Eight years after the Joker's reign of anarchy, the Dark Knight, with the help of the enigmatic Selina, is forced from his imposed exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
In German-occupied France, young Jewish refugee Shosanna Dreyfus witnesses the slaughter of her family by Colonel Hans Landa. Narrowly escaping with her life, she plots her revenge several years later when German war hero Fredrick Zoller takes a rapid interest in her and arranges an illustrious movie premiere at the theater she now runs. With the promise of every major Nazi officer in attendance, the event catches the attention of the "Basterds", a group of Jewish-American guerrilla soldiers led by the ruthless Lt. Aldo Raine. As the relentless executioners advance and the conspiring young girl's plans are set in motion, their paths will cross for a fateful evening that will shake the very annals of history. Written by
The Massie Twins
Til Schweiger was given a choice of roles - either Sergeant Hugo Stiglitz or Sergeant Wilhelm Wicki. He chose the former. See more »
When Shosanna first meets Zoller, she is taking the red letters of the board at the cinema and throwing them down to a canvas sheet on the ground. The letters move around on the canvas throughout the scene when the camera angles shows Zoller from above. See more »
[threatening a French film developer]
You either do what the fuck we tell you, or I'll bury this axe in your collaborating skull.
See more »
Both the opening and closing credits change fonts numerous times, displaying typefaces seen in a variety of earlier and subsequent Tarantino films. See more »
I had the PRIVILEGE of attending the UK premier of Inglorious Basterds this evening! Having seen the trailers i had high hopes but had doubts due to a string of self indulgent films (c'mon lets be honest, self indulgence is his tarantinos middle name)
I was surprised to find though that he had pulled the cat out of the bag with this one. The film is rich with interesting dialogue, Perfect timed comedy with a dash of brutal assassination.
The crowning glory of this film though lies with Christoph Waltz whom no fault or error can be found. He manages to create a real tension in the audience whilst remaining quite "theatrical" (couldn't think of a better word). He definitely deserved his prize at Cannes and is heading for an Oscar no doubt!!!! Hoping to see him in something again soon!
435 of 782 people found this review helpful.
Was this review helpful to you?