After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
Gil and Inez travel to Paris as a tag-along vacation on her parents' business trip. Gil is a successful Hollywood writer but is struggling on his first novel. He falls in love with the city and thinks they should move there after they get married, but Inez does not share his romantic notions of the city or the idea that the 1920s was the golden age. When Inez goes off dancing with her friends, Gil takes a walk at midnight and discovers what could be the ultimate source of inspiration for writing. Gil's daily walks at midnight in Paris could take him closer to the heart of the city but further from the woman he's about to marry. Written by
When Woody Allen had enough budget to shoot the movie in 2006, he contacted his preferred cast but many were working on different projects and couldn't commit. When Owen Wilson's name came up for the leading role, Allen rewrote the character to fit. See more »
Zelda Fitzgerald says to Gil, "You have a glazed look in your eye, stunned, stupefied, anesthetized, lobotomized..." Lobotomies were introduced in 1935. See more »
This is unbelievable! Look at this! There's no city like this in the world. There never was.
You act like you've never been here before.
I don't get here often enough, that's the problem. Can you picture how drop dead gorgeous this city is in the rain? Imagine this town in the '20s. Paris in the '20s, in the rain. The artists and writers!
Why does every city have to be in the rain? What's wonderful about getting wet?
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I love Woody Allen, so already I'm biased. But even I will admit that he's been spotty for the last...my God!...twenty years or so. "Curse Of The Jade Scorpion" will forever be his lowest moment, and in his later phase "Match Point" and "Vickie Christina Barcelona" remain the highlights. Well, we can add another to that list. By no means is this movie an "Annie Hall" or a "Manhattan", let alone a "Husbands and Wives". But if you've been bored by what you've been seeing at the Multiplexes lately, if you think "The Hang-Over 2" sucked and you've despaired that the romantic comedy is dead...than I'm delighted to tell you to go see this movie right now. See it on a big screen! It's gorgeous to look at, fun to watch, romantic, sweet, smart, and pleasantly old-fashioned. This movie is not a masterpiece, and yet I'm giving it 10/10 because it was perfect for what it was -- a modest pleasure that left me in a great mood, and even a little inspired.
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