Technicolor & tights. In the days of King Henry IV, stalwart young Myles and his sister Meg have been raised as peasants, without any knowledge of who their father really was. But one day ... See full summary »
In 19th century England, captain George Brummell is an upper-class dandy. He has to leave the army after having insulted the crown prince. This gives him the opportunity to start a smear ... See full summary »
Robert Taylor and Eleanor Parker star as a Kentucky backwoodsman and the woman who will NOT let anything interfere with her plans to marry him in this humorous romantic adventure through the American Frontier of 1798.
Chronicles the life of queen Elizabeth I, before she became the queen of England. Apart from taking part in the court intrigues, she is unhappily in love with admiral Thomas Seymour, and ... See full summary »
Mark MacLene owes the IRS, the banks and others a lot of money. The problem is that his trust makes $1,000,000 a year, but he spends $150,000 every month. His trustee, Sam, uses the power ... See full summary »
Andre-Louis Moreau is a nobleman's bastard in the days of the French revolution. Noel, the Marquis de Mayne, a nobleman in love with the Queen, is ordered to seek the hand of a young ingenue, Aline, in marriage. Andre also meets Aline, and forms an interest in her. But when the marquis kills his best friend Andre declares himself the Marquis's enemy and vows to avenge his friend. He hides out, a wanted man, as an actor in a commedia troupe, and spends his days learning how to handle a sword. When de Maynes becomes a spadassinicide, challenging opposing National Assembly members to duels they have no hope of winning, Andre becomes a politician to protect the third estate (and hopefully ventilate de Maynes). Written by
Lewis Stone played the 'heavy' - the Marquis de la Tour d'Azyr - in the 1923 version of this film. He came back to play the older character of "Georges de Valmorin" in this version. See more »
(at around 1h 08 mins) When the chandelier falls, Andre is first shown rolling away well to his right just as the rope is cut. His back isn't touching the floor. He is then shown from above rolling to his LEFT. While looking up at the falling chandelier his back is firmly planted on the floor. The final shot again shows him rolling to his right in a slight repeat of the first shot. See more »
Your brain is gone! Where did you fall, on your head?
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A breathtaking display of sword-fighting at its best, excellent acting from all the main characters, brilliant direction, superb over-the-top script and dialogue, first-class photography.
The final duel between Stewart Granger and Mel Ferrer is the longest in screen history. But more than that: its staging is first class. The protagonists fight up and down the theatre steps (of course), but also along the edge of balconies, in the foyer and even in the props warehouse. This is not just a sword fight, though: it's a display both of acrobatics and of the characters' personalities, with Granger's character exhibiting courage and magnanimity; Ferrer's is less generous but equally brave.
The drama is punctuated by scenes of low humour (at the clowns' theatre) and high irony (in the National Assembly).
Both of the female leads - Janet Leigh and Eleanor Parker - are stunningly beautiful. You feel sorry one of them has to lose Granger to the other; but at least the loser gets together in the end with a famous historical personage ...
Granger is Granger: suave, handsome, commanding. He is supposed to have done most of his own stunts: riding, duelling and climbing.
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