Abandoning artistic ambitions, sensitive and club-footed Philip Carey enrolls in medical school and falls in love with a waitress Mildred Rogers. She rejects him, runs off with a salesman and returns unmarried and pregnant. Philip gets her an apartment and they become engaged. Mildred runs off with another medical student. Philip takes her back again when she returns with her baby. She wrecks his apartment and burns the securities he needs to pay tuition. He gets a job as a salesman, has surgery on his foot, receives an inheritance, and returns to school where he learns Mildred is dying. Written by
Ed Stephan <firstname.lastname@example.org>
The Love That Lifted a Man to Paradise......and Hurled Him Back to Earth Again
Did You Know?
wanted the role of Mildred Rodgers because she thought it would be her breakout role after years of starring in films that were getting her nowhere. She begged Warner Brothers studio chief Jack L. Warner
to let her out of her contract so she could make the film. He relented because he was sure she would fail, but when her performance sparked talk of an Oscar, Warner began a spite campaign by encouraging academy members not to vote for her. At the time, the voting campaigns and the tabulation of the results were handled by the heads of the academy (of which Warner had a membership) and it worked in his favor when Davis was left out of the Best Actress competition. Supporters of Davis, shocked by her omission, petitioned the academy for a write-in vote. She was added to the nominees as a write-in but she lost to Claudette Colbert
for her performance in It Happened One Night
(1934). As a result of this incident, write-in votes were henceforth disallowed. Also, as a result of Warner's coup, the academy decided to change it's voting practices and hand over the counting of the results to the independent accounting firm of PriceWaterhouse who still does the official counting to this day. See more
Athelny's mustache and beard are almost coming unstuck in the scene in which he is eating dinner. See more
I don't think women ougth to sit down at table with men.
Oh! Don't you? Why not?
It ruins conversation. I'm sure it's very bad for them. It puts ideas in their heads. And women are never at ease with themselves when they have ideas.
You sound like the old voice of England.
I am sir. And this is fine old Yorkshire pudding that gives me the strength to carry on.
Featured in Mina Tannenbaum
Written by Billy Smythe
, Scott Middleton
and Art Gillham
Played when Mildred is tearing up the apartment See more