In 1930's Austria, a young woman named Maria is failing miserably in her attempts to become a nun. When the Navy captain Georg Von Trapp writes to the convent asking for a governess that can handle his seven mischievous children, Maria is given the job. The Captain's wife is dead, and he is often away, and runs the household as strictly as he does the ships he sails on. The children are unhappy and resentful of the governesses that their father keeps hiring, and have managed to run each of them off one by one. When Maria arrives, she is initially met with the same hostility, but her kindness, understanding, and sense of fun soon draws them to her and brings some much-needed joy into all their lives -- including the Captain's. Eventually he and Maria find themselves falling in love, even though Georg is already engaged to a Baroness and Maria is still a postulant. The romance makes them both start questioning the decisions they have made. Their personal conflicts soon become ... Written by
"Sixteen Going On Seventeen" was shot in the gazebo, one of the last to be done. On the first take, Charmian Carr (Liesl) slipped while leaping across a bench, and fell through a pane of glass. Although she was not badly injured, her ankle was hurt and the scene was later shot with her leg wrapped and makeup covering the bandages. See more »
In the song "Do Re Mi" when Maria and the children are riding in the carriage, you see the same store fronts several times as the carriage passes by. See more »
The hills are alive with the sound of music / With songs they have sung for a thousand years. / The hills fill my heart with the sound of music. / My heart wants to sing every song it hears.
See more »
The 20th Century Fox logo is played in complete silence. See more »
"The Happiest sound in all the world"? Quite possibly and easily the most famous musical film in Hollywood history. Most of us grown-ups still love it but at the same time we're also tired of seeing it over and over again (maybe that's why it's not rerun on NBC every single year anymore). Julie Andrews takes her MARY POPPINS success and adds even more to it with her delightful rendition of the role that Mary Martin originated on the Broadway stage in 1959 and ran even farther with it than Martin ever could. In my opinion, and I don't think I'm alone here, Martin was too old for the part (she was in her mid to late 40s in the stage version and Andrews was 30 when the transition came to film came around--a perfect age). As for the rest of the cast, it is just as talented: Christopher Plummer in the role he will be forever remembered for (even though he hated the part) is an achingly true Cap. Von Trapp with those "hidden talents" making subtle appearances throughout the film until blatantly bursting out into the open in the film's closing scenes; Richard Haydn makes for a comical and yet sincere "Uncle" Max, Peggy Wood is a starchy yet compassionate Reverand Mother and Charmian Carr as Liesl stands out as our perrenial favorite of the seven children. The locales are breathtaking as well (esp. the opening scenes which is probably the most beautiful aerial shot in all of film history and the cunning floral designs of the public Austrian gardens during the DO-RE-MI sequence). So let's all keep watching this most cherished of all musical films each year and never forget it's universal sentiment: to 'climb ev'ry mountain, ford ev'ry stream, follow ev'ry rainbow till you find your dream'.
135 of 185 people found this review helpful.
Was this review helpful to you?