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Inglourious Basterds (2009)

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In Nazi-occupied France during World War II, a plan to assassinate Nazi leaders by a group of Jewish U.S. soldiers coincides with a theatre owner's vengeful plans for the same.

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Top Rated Movies #98 | Won 1 Oscar. Another 124 wins & 153 nominations. See more awards »

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Storyline

In German-occupied France, young Jewish refugee Shosanna Dreyfus witnesses the slaughter of her family by Colonel Hans Landa. Narrowly escaping with her life, she plots her revenge several years later when German war hero Fredrick Zoller takes a rapid interest in her and arranges an illustrious movie premiere at the theater she now runs. With the promise of every major Nazi officer in attendance, the event catches the attention of the "Basterds", a group of Jewish-American guerrilla soldiers led by the ruthless Lt. Aldo Raine. As the relentless executioners advance and the conspiring young girl's plans are set in motion, their paths will cross for a fateful evening that will shake the very annals of history. Written by The Massie Twins

Plot Summary | Plot Synopsis

Taglines:

Mélanie Laurent Is A Basterd See more »

Genres:

Adventure | Drama | War

Motion Picture Rating (MPAA)

Rated R for strong graphic violence, language and brief sexuality | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

21 August 2009 (USA)  »

Also Known As:

Inglorious Bastards  »

Box Office

Budget:

$75,000,000 (estimated)

Opening Weekend:

£3,596,415 (UK) (21 August 2009)

Gross:

$120,523,073 (USA) (11 December 2009)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Shosanna's cinema was modeled after a few cinemas in California, but it was the Vista Cinema Silverlake and Los Angeles Theater that were main influences in its design. See more »

Goofs

The Scotch beverage is written as "whiskey". Scots write "whisky", but this is an American movie which uses American spellings. See more »

Quotes

Col. Hans Landa: Monsieur LaPadite, while I'm very familiar with you and your family, I have no way of knowing if you are familiar with who I am. Are you aware of my existence?
Perrier LaPadite: Yes.
Col. Hans Landa: This is good. Are you aware of the job I've been ordered to carry out in France?
Perrier LaPadite: Yes.
Col. Hans Landa: Please tell me what you've heard?
Perrier LaPadite: I've heard the Führer has put you in charge of rounding up the Jews left in France who are either hiding or passing for gentile.
Col. Hans Landa: The Führer couldn't have said it better himself.
Perrier LaPadite: But the meaning of your visit, ...
[...]
See more »

Crazy Credits

Both the opening and closing credits change fonts numerous times, displaying typefaces seen in a variety of earlier and subsequent Tarantino films. See more »

Connections

References Death Proof (2007) See more »

Soundtracks

L'INCONTRO CON LA FIGLIA
(1965)
Written by Ennio Morricone
Performed by Ennio Morricone
Courtesy of GDM Music S.r.l. on behalf of Universal Music Publishing Ricordi S.r.l.
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Frequently Asked Questions

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User Reviews

 
No Matter How You Spell It
25 August 2009 | by (United States) – See all my reviews

..."Inglorious" as our local theater decided to display its title on their marquee, minus the second word. It is terrific cinema.

I don't hesitate to recommend this film to all but the over-squeamish. Let them never know what they're missing.

I did hesitate to give it ten stars because of my experience of Tarantino's previous films. In every case, save "Reservoir Dogs," they have improved with additional watching.

So although I gave it ten stars, I did so reluctantly. It leaves me no "up" to go to.

Yes Christoph Waltz is the Nazi we've all imagined the worst to be. He is cultured, sophisticated, suave and most sadistic, the kind of man who can make a glass of milk a threat and who puts out his cigarette abruptly in a strudel, grinding it into the whipped cream as if he were grinding his heel into a victim.

To understand Tarantino's films, you need only have a sense of dialogue, color and pacing. The colors are as bright as necessary and when necessary, brighter yet. In the French farmhouse of the opening scene, they are muted and dark, but excessively so. Outside a brilliant sun is shining, but in the one room of the house, everything is bathed in shadows and black.

It is a brilliant setting for an interrogation by Waltz, as the "Jew Hunter" of the SS, who dangles his host French farmer over the precipice of revealing what he cannot reveal numerous times, then pulls him back with obsequious lines of friendship and understanding.

A second sadistic German, well-played by August Diehl, later functions as important actor in the final plot twist. Diehl's Nazi Major, who has an ear for German accents, is almost as good as Waltz....almost.

Film classes will study much from this movie. They should look lovingly at the superb pacing. Tarantino knows just how long to draw out a scene, building suspense in the manner of Hitchcock, then at just the breaking point, suddenly coming to a resolution.

For color, look for a final shot at a French Theater, where its secretly Jewish proprietor is staging a surprise for the upper reaches of Nazi leadership.

We see her, played by Melanie Laurent, awaiting the hated German dignataries who will arrive for a film preview of the latest Deutsch film masterpiece, a propaganda piece about a German hero and his dubious accomplishments.

Laurent is framed on a balcony, reflected in the glass mirrors of the gorgeous theater, her red lips and low cut dress reflecting everywhere the intensity of her designs on her guests. It is a single shot that would be worth an entire film.

There are thankfully many more such images, many more paced scenes of exquisite dialog and suspense.

In short, see it. I'm sure you'll see it again and again.


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