In 1930's Austria, a young woman named Maria is failing miserably in her attempts to become a nun. When the Navy captain Georg Von Trapp writes to the convent asking for a governess that can handle his seven mischievous children, Maria is given the job. The Captain's wife is dead, and he is often away, and runs the household as strictly as he does the ships he sails on. The children are unhappy and resentful of the governesses that their father keeps hiring, and have managed to run each of them off one by one. When Maria arrives, she is initially met with the same hostility, but her kindness, understanding, and sense of fun soon draws them to her and brings some much-needed joy into all their lives -- including the Captain's. Eventually he and Maria find themselves falling in love, even though Georg is already engaged to a Baroness and Maria is still a postulant. The romance makes them both start questioning the decisions they have made. Their personal conflicts soon become ... Written by
When Maria and the children come back from their day of play and are singing inside, they decide who is next to sing; Captain Von Trapp. When Maria hands the Captain her guitar, it has no strings on it. While he is playing and singing, the strings will appear then disappear. See more »
The hills are alive with the sound of music / With songs they have sung for a thousand years. / The hills fill my heart with the sound of music. / My heart wants to sing every song it hears.
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The 20th Century Fox logo is played in complete silence. See more »
Sometimes there's a cultural institution about which you just don't see the big fuss, and for me, it's this film. I got dragged to it at least twice as an 8-year-old, didn't really like it then, and still don't get it. I don't think the lyrics come close to some of the Oscar Hammerstein classics, the score is not among Rodgers' best, to me at least, and having said all that, I think from what I've heard, the Broadway score is better. The film score is much heavier, less folksy. I particularly don't like the opening, the booming, over-orchestrated film version of the title song, compared to the understated stage version of the same song. I much prefer Julie Andrews overall in "Mary Poppins," and vocally, by far, in "My Fair Lady." If Christopher Plummer hated being in this movie, I think it shows. Having said all that, millions of people -- including my late mother, who rarely went to any movies, yet saw this at least three times, I think -- adore the film. So I guess I'm in the minority, but still, I have no desire to ever see this again.
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