5.8/10
143
17 user 1 critic

Beyond Paradise (1998)

PG-13 | | Drama | 30 October 1998 (USA)
A young Californian moves to Hawaii where he is befriended by three Hawaiians who show him Hawaii beyond the postcard image.

Writers:

(story), (screenplay) | 1 more credit »
Reviews
1 win. See more awards »
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Cast

Cast overview, first billed only:
Roy Newton ...
Mark Thompson
Kalani ...
Zulu
Lorenzo Callender ...
Ronnie
Daryl Bonilla ...
Keao
Priscilla K. Basque ...
Lehua (as Priscilla Basque)
Brickwood Galuteria ...
Mr. Kaneko
Troy Ignacio ...
Aku
David 'Dutch' Schultz ...
Richard Thompson (as David Schultz)
Mia Hemmings ...
Bonnie Thompson
...
Jason
Aaron Boyd ...
J.C
Watsuki Harrington ...
Maile
Robert Ogata ...
Mr. Taketa (as Robert M. Ogata)
Phil Bruneau ...
Brian
Tom Penny ...
Hippie
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Storyline

A young Californian moves to Hawaii where he is befriended by three Hawaiians who show him Hawaii beyond the postcard image.

Plot Summary | Add Synopsis

Taglines:

A world of stunning beauty and violent contrasts.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for violence and substance abuse | See all certifications »
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Details

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Release Date:

30 October 1998 (USA)  »

Also Known As:

Messze a paradicsomtól  »

Filming Locations:

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Technical Specs

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Did You Know?

Goofs

When Mark shows off his new truck to his friends after school. In one shot you see a bunch of students but in the next shot when they drive off, the school is completely empty. See more »

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User Reviews

 
This ain't the Hawaii in the travelogues
21 March 2000 | by (Newberg, Oregon) – See all my reviews

A relocated California teen (Roy Newton) faces rampant anti-white sentiment in this interesting `coming of age' drama set in the island paradise of Hawaii. The acting is fair and the drama often forced, as the well-meaning lad struggles to fit into a culture where local islanders view mainlanders as a threat and respond with aggression. This isn't the Hawaii my travel agent pitched.

This uneven effort, written and directed by first-timer David L. Cunningham, is laudable in attempt and tone but suffers from the constrictions of budget and experience. By the final reel, all the characters have either failed or suffered and there are no clear resolutions, except those espoused – all too briefly -- by a native schoolteacher.


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