An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
In Nazi-occupied France, young Jewish refugee Shosanna Dreyfus witnesses the slaughter of her family by Colonel Hans Landa. Narrowly escaping with her life, she plots her revenge several years later when German war hero Fredrick Zoller takes a rapid interest in her and arranges an illustrious movie premiere at the theater she now runs. With the promise of every major Nazi officer in attendance, the event catches the attention of the "Basterds", a group of Jewish-American guerilla soldiers led by the ruthless Lt. Aldo Raine. As the relentless executioners advance and the conspiring young girl's plans are set in motion, their paths will cross for a fateful evening that will shake the very annals of history. Written by
The Massie Twins
In the basement bar scene, one of the enlisted men refers to Karl May and says his character is Winnetou. This is a reference to the western-theme adventure books by German author Karl May (1842-1912). Winnetou was a Native American hero in several of the books. May was one of Adolf Hitler's favorite authors. However, the gesture of touching the heart and greeting with three fingers the man makes is a anachronism as it was a signature gesture of Winnetou in the movies from the sixties. See more »
The Gestapo officer in the tavern is shown wearing a M1932 Allgemeine-SS uniform, which was made famous by the SS in the 1930s. A Gestapo agent would not have worn one, especially in 1944, as its use had been abolished in 1942. They would have instead appeared either in civilian attire or in an SS-style gray field uniform similar to Landa's. See more »
Col. Hans Landa:
So who are your three handsome escorts?
Bridget von Hammersmark:
I'm afraid neither of the three speak a word of German. They're friends of mine from Italy. This is the wonderful Italian stuntman, Enzo Gorlomi; a very talented cameraman, Antonio Margheriti; and Enzo's camera assistant, Domonick DeCocco.
Bridget von Hammersmark:
Gentlemen, this is an old friend, Colonel Hans Landa.
Lt. Aldo Raine:
See more »
Both the opening and closing credits change fonts numerous times, displaying typefaces seen in a variety of earlier Tarantino films. See more »
Inglorious Basterds makes no apologies, asks for no forgiveness, it's a no holds barred assault on the senses. Tarantino doesn't care if he offends, if he steps all over stereotypes and clichés, this is film making at it purest. It's great to see a film maker whose work clearly isn't interfeared with by the powers that be. Tarantino is a master of effortlessly cranking up immense tension and suddenly mixing it with laugh out loud moments; you're not sure if you should be looking away in disgust or rolling around laughing, either way it's a roller coaster and one not to be missed! It's not for everyone, certainly if you're not a fan of Tarantino's style, this may be a little hard to swallow, but never-the-less, it is a film which simply has to be seen. No self respecting film fan should miss this. And the performance of Christoph Waltz... Oscar don't you dare ignore him!!
933 of 1,748 people found this review helpful.
Was this review helpful to you?