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A middle-aged husband's life changes dramatically when his wife asks him for a divorce. He seeks to rediscover his manhood with the help of a newfound friend, Jacob, learning to pick up girls at bars.
A novelist struggling with writer's block finds romance in a most unusual way: by creating a female character he thinks will love him, then willing her into existence.
A struggling lawyer and volunteer wrestling coach's chicanery comes back to haunt him when the teenage grandson of the client he's double-crossed comes into his life.
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
Director:
David O. Russell
Stars:
Bradley Cooper,
Jennifer Lawrence,
Robert De Niro
A struggling screenwriter inadvertently becomes entangled in the Los Angeles criminal underworld after his oddball friends kidnap a gangster's beloved Shih Tzu.
Director:
Martin McDonagh
Stars:
Sam Rockwell,
Colin Farrell,
Christopher Walken
Gil and Inez travel to Paris as a tag-along vacation on her parents' business trip. Gil is a successful Hollywood writer but is struggling on his first novel. He falls in love with the city and thinks they should move there after they get married, but Inez does not share his romantic notions of the city or the idea that the 1920s was the golden age. When Inez goes off dancing with her friends, Gil takes a walk at midnight and discovers what could be the ultimate source of inspiration for writing. Gil's daily walks at midnight in Paris could take him closer to the heart of the city but further from the woman he's about to marry. Written by
napierslogs
Woody Allen won a Best Original Screenplay Academy Award for this film. The Oscar was Allen's fourth and the first he had won since Hannah and Her Sisters 25 years earlier. Allen received two Oscar nominations for this movie, the other being for Best Director, they being his 22nd and 23rd nominations. Additionally, this is his first film since Hannah and Her Sisters (1986) to earn a Best Picture nomination. See more »
Goofs
When Gil and Adriana are walking in Pigalle among the prostitutes, modern 'bumpy' paving stones for blind people can be clearly seen as they cross the road. See more »
Quotes
[first lines]
Gil:
This is unbelievable! Look at this! There's no city like this in the world. There never was.
Inez:
You act like you've never been here before.
Gil:
I don't get here often enough, that's the problem. Can you picture how drop dead gorgeous this city is in the rain? Imagine this town in the '20s. Paris in the '20s, in the rain. The artists and writers!
Inez:
Why does every city have to be in the rain? What's wonderful about getting wet?
See more »
"Paris, France is exciting and peaceful." Gertrude Stein
Welcome to the world of Woody Allen as he has always loved it: nostalgic, romantic, imperfect, and full of hope. Midnight in Paris is one of his finest treatises on the lure and delusions of the past: Like Zelig it depicts other times, like Purple Rose of Cairo it uses magic realism to deal squarely with the present. Allen has another of his surrogates, this time Gil (Owen Wilson),who virtually experiences the past (the twenties) while dealing with the troublesome present.
Gil, engaged to marry Inez (Rachel McAdams), is with her and her parents on business in Paris where he hopes to work on his novel while he is still a successful Hollywood writer. Although she is a materialist who would like him to become wealthy to enjoy the life his parents are used to, he dreams of escaping the hack work of LA and living in the City of Lights for inspiration, just as his idols Fitzgerald and Hemingway did in the roaring twenties.
Well, the twenties roar back to him as he experiences their friendship and the mentoring of Gertrude Stein, among just a few of the many expatriate luminaries he meets through the magic of nostalgia. Just one of the Allen signature touches that make him the equal of great European directors such as Rohmer and Godard is opening the film with music that reflects the allure of the twenties, the romance of Paris, and his abiding love for this city: "Si Tu Vois Ma Mere" by Sidney Bechet combines jazz, the clarinet, the twenties, and Allen with a romantic nostalgia.
Owen Wilson catches the halting diffidence of the typical Allen persona without slavishly imitating him. Yet whatever little duplication Wilson employs endears as he sweetly visits his heroes, falls in love, and comes to terms with his writer's voice and his mismatched engagement. But that engagement is the troublesome present; the past offers the chance to experience history on a human level that only someone who writes for now and reveres the past can do.
The magic and the realism, both requiring hard work from the protagonist, lead to surprising understanding of human nature, the delusion of nostalgia and Paris, and hope for a present that brings love and inspiration.
"For all we know, Paris might be the hottest place in the universe." (Gil)
It's been at least a decade since I have enjoyed an Allen movie this much.
46 of 70 people found this review helpful.
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"Paris, France is exciting and peaceful." Gertrude Stein
Welcome to the world of Woody Allen as he has always loved it: nostalgic, romantic, imperfect, and full of hope. Midnight in Paris is one of his finest treatises on the lure and delusions of the past: Like Zelig it depicts other times, like Purple Rose of Cairo it uses magic realism to deal squarely with the present. Allen has another of his surrogates, this time Gil (Owen Wilson),who virtually experiences the past (the twenties) while dealing with the troublesome present.
Gil, engaged to marry Inez (Rachel McAdams), is with her and her parents on business in Paris where he hopes to work on his novel while he is still a successful Hollywood writer. Although she is a materialist who would like him to become wealthy to enjoy the life his parents are used to, he dreams of escaping the hack work of LA and living in the City of Lights for inspiration, just as his idols Fitzgerald and Hemingway did in the roaring twenties.
Well, the twenties roar back to him as he experiences their friendship and the mentoring of Gertrude Stein, among just a few of the many expatriate luminaries he meets through the magic of nostalgia. Just one of the Allen signature touches that make him the equal of great European directors such as Rohmer and Godard is opening the film with music that reflects the allure of the twenties, the romance of Paris, and his abiding love for this city: "Si Tu Vois Ma Mere" by Sidney Bechet combines jazz, the clarinet, the twenties, and Allen with a romantic nostalgia.
Owen Wilson catches the halting diffidence of the typical Allen persona without slavishly imitating him. Yet whatever little duplication Wilson employs endears as he sweetly visits his heroes, falls in love, and comes to terms with his writer's voice and his mismatched engagement. But that engagement is the troublesome present; the past offers the chance to experience history on a human level that only someone who writes for now and reveres the past can do.
The magic and the realism, both requiring hard work from the protagonist, lead to surprising understanding of human nature, the delusion of nostalgia and Paris, and hope for a present that brings love and inspiration.
"For all we know, Paris might be the hottest place in the universe." (Gil)
It's been at least a decade since I have enjoyed an Allen movie this much.