Elizabeth has reoccurring headaches and trouble sleeping. Threatening letters signed by Lizzie are given to her, but she does not know anyone named Lizzie. As her situation deteriorates, ... See full summary »
Garage owner Gus Hilmer marries showgirl Julie, many years his junior, and this causes a conflict between Gus and Frankie, a young mechanic he has befriended. FRankie falls in love with ... See full summary »
An elderly watchmaker stops a beautiful young blonde from committing suicide by throwing herself off a bridge. They eventually marry, and things go well until a man from the woman's ... See full summary »
Louise Mason is a young widow who fills her empty life with the task of becoming a children's nurse. As the years pass, and the widow tries to find her own place in life, her young charges,... See full summary »
It is Venice, 1900, and Fenella is engaged to composer Caryl Dubrok until she hears that an unmarried woman named Gemma and child is staying with a composer named Dubrok. So the engagement ... See full summary »
As studio financing dwindled away for Hugo Haas, his last film as a writer-director-producer has certain autobiographical elements, a cast featuring several film veterans from the silent ... See full summary »
Elizabeth has reoccurring headaches and trouble sleeping. Threatening letters signed by Lizzie are given to her, but she does not know anyone named Lizzie. As her situation deteriorates, she goes to a Dr. Wright who hypnotizes her. Deep in her subconscious, Dr. Wright finds three personalities; Elizabeth, the shy one that everyone knows; Lizzie, the wild one like her mother; and Beth, the good one she should have become. Dr. Wright must help the personality of Beth become the only one. Written by
Tony Fontana <email@example.com>
In one scene at the bar, Johnny Mathis is singing at the piano and Robin is there with another girl. In one shot, smoke is rising from a cigarette in an ashtray on the piano. In the next shot, from over Johnny's right shoulder, there is no smoke coming from the ashtray. Then in the last shot at the bar, a close-up of Mathis, smoke can be seen rising again - all while Mathis is singing the same song. See more »
I thought "Mommie Dearest" was on of the campiest films I had ever seen, but this one topped it! Maybe it was just the mood I was in, but I couldn't stop laughing. The acting was way over the top, the lighting was terrible...it was like watching one of those old Carrol Burnett parodies. I loved it!
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