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Scaramouche (1952)

 -  Action | Adventure | Drama  -  27 June 1952 (USA)
7.7
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Ratings: 7.7/10 from 3,738 users  
Reviews: 44 user | 17 critic

After Andre Moreau finds he is the secret bastard son of a recently deceased noble, he realizes that it his own sister that he's romantically drawn to.

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Title: Scaramouche (1952)

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Cast

Cast overview, first billed only:
...
...
Lenore
...
...
Noel, Marquis de Maynes
...
...
...
Robert Coote ...
Lewis Stone ...
Georges de Valmorin
Elisabeth Risdon ...
Isabelle de Valmorin
...
Michael Vanneau
Curtis Cooksey ...
Fabian
...
Doutreval
...
Dr. Dubuque
Jonathan Cott ...
Sergeant
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Storyline

Andre-Louis Moreau is a nobleman's bastard in the days of the French revolution. Noel, the Marquis de Mayne, a nobleman in love with the Queen, is ordered to seek the hand of a young ingenue, Aline, in marriage. Andre also meets Aline, and forms an interest in her. But when the marquis kills his best friend Andre declares himself the Marquis's enemy and vows to avenge his friend. He hides out, a wanted man, as an actor in a commedia troupe, and spends his days learning how to handle a sword. When de Maynes becomes a spadassinicide, challenging opposing National Assembly members to duels they have no hope of winning, Andre becomes a politician to protect the third estate (and hopefully ventilate de Maynes). Written by Kathy Li

Plot Summary | Add Synopsis


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

27 June 1952 (USA)  »

Also Known As:

Scaramouche - Der Mann mit der Maske  »

Box Office

Budget:

$3,500,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Originally Stewart Granger was to play both roles, Andre and Noel, but it was finally decided to sign Mel Ferrer for the latter. See more »

Goofs

Early in the film, Andre criticizes Phillippe's letter on its grammar, citing a split infinitive. Andre then tells Philippe to "boldly go outside", thus committing a split infinite himself. See more »

Quotes

Andre Moreau: [Exiting] And now for the stuff that makes fools of princes and princes of fools - money!
See more »

Connections

Referenced in Glamour à Hollywood par George Sidney (2002) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Colorful swashbuckler remake of classic silent film.
10 December 2004 | by (Putney, VT) – See all my reviews

Although I have not read the original novel, I can comment on the differences between the two film versions.

The remake's character, Lenore, Aline's rival for Scaramouche's affections, does not appear in the silent version.

The remake takes 35 minutes to reach the narrative point at which the silent version starts. This may be legitimate prologue material in the book not used by Ingram in the silent version.

SPOILER ALERT: In the silent version Scaramouche's enemy is an older man, a character by the name of the Marquis de la Tour (played extremely well by Lewis Stone, who appears in a minor role in the remake). At the end of the film it is revealed that in reality he is the father of Scaramouche. When this is revealed (the French Revolution being in high gear in the background), the Marquis allows Scaramouche to escape with his ward, Aline (whom he had hoped to marry) and allows himself to be taken by the mob.

In the remake, the villain is of contemporary age with Scaramouche, is named the Marquis de Maynes, and turns out to be Scaramouche's brother. He is spared in the climactic duel because of something preventing Scaramouche from taking his life - presented here as some sort of invisible recognition of kinship.

The silent version culminates in the outbreak of the French Revolution and since Aline is aristocracy, her life is in danger from the mobs and Scaramouche must rescue her. Although there is unrest leading up to a future revolution in the remake, the reality of it is merely hinted at.

The art direction in both versions is stunning, the silent version probably far more accurate than the sanitized Hollywood sets of the remake. The silent version enjoys sharper characterization and high drama, whereas the remake tries to be nothing more than a costume swashbuckler.

Both are enjoyable, but I prefer the silent version, which has better acting, direction and script.


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