Elizabeth has reoccurring headaches and trouble sleeping. Threatening letters signed by Lizzie are given to her, but she does not know anyone named Lizzie. As her situation deteriorates, ... See full summary »
Another of the "Fate and Irony" films from director-writer-producer-actor Hugo Haas but this one has less hair-shirt torment than most of his offerings, although his camera, as usual, ... See full summary »
Garage owner Gus Hilmer marries showgirl Julie, many years his junior, and this causes a conflict between Gus and Frankie, a young mechanic he has befriended. FRankie falls in love with ... See full summary »
An elderly watchmaker stops a beautiful young blonde from committing suicide by throwing herself off a bridge. They eventually marry, and things go well until a man from the woman's ... See full summary »
Captain Wade Hunnicutt is the wealthiest and most powerful citizen in his Texan town; he is also a notorious womanizer, which has turned his wife Hannah against him. She has brought up ... See full summary »
Low-budget, tabloid-lurid story with high camp value of older man falling for much younger beauty who's busy figuring out how she can kill him now that they're married. Nasty verbal ... See full summary »
Suspicious Raphael Vojnar, a Moravian village judge, makes his young wife Barbara witness the public humiliation of an unfaithful wife who is bound with ropes to a wooden half-cross. He ... See full summary »
Elizabeth has reoccurring headaches and trouble sleeping. Threatening letters signed by Lizzie are given to her, but she does not know anyone named Lizzie. As her situation deteriorates, she goes to a Dr. Wright who hypnotizes her. Deep in her subconscious, Dr. Wright finds three personalities; Elizabeth, the shy one that everyone knows; Lizzie, the wild one like her mother; and Beth, the good one she should have become. Dr. Wright must help the personality of Beth become the only one. Written by
Tony Fontana <email@example.com>
In one scene at the bar, Johnny Mathis is singing at the piano and Robin is there with another girl. In one shot, smoke is rising from a cigarette in an ashtray on the piano. In the next shot, from over Johnny's right shoulder, there is no smoke coming from the ashtray. Then in the last shot at the bar, a close-up of Mathis, smoke can be seen rising again - all while Mathis is singing the same song. See more »
Shirley Jackson's "The Bird's Nest" has always been one of my favorite novels, so I was excited to find that it had been made into a movie (albeit one that's nearly impossible to find) 'way back when. The film's black-and-white 1950s graininess perfectly evokes its era, as do the starchy clothes and rigid hair of the characters, and the dreadful, over-the-top "score" of shrieking, dissonant violins. The beginning of the movie promised an experience so terrible that I was tempted to hold off watching it till I could gather some of my snarkier friends, but it was already too late -- I'd been sucked in and was having too much fun to quit. As the movie goes on, it gets much better, yet it remains enjoyable, every now and again flinging itself headlong into vertiginous swoops of insane bathos. All in all, I found it perfectly delightful, and can only summarize it by plagiarizing Mae West: When it's good, it's very good, and when it's bad, it's better.
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