Elizabeth has reoccurring headaches and trouble sleeping. Threatening letters signed by Lizzie are given to her, but she does not know anyone named Lizzie. As her situation deteriorates, ... See full summary »

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Cast

Complete credited cast:
...
Elizabeth / Lizzie / Beth Richmond
...
Dr. Neal Wright
...
Aunt Morgan James
Hugo Haas ...
Walter Brenner
Ric Roman ...
Johnny Valenzo
Dorothy Arnold ...
Elizabeth's Mother
John Reach ...
Robin
...
Ruth Seaton
...
Piano Singer
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Storyline

Elizabeth has reoccurring headaches and trouble sleeping. Threatening letters signed by Lizzie are given to her, but she does not know anyone named Lizzie. As her situation deteriorates, she goes to a Dr. Wright who hypnotizes her. Deep in her subconscious, Dr. Wright finds three personalities; Elizabeth, the shy one that everyone knows; Lizzie, the wild one like her mother; and Beth, the good one she should have become. Dr. Wright must help the personality of Beth become the only one. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

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Which girl was she? See more »

Genres:

Drama

Certificate:

Approved | See all certifications »
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Details

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Language:

Release Date:

24 January 1958 (Finland)  »

Also Known As:

Desejos Ocultos  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Goofs

In one scene at the bar, Johnny Mathis is singing at the piano and Robin is there with another girl. In one shot, smoke is rising from a cigarette in an ashtray on the piano. In the next shot, from over Johnny's right shoulder, there is no smoke coming from the ashtray. Then in the last shot at the bar, a close-up of Mathis, smoke can be seen rising again - all while Mathis is singing the same song. See more »

Soundtracks

It's Not For Me To Say
Written by Al Stillman and Robert Allen
Performed by Johnny Mathis
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User Reviews

 
Good, bad, better!
11 June 2010 | by (Redondo Beach, CA) – See all my reviews

Shirley Jackson's "The Bird's Nest" has always been one of my favorite novels, so I was excited to find that it had been made into a movie (albeit one that's nearly impossible to find) 'way back when. The film's black-and-white 1950s graininess perfectly evokes its era, as do the starchy clothes and rigid hair of the characters, and the dreadful, over-the-top "score" of shrieking, dissonant violins. The beginning of the movie promised an experience so terrible that I was tempted to hold off watching it till I could gather some of my snarkier friends, but it was already too late -- I'd been sucked in and was having too much fun to quit. As the movie goes on, it gets much better, yet it remains enjoyable, every now and again flinging itself headlong into vertiginous swoops of insane bathos. All in all, I found it perfectly delightful, and can only summarize it by plagiarizing Mae West: When it's good, it's very good, and when it's bad, it's better.


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