An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
In Nazi-occupied France, young Jewish refugee Shosanna Dreyfus witnesses the slaughter of her family by Colonel Hans Landa. Narrowly escaping with her life, she plots her revenge several years later when German war hero Fredrick Zoller takes a rapid interest in her and arranges an illustrious movie premiere at the theater she now runs. With the promise of every major Nazi officer in attendance, the event catches the attention of the "Basterds", a group of Jewish-American guerilla soldiers led by the ruthless Lt. Aldo Raine. As the relentless executioners advance and the conspiring young girl's plans are set in motion, their paths will cross for a fateful evening that will shake the very annals of history. Written by
The Massie Twins
When Major Hellstrom reasons out that his card says King Kong (1933), he is giving Quentin Tarantino's analysis of the movie as an allegory of the American slave trade. He explained this analysis in an interview on NPR with Terry Gross. See more »
Lt Aldo Raine is wearing the 1st Special Service Force unit insignia, yet later he is referred to as a "Secret Service" officer. Raine could be called a "Special Service" or a "Strategic Service" (OSS) officer, but not "Secret Service", which is the organization founded in 1865 and responsible for guarding the US President since 1894. See more »
I had the PRIVILEGE of attending the UK premier of Inglorious Basterds this evening! Having seen the trailers i had high hopes but had doubts due to a string of self indulgent films (c'mon lets be honest, self indulgence is his tarantinos middle name)
I was surprised to find though that he had pulled the cat out of the bag with this one. The film is rich with interesting dialogue, Perfect timed comedy with a dash of brutal assassination.
The crowning glory of this film though lies with Christoph Waltz whom no fault or error can be found. He manages to create a real tension in the audience whilst remaining quite "theatrical" (couldn't think of a better word). He definitely deserved his prize at Cannes and is heading for an Oscar no doubt!!!! Hoping to see him in something again soon!
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