Maggie Scott (Ann-Margret), a fashion buyer in Paris on her first buying spree where she meets famous fashion designer Mark Fontaine (Louis Jourdan) and he immediately gives her the big ... See full summary »
Shortly after the end of World War II, British Colonel Michael 'Hooky' Nicobar is assigned to a unit in the British Zone of Vienna. His duty is to aid the Soviet authorities to repatriate ... See full summary »
Kathleen is a 12 year old who lives in a big house with a nanny, a butler, maids, no mother and a father who is working most of the time. She dreams of a family with a mother, father and ... See full summary »
Harold S. Bucquet
Mark MacLene owes the IRS, the banks and others a lot of money. The problem is that his trust makes $1,000,000 a year, but he spends $150,000 every month. His trustee, Sam, uses the power ... See full summary »
Jimmy is drafted and ends up in Fred's troop on his way to Europe. Jimmy becomes vicious with his gun, wins a medal, and weds Fred's nurse girlfriend, Rose. Back home years later, Rose ... See full summary »
W.S. Van Dyke
Andre-Louis Moreau is a nobleman's bastard in the days of the French revolution. Noel, the Marquis de Mayne, a nobleman in love with the Queen, is ordered to seek the hand of a young ingenue, Aline, in marriage. Andre also meets Aline, and forms an interest in her. But when the marquis kills his best friend Andre declares himself the Marquis's enemy and vows to avenge his friend. He hides out, a wanted man, as an actor in a commedia troupe, and spends his days learning how to handle a sword. When de Maynes becomes a spadassinicide, challenging opposing National Assembly members to duels they have no hope of winning, Andre becomes a politician to protect the third estate (and hopefully ventilate de Maynes). Written by
In the final duel between Andre Moreau and the Marquis de Maynes, Andre (Stewart Granger) jumps at the Duc from the back of a row of theatre chairs. During the filming of this scene, Granger narrowly missed serious injury to his groin when he landed astride the next row of chairs, and filming had to be halted temporarily. See more »
At the very end of the motion picture, Lenore turns away from the window where she has just tossed an exploding bouquet to Scaramouche and we discover that her newest lover is none other than Napoleon Bonaparte. However, the appearance of Napoleon in the scene is incorrect since it shows him as he appeared after 1806. The motion picture is set in pre-revolutionary France. At that time, Napoleon was thin and had long hair. See more »
The Commedia dell'Arte is an old Italian form of stage presentation, dating from the 16th century and featuring a series of stock characters like Arlecchino, Pantolone, Pulchnello, and Capitano. Everyone in the audience knew their comic weaknesses and looked forward to seeing them on display, kind of like a John Ford movie. The characters were called zanni and played practical jokes on each other (called "burle", which gives us "burlesque.") As in this movie the humor was often improvised. When the form was taken to France, Arlecchino became Harlequin, Pantalone became Pantaloon (from which we get our "pants"), Pulchinello morphed into Punch, and Capitano, a character who was a braggart soldier, was changed to Scaramouche and became an admired acrobatic mime, which suited French tastes. Sorry for the tedious introduction but it helps to get the interesting history out of the way fast.
The rest of the movie is a comic book and, like a comic book, filled with colorful people in comic-book costumes, zestful and exuberant. If you want a movie to have zip, one way of doing it is to have lots of people riding horses. But the horses should always be ridden at a gallop, and with slightly accelerated motion. (The gallops were shot partly in Golden Gate Park.) Another way of adding action is to have the lovers fight each other physically, as in "Taming of the Shrew", instead of wistfully melting into each others' arms at every meeting and parting. A third way is to build the main plot around a few well-choreographed action scenes -- and in this respect the movie is superb.
"Scaramouche" reminds one of Errol Flynn at his best, in "The Adventures of Robin Hood." Instead of Saxons and Normans, we have aristocrats and poor people. (Fortunately the Saxons in "Robin Hood" didn't win a revolution and implement a reign of terror.) The aristocrats dress in outrageously ornate costumes. The poor people are in dark clothes, like the figure on the Quaker Oats package.
There's quite a lot of fencing but much of it is brief and in long shot. There are three main encounters between Stewart Granger and his nemesis Mel Ferrer. Granger is manly and well built and forceful in his style. Ferrer is long-limbed and lanky, deceptively clumsy at times, but he has never given a more graceful physical performance.
In the first match between the two, Granger knows nothing about the sword and hacks away at Ferrer, who stands there nonchalantly, smiling, leaning on his weapon as if it were a walking stick between easy parries. In the second, Granger has picked up a few tricks but is still easily outmatched and has to escape through one of those secret doors in a paneled wall. The third match is more than six minutes long and is as well staged as any duel on screen -- better than anything in "Robin Hood" and at least as good as "The Mark of Zorro." Granger swings off the stage on a rope to confront Ferrer who is in the theater balcony. And you should see Stewart's wardrobe in this scene! Unbelievable skin-tight leotards, white boots with furry tops, a white cape -- everything -- mostly white with black accents. Ferrer strips off his jacket and is dressed in black shoes and stockings, black pants, black vest, and a white blouse with ruffles, mostly black, that is. (I warned you this was a comic book.) The ensuing duel wanders all over the theater while the spectators tumble out of the actors' way. Note the scene where the advantage changes from Ferrer to Granger when the fight moves from the bottom of the stairs to the rows of theater seats. Ferrer does an almost impossible balletic leap from one row to the next, twirling around in midair. (Another footnote: original ballet steps borrowed heavily from contemporary fencing movements. Sorry.)
The movie has its sad moments too, and the plot is a bit complicated although never hard to follow. But its overall tonus is comedic, as befits Scaramouche's venue. Granger may not be Errol Flynn but he's pretty good, and a better actor. The two women in his life are adequate, but Janet Leigh was a beginner and it shows. She was to be better in some later movies like "Psycho." She looks like a porcelain doll in some shots. The supporting players are all professionally competent.
It's an entertaining and well-crafted piece of entertainment -- exciting and vibrant with color. A comic book worth checking out.
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