The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen and ultimately the fall of Versailles.
"All eyes will be on you," says the Austrian Empress, Maria Theresa to her youngest daughter Marie Antoinette. The film, marketed for a teen audience, is an impressionistic retelling of Marie Antoinette's life as a young queen in the opulent and eccentric court at Versailles. The film focuses on Marie Antoinette, as she matures from a teenage bride to a young woman and eventual queen of France. Written by
Although the film title is unhyphenated, the real life Marie-Antoinette was written with a hyphen. See more »
At the hand-off, la Comtesse de Noailles tells Marie-Antoinette the tent was built astride the border of French and Austrian soil. This is a true historical event that happened in 1770 near the township of Kehl, in the German province of Baden-Württemberg, which was then part of the Holy Roman (Austrian) Empire. That province has changed ownership several times throughout history, and has been part of the Federal Republic of Germany only since 1953. See more »
Written by Aphex Twin (as Richard D. James)
Performed by Aphex Twin
Courtesy of Sire Records
By Arrangement with Warner Music Group Film & TV Licensing
And Courtesy of Warp Records See more »
Marie-Antoinette at the Court of Versaille at age 14 through to age 30. Her progression from eagerness, disappointment, compensation and the end, which we all know.
A hauntingly beautiful film about how deep disappointment finds an outlet in "creative" frivolity. The combination of rock music and the rituals of Versaille never "shocks" thanks to the mastery of the direction. There is also a solid mastery of pacing. The slow progression of the film never bores; it reveals in time. The glory of Versailles is not shown
at the beginning but only as the film and the psychology of its heroine develop. The films owes a lot to the leading actress and way she is shot. The close-ups of the expressive face of Kirsten Dunst communicate the whole range of emotions behind a women eager to please and to do well, but who is trapped and inwardly anguished and disappointed. Rarely have we felt so close to a famous woman so far back in time. The film also masters the art of depicting "historical clichés", such as MA playing milkmaid, very convincingly. I was wonderfully surprised by this unusual film, and will see it a second time.
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