Elizabeth has reoccurring headaches and trouble sleeping. Threatening letters signed by Lizzie are given to her, but she does not know anyone named Lizzie. As her situation deteriorates, ...
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A young painter stumbles upon an assortment of odd characters at an English estate where he has been hired to give art lessons to beautiful Laura Fairlie. Among them are Anne Catherick, a ... See full summary »
A writer meets a young socialite on board a train. The two fall in love and are married soon after, but her obsessive love for him threatens to be the undoing of both them and everyone else around them.
Fourteen-year-old Tessa is hopelessly in love with handsome composer Lewis Dodd, a family friend. Lewis adores Tessa, but has never shown any romantic feelings toward her. When Tessa's ... See full summary »
Phil and Ellen Gayley have been divorced for a year, and their 8-year old daughter, Flip, is very unhappy that her parents are not together. Flip starts a correspondence with a marine, ... See full summary »
Controversial tragicomedy about a brother's obsessive love for his sister. Having left her husband, Hilary moves in with her unbalanced brother, Pink, who uses wit and humor to hide his amorous yearnings.
J. Lee Thompson
The Army nurses on Bataan need help badly, but when it arrives, it sure isn't what they expected. A motley crew, including a Southern belle, a waitress, and a stripper, show up. Many ... See full summary »
Elizabeth has reoccurring headaches and trouble sleeping. Threatening letters signed by Lizzie are given to her, but she does not know anyone named Lizzie. As her situation deteriorates, she goes to a Dr. Wright who hypnotizes her. Deep in her subconscious, Dr. Wright finds three personalities; Elizabeth, the shy one that everyone knows; Lizzie, the wild one like her mother; and Beth, the good one she should have become. Dr. Wright must help the personality of Beth become the only one. Written by
Tony Fontana <firstname.lastname@example.org>
In one scene at the bar, Johnny Mathis is singing at the piano and Robin is there with another girl. In one shot, smoke is rising from a cigarette in an ashtray on the piano. In the next shot, from over Johnny's right shoulder, there is no smoke coming from the ashtray. Then in the last shot at the bar, a close-up of Mathis, smoke can be seen rising again - all while Mathis is singing the same song. See more »
Shirley Jackson's "The Bird's Nest" has always been one of my favorite novels, so I was excited to find that it had been made into a movie (albeit one that's nearly impossible to find) 'way back when. The film's black-and-white 1950s graininess perfectly evokes its era, as do the starchy clothes and rigid hair of the characters, and the dreadful, over-the-top "score" of shrieking, dissonant violins. The beginning of the movie promised an experience so terrible that I was tempted to hold off watching it till I could gather some of my snarkier friends, but it was already too late -- I'd been sucked in and was having too much fun to quit. As the movie goes on, it gets much better, yet it remains enjoyable, every now and again flinging itself headlong into vertiginous swoops of insane bathos. All in all, I found it perfectly delightful, and can only summarize it by plagiarizing Mae West: When it's good, it's very good, and when it's bad, it's better.
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