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The trials and tribulations of the Winfield family in small town Indiana as Marjorie Winfield's boyfriend, William Sherman, returns from the Army after W.W.I. Bill & Marjorie's on-again, ... See full summary »
A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock ... See full summary »
Director:
Gene Kelly
Stars:
Barbra Streisand,
Walter Matthau,
Michael Crawford
The opening scene of the movie describes it best: "Once upon a time there lived in Denmark a great storyteller named Hans Christian Andersen. This is not the story of his life, but a fairy tale about the great spinner of fairy tales."
A happy and unbelievably lucky young Irish immigrant, John Lawless, lands a job as the butler of an unconventional millionaire, Biddle. His daughter, Cordelia Drexel Biddle, tires of the ... See full summary »
Director:
Norman Tokar
Stars:
Fred MacMurray,
Greer Garson,
Gladys Cooper
Annie Oakley is an incredible shot who was raised 'Doin' What Comes Naturally'. Frank Butler, the star sharpshooter in 'Colonel Buffalo Bill''s show, however, knows full well that's not how 'The Girl That I Marry' must be. Anyway, not at least until he finds that 'My Defences are Down'. Though Annie defiantly says 'Anything You Can Do I Can Do Better', she realizes that 'You Can't Get a Man With a Gun'. The victor at the end is love; as you know, 'It's Wonderful'. After all, 'There's No Business Like Show Business'. Written by
Horacio Abeledo <horabe@ipcabe.uba.ar>
During the "The Girl That I Marry" song Annie is sitting with a string of dead birds over her left shoulder. About half way through the song the string falls off her shoulder. At the end of the song it is back over her shoulder without her having replaced it. See more »
Quotes
Chief Sitting Bull:
Sitting Bull live by three words: Keep bow tight, Keep arrow sharp,
[and with finality]
Chief Sitting Bull:
No put money into show business.
Charlie Davenport:
[rhetorically]
How'd we ever get this country away from them?
See more »
Despite the fact that Ethel Merman wasn't even considered by MGM to repeat her Broadway triumph and Judy Garland fell by the way side, Annie Get Your Gun is still as alive and as fresh as the day it debuted on Broadway and for 1147 performances starting in 1946. It was Irving Berlin's biggest stage success both quantitatively and qualitatively. It sure had the most hit songs coming out of it, maybe the most for any Broadway show.
Because they had Garland, so they thought at MGM, for box office, producer Arthur Freed felt they could go with an unknown for Frank Butler. Both John Raitt and Howard Keel tested for the role and Keel won the toss. Then Keel broke his ankle falling off a horse on the set and they shot closeups and around him, putting pressure on Judy Garland's fragile psyche. On top of that Frank Morgan who was playing Buffalo Bill died suddenly in the middle of the film. Most of it had to be reshot when Betty Hutton was borrowed from Paramount.
Annie Get Your Gun was the perfect musical to appeal to the Rosie the Riveter crowd who competed and won in a man's world during World War II. Those women who became feminist icons certainly identified with another feminist icon in Annie Oakley.
The real Annie Oakley was not as brassy as her character in Annie Get Your Gun. By all accounts Phoebe Annie Mosee, aka Annie Oakley was a quiet retiring woman when away from the spotlight. She let her skill with weaponry do her talking.
Irving Berlin wrote so many hits out of this film it's staggering. Ballads like They Say It's Wonderful and The Girl That I Marry were recorded by many artists down to the present. My Defenses are Down also sold quite a few platters back in the day.
But of course the theatrical profession got its anthem when Irving Berlin wrote There's No Business Like Show Business. There's a really fine recording of it that Bing Crosby, Dick Haymes and the Andrews Sisters did of it with the flipside being Anything You Can Do also another gem from this show.
Some songs didn't make the cut. A good one that Ethel Merman did called I Got Lost in His Arms is absent from this film, a pity. And Berlin wrote a song called Let's Go West Again which was to be done on the cattle boat by Hutton and the ensemble was cut. Al Jolson made a recording of it for Decca though.
Louis Calhern and Edward Arnold as Buffalo Bill and Pawnee Bill play a fine pair of frontier rogues. Calhern captured the character of the real later Cody quite well.
With feminist issues by now means settled, Annie Get Your Gun is maybe more relevant now than when it first came out.
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Despite the fact that Ethel Merman wasn't even considered by MGM to repeat her Broadway triumph and Judy Garland fell by the way side, Annie Get Your Gun is still as alive and as fresh as the day it debuted on Broadway and for 1147 performances starting in 1946. It was Irving Berlin's biggest stage success both quantitatively and qualitatively. It sure had the most hit songs coming out of it, maybe the most for any Broadway show.
Because they had Garland, so they thought at MGM, for box office, producer Arthur Freed felt they could go with an unknown for Frank Butler. Both John Raitt and Howard Keel tested for the role and Keel won the toss. Then Keel broke his ankle falling off a horse on the set and they shot closeups and around him, putting pressure on Judy Garland's fragile psyche. On top of that Frank Morgan who was playing Buffalo Bill died suddenly in the middle of the film. Most of it had to be reshot when Betty Hutton was borrowed from Paramount.
Annie Get Your Gun was the perfect musical to appeal to the Rosie the Riveter crowd who competed and won in a man's world during World War II. Those women who became feminist icons certainly identified with another feminist icon in Annie Oakley.
The real Annie Oakley was not as brassy as her character in Annie Get Your Gun. By all accounts Phoebe Annie Mosee, aka Annie Oakley was a quiet retiring woman when away from the spotlight. She let her skill with weaponry do her talking.
Irving Berlin wrote so many hits out of this film it's staggering. Ballads like They Say It's Wonderful and The Girl That I Marry were recorded by many artists down to the present. My Defenses are Down also sold quite a few platters back in the day.
But of course the theatrical profession got its anthem when Irving Berlin wrote There's No Business Like Show Business. There's a really fine recording of it that Bing Crosby, Dick Haymes and the Andrews Sisters did of it with the flipside being Anything You Can Do also another gem from this show.
Some songs didn't make the cut. A good one that Ethel Merman did called I Got Lost in His Arms is absent from this film, a pity. And Berlin wrote a song called Let's Go West Again which was to be done on the cattle boat by Hutton and the ensemble was cut. Al Jolson made a recording of it for Decca though.
Louis Calhern and Edward Arnold as Buffalo Bill and Pawnee Bill play a fine pair of frontier rogues. Calhern captured the character of the real later Cody quite well.
With feminist issues by now means settled, Annie Get Your Gun is maybe more relevant now than when it first came out.