It's 1649: Mazarin hires the impoverished D'Artagnan to find the other musketeers: Cromwell has overthrown the English king, so Mazarin fears revolt, particularly from the popular Beaufort.... See full summary »
The hot-headed young D'Artagnan along with three former legendary but now down on their luck Musketeers must unite and defeat a beautiful double agent and her villainous employer from seizing the French throne and engulfing Europe in war.
Paul W.S. Anderson
The story of Louis XIV of France and his attempts to keep his identical twin brother Philippe imprisoned away from sight and knowledge of the public, and Philippe's rescue by the aging ... See full summary »
During the 1900 Boxer Rebellion against foreigners in China, U.S. Army Major Matt Lewis, aided by British Consul Sir Arthur Robertson, devises a strategy to keep the rebels at bay until an international military relief force arrives.
Einar and Eric are two Viking half-brothers. The former is a great warrior whilst the other is an ex-slave, but neither knows the true identity of the other. When the throne of Northumbria ... See full summary »
The young D'Artagnan arrives in Paris with dreams of becoming a king's musketeer. He meets and quarrels with three men, Athos, Porthos, and Aramis, each of whom challenges him to a duel. D'Artagnan finds out they are musketeers and is invited to join them in their efforts to oppose Cardinal Richelieu, who wishes to increase his already considerable power over the king. D'Artagnan must also juggle affairs with the charming Constance Bonancieux and the passionate Lady De Winter, a secret agent for the cardinal. Written by
Eric Sorensen <Eric_Sorensen@fc.mcps.k12.md.us>
When in the beginning of the first fight in the Carmalite convent, D'Artagnan shouts at Porthos for a sword, calling him Aramis. See more »
Duke of Buckingham:
[the Musketeers have unwittingly rescued the Duke of Buckingham from Richilieu's men]
I could have managed on my own, but my thanks to you gentlemen anyway.
[looks after him, then to Athos]
Who was that?
I don't know, but he sounded a touch foreign to me. Didn't he?
See more »
Richard Lester has to be one of the greatest directors of comedy there ever was. There are dozens of slapstick gags and situations in this movie and almost 100% of them work. And what an opulent setting they are placed in! Lester and his cohorts have created a film in which almost every frame resembles a museum painting come to life (and gone berserk.)
Lester is better with style than relating a narrative. I found it impossible to completely comprehend the story line here, and I think if you asked most people what the movie was about, they'd tell you there was a lot of swashbuckling and general mayhem and lunacy, but I doubt they'd give you much of Dumas' story. When the style is this good, however, a little fuzziness on the substance is not a fatal flaw. Still, it might keep this picture from being an all-time classic rather than "just" a most enjoyable film.
Lester is such an auteur that his direction is the main focus of this film even with such an all-star cast. It was a wise decision (actually it seems like a no-brainer) to divide what was originally shot at one time into two films, this one and 'The Four Musketeers.' There really can be too much of a good thing, and even at under two hours, 'The Three Musketeers' threatens to be overwhelming. But on balance this film is great entertainment.
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