written by
Eric Sorensen <Eric_Sorensen@fc.mcps.k12.md.us>
Watching this and its 'sequel' only confirms the tragedy of Oliver Reed's flirtation with the bottle, and he is just one of the wonderful cast. What is especially impressive to me is that with so much scenery available to be chewed, none of the cost set their teeth to it but act in as an ensemble.
This and "Four" represent a Victorian telling of the tale in a theater: dauntless heroes, villains that can be freely hissed and heroines worth taking up the sword to defend, and by the time Lady deWinter has strangled Constance at the end of the second part and is sent to her death, and Rochefort is vanquised, the heroes appear on stage again in the wonderful coda.
Lester creates a dirty, brawling world complete with cows, sheep, pigs and men with dirt and filth on their clothes. The dandies are on the side of wrong; those who sprawl in the mud are the good guys. Yes, it bears similarity to Hard Days Night, but Lester was more than that, as anyone who has seen Petulia will agree.
George Macdonald Fraser, who wrote the script, also created the Flashman books. In the same years as the Musketeers, there was also Royal Flash, a film I have not seen in ages.
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