Highly fictionalized account (see 'goofs' for examples) of the life of George Armstrong Custer from his arrival at West Point in 1857 to his death at the battle of the Little Big Horn in ... See full summary »
Olivia de Havilland,
Robert will do anything to get the big account that has eluded him. His public relations business makes public angels of rich scoundrels. Jean needs someone to save the paper and she wants ... See full summary »
Olivia de Havilland,
Geoffrey Thorpe, a buccaneer, is hired by Queen Elizabeth I to nag the Spanish Armada. The Armada is waiting for the attack on England and Thorpe surprises them with attacks on their galleons where he shows his skills on the sword.
Arrested during the Monmouth Rebellion and falsely convicted of treason, Dr. Peter Blood is banished to the West Indies and sold into slavery. In Port Royal, Jamaica the Governor's daughter Arabella Bishop buys him for £10 to spite her uncle, Col. Bishop who owns a major plantation. Life is hard for the men and for Blood as well. By chance he treats the Governor's gout and is soon part of the medical service. He dreams of freedom and when the opportunity strikes, he and his friends rebel taking over a Spanish ship that has attacked the city. Soon, they are the most feared pirates on the seas, men without a country attacking all ships. When Arabella is prisoner, Blood decides to return her to Port Royal only to find that it is under the control of England's new enemy, France. All of them must decide if they are to fight for their new King. Written by
No full-sized ships were used in the battle scenes. It was created by a combination of process shots, miniatures, and footage from the silent film, The Sea Hawk (1924), which was based on another Rafael Sabatini novel. See more »
The film is set in 1685 and refers to Philip being the king of Spain. Carlos II was king of Spain at this time. See more »
CAPTAIN BLOOD, Warners' 1935 remake of a popular 1924 silent film, is best remembered today as Errol Flynn's springboard to stardom, and the first of a series of classic swashbucklers from the studio. Yet the film was nearly shelved, and it's story is as entertaining as the film.
Intended to attract the same audience that had made MUTINY ON THE BOUNTY and TREASURE ISLAND box office hits, the film boasted great production values, a talented director (Michael Curtiz), a musical score from Hollywood's greatest composer (Erich Wolfgang Korngold, although time limitations forced him to borrow heavily from Franz Liszt), the captivating beauty of young Olivia de Havilland (in only her fourth film), and, originally, the respected British actor (and future Oscar winner) Robert Donat as physician-turned-pirate Peter Blood. Donat, however, had chronic health problems (which would, sadly, eventually curtail his film career), and Warners faced a major production starting date with no leading man.
Legend has it that Jack Warner's wife recommended young Errol Flynn (just 26 at the time) for the role; she had described him as the most "gorgeous" man she'd ever seen, and helped convince the studio to bring him from England, where he was doing repertory theater, after several years of hell-raising around the world. His largest American role, to date, had been as a corpse in a Perry Mason B-movie, but his sexual conquests and social life were already becoming legendary, and he and new wife, actress Lili Damita, were constantly promoting the young actor around town. The studio finally decided to take a chance on the untested actor in the lead (budget-wise, picking a low-paid contract player was a smart financial move)...but it initially appeared to be a MAJOR blunder, as Flynn looked tense and amateurish in the dailies. Director Curtiz was unfazed, however, and worked with him, and gradually the actor developed confidence. Word spread around the studio that a charismatic new star was emerging, and the first few days' scenes were scrapped and re-shot. By the end of the hugely favorable test screenings, Warners knew it had finally had a bona-fide sex symbol of their own, who could compete for female audiences against Gable, Cooper, and Cary Grant. Errol Flynn had inherited Douglas Fairbanks' title of premier swashbuckler, and had done it with only one film!
CAPTAIN BLOOD may lack the opulence of THE ADVENTURES OF ROBIN HOOD and THE CHARGE OF THE LIGHT BRIGADE, and the pure adventure value of THE SEA HAWK, but without this pirate saga, and the dynamic star it introduced, the 'Golden Age' of Hollywood may never have seen these subsequent classics reach the screen. CAPTAIN BLOOD has earned a place in film history that cannot be underrated.
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