Soldier Joe Allen is on a two-day leave in New York, and there he meets Alice. She agrees to show him the sights and they spend the day together. In this short time they find themselves ... See full summary »
Tom Lee is a sensitive boy of 17 whose lack of interest in the "manly" pursuits of sports, mountain climbing and girls labels him "sister-boy" at the college he is attending. Head master ... See full summary »
Johnny Riggs, a con man on the lam, finds himself in a Latin-American country named Patria. There, he overhears a convent-bred rich girl praying to her guardian angel for help in managing ... See full summary »
Chronic gambler and carouser "Little" Joe Jackson is shot by Domino Johnson at Jim Henry's gambling club over an outstanding gambling debt. Little Joe's wife, the God-fearing Petunia Jackson, prays not only for her husband's mortal life, but also his eternal soul as she's afraid that if he dies now, he, despite not being an evil man, won't make it into heaven. As Little Joe is close to death, he is visited by agents of both the Lord and of Lucifer. They make a deal with him: they will give him six months to atone for the errors of his human life. Once back on Earth, he won't remember the deal but both the Lord and Lucifer will be watching over him, trying to get him to see things their way. As both sides try to get Little Joe's soul, they figure that some of the most powerful tools they have at their disposal are the women in Little Joe's life: Petunia on behalf of the Lord, and Georgia Brown, a gold-digging floozy, on behalf of Lucifer. As hard as both the Lord and Lucifer try to get... Written by
During the nightclub fight between Domino Johnson and Little Joe, the gunshot he fires accidentally hits Petunia. She falls down on the steps of the staircase, where she drapes her right arm twice over the side. See more »
This film crackles with energy from start to finish. Every moment of this film contains singing, dancing, or drama. There is so much going on in this film, and so often, that it is impossible to look away from it; its simple and timeless lessons about love, morality, misunderstandings, and forgiveness play out like little vignettes. Minnelli keeps the action moving so quickly that you can't even catch your breath. I doubt that the endearing sincerity of this film, so obvious in scenes such as when Little Joe comes home to greet Petunia, could be as genuine in today's jaded, cynical audiences. This is a wonderful, spirited film packed with talented actors. It's a shame that certain people have to point out that it's an "all-black" cast; why make skin color an issue?
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