Vietnam War vet Costner must deal with a war of a different sort between his son and their friends, and a rival group of children. He also must deal with his own personal and employment ... See full summary »
After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
In Nazi-occupied France, young Jewish refugee Shosanna Dreyfus witnesses the slaughter of her family by Colonel Hans Landa. Narrowly escaping with her life, she plots her revenge several years later when German war hero Fredrick Zoller takes a rapid interest in her and arranges an illustrious movie premiere at the theater she now runs. With the promise of every major Nazi officer in attendance, the event catches the attention of the "Basterds", a group of Jewish-American guerilla soldiers led by the ruthless Lt. Aldo Raine. As the relentless executioners advance and the conspiring young girl's plans are set in motion, their paths will cross for a fateful evening that will shake the very annals of history. Written by
The Massie Twins
Lt Aldo Raine is wearing the 1st Special Service Force unit insignia, yet later he is referred to as a "Secret Service" officer. Raine could be called a "Special Service" or a "Strategic Service" (OSS) officer, but not "Secret Service", which is the organization founded in 1865 and responsible for guarding the US President since 1894. See more »
How did you survive this ordeal?
They let me go.
You are not to tell anybody anything! Not one word of detail! Your outfit was ambushed and you got away! Not one word more!
Yes, mein fuhrer.
Did they mark you like they did they did the other survivors?
[removing his hat, Hitler is stunned]
Yes mein fuhrer.
See more »
Both the opening and closing credits change fonts numerous times, displaying typefaces seen in a variety of earlier Tarantino films. See more »
..."Inglorious" as our local theater decided to display its title on their marquee, minus the second word. It is terrific cinema.
I don't hesitate to recommend this film to all but the over-squeamish. Let them never know what they're missing.
I did hesitate to give it ten stars because of my experience of Tarantino's previous films. In every case, save "Reservoir Dogs," they have improved with additional watching.
So although I gave it ten stars, I did so reluctantly. It leaves me no "up" to go to.
Yes Christoph Waltz is the Nazi we've all imagined the worst to be. He is cultured, sophisticated, suave and most sadistic, the kind of man who can make a glass of milk a threat and who puts out his cigarette abruptly in a strudel, grinding it into the whipped cream as if he were grinding his heel into a victim.
To understand Tarantino's films, you need only have a sense of dialogue, color and pacing. The colors are as bright as necessary and when necessary, brighter yet. In the French farmhouse of the opening scene, they are muted and dark, but excessively so. Outside a brilliant sun is shining, but in the one room of the house, everything is bathed in shadows and black.
It is a brilliant setting for an interrogation by Waltz, as the "Jew Hunter" of the SS, who dangles his host French farmer over the precipice of revealing what he cannot reveal numerous times, then pulls him back with obsequious lines of friendship and understanding.
A second sadistic German, well-played by August Diehl, later functions as important actor in the final plot twist. Diehl's Nazi Major, who has an ear for German accents, is almost as good as Waltz....almost.
Film classes will study much from this movie. They should look lovingly at the superb pacing. Tarantino knows just how long to draw out a scene, building suspense in the manner of Hitchcock, then at just the breaking point, suddenly coming to a resolution.
For color, look for a final shot at a French Theater, where its secretly Jewish proprietor is staging a surprise for the upper reaches of Nazi leadership.
We see her, played by Melanie Laurent, awaiting the hated German dignataries who will arrive for a film preview of the latest Deutsch film masterpiece, a propaganda piece about a German hero and his dubious accomplishments.
Laurent is framed on a balcony, reflected in the glass mirrors of the gorgeous theater, her red lips and low cut dress reflecting everywhere the intensity of her designs on her guests. It is a single shot that would be worth an entire film.
There are thankfully many more such images, many more paced scenes of exquisite dialog and suspense.
In short, see it. I'm sure you'll see it again and again.
445 of 830 people found this review helpful.
Was this review helpful to you?