Grand Hotel (1932)

A group of very different individuals staying at a luxurious hotel in Berlin deal with each of their respective dramas.

Director:

Edmund Goulding

Writers:

Vicki Baum (by), William A. Drake (play),

Stars:

Greta Garbo, John Barrymore, Joan Crawford

Won 1 Oscar. Another 1 win.

Cast

Cast overview, first billed only:
Greta Garbo	...	Grusinskaya - the Dancer
John Barrymore	...	The Baron
Joan Crawford	...	Flaemmchen - the Stenographer
Wallace Beery	...	General Director Preysing
Lionel Barrymore	...	Otto Kringelein
Lewis Stone	...	Doctor Otternschlag
Jean Hersholt	...	Senf - the Porter
Robert McWade	...	Meierheim (as Robert Mc Wade)
Purnell Pratt	...	Zinnowitz (as Purnell B. Pratt)
Ferdinand Gottschalk	...	Pimenov
Rafaela Ottiano	...	Suzette
Morgan Wallace	...	Chauffeur
Tully Marshall	...	Gerstenkorn
Frank Conroy	...	Rohna
Murray Kinnell	...	Schweimann

Storyline

Berlin's plushest, most expensive hotel is the setting where in the words of Dr. Otternschlag "People come, people go. Nothing ever happens.". The doctor is usually drunk so he missed the fact that Baron von Geigern is broke and trying to steal eccentric dancer Grusinskaya's pearls. He ends up stealing her heart instead. Powerful German businessman Preysing brow beats Kringelein, one of his company's lowly bookkeepers but it is the terminally ill Kringelein who holds all the cards in the end. Meanwhile, the Baron also steals the heart of Preysing's mistress, Flaemmchen, but she doesn't end up with either one of them in the end...

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Plot Keywords:

baron | hotel | doctor | bookkeeper | dancer | 

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Taglines:

Thank The Stars For A Great Entertainment !

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Genres:

Drama | Romance

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Certificate:

Passed

Details

Country:

USA

Language:

English Russian

Release Date:

11 September 1932 (USA)

Also Known As:

Menschen im Hotel

Filming Locations:

Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA

Box Office

Budget:

$700,000 (estimated)

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM)

Technical Specs

Runtime:

112 min 112 min (Turner library print)

Sound Mix:

Mono (Western Electric Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Author and playwright Vicki Baum based "Menschen im Hotel" both on a true story about a scandal at a hotel involving a stenographer and an industrial magnate, and on her own experiences working as a chambermaid at two well-known Berlin hotels.

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Goofs

As Grusinskaya is on the phone (while the Baron is watching), she holds the receiver with different hands between shots.

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Quotes

Grusinskaya: Who are you?
Baron Felix von Geigern: Someone who could love you, that's all. Someone who's forgotten everything else but you.
Grusinskaya: You could love me?
Baron Felix von Geigern: I've never seen anything in my life as beautiful as you are.

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Connections

Referenced in Jeopardy!: Episode #26.148 (2010)

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Soundtracks

"An der schönen, blauen Donau (On the Beautiful Blue Danube), Op. 314"
(1867) (uncredited)
Music by Johann Strauß
Played during the opening scene in the lobby and at the end

User Reviews

Ominous

Setting aside the fact that this is a landmark in the history of Hollywood, it has an unintended effect of foreshadowing the Second World War. GRAND HOTEL, filmed in 1932, is set in a luxury hotel in contemporary Berlin. There are several moments (during scenes with the disfigured doctor in particular) when characters refer to their sacrifices in the First World War. The most pointed remark runs something like "we won battle after battle, only to be told we'd lost the war.") At the time this film was made, Hitler was about a year and a half away from becoming Chancellor. GRAND HOTEL, based on a work by Vicki Baum, who wrote for a German readership, is less a story of the idle rich and the poor who serve them than an observation of the quiet rage stealing over a society whose war wounds only seem to deepen as time passes. Wallace Beery's character, a corrupt industrialist, was, in 1932, a staple of German art and theatre. An American audience in 1932 would merely have seen him as a fat-cat, but, in the Weimar Republic, particularly just before the Nazis took power, such a stereotype was provocative. Watching GRAND HOTEL with a sense of what was about to happen in Germany, one sees not so much a sophisticated soap-opera as a macabre meditation on the genteel side of a very dark phase in history.