Spartacus (1960)

The slave Spartacus leads a violent revolt against the decadent Roman Republic.

Director:

Stanley Kubrick

Writers:

Dalton Trumbo (screenplay), Howard Fast (based on the novel by),

Stars:

Kirk Douglas, Laurence Olivier, Jean Simmons

Won 4 Oscars. Another 5 wins & 9 nominations.

Cast

Cast overview, first billed only:
Kirk Douglas	...	Spartacus
Laurence Olivier	...	Crassus
Jean Simmons	...	Varinia
Charles Laughton	...	Gracchus
Peter Ustinov	...	Batiatus
John Gavin	...	Julius Caesar
Nina Foch	...	Helena Glabrus
John Ireland	...	Crixus
Herbert Lom	...	Tigranes Levantus
John Dall	...	Marcus Publius Glabrus
Charles McGraw	...	Marcellus
Joanna Barnes	...	Claudia Marius
Harold J. Stone	...	David
Woody Strode	...	Draba
Peter Brocco	...	Ramon

Storyline

In 73 BCE, a Thracian slave leads a revolt at a gladiatorial school run by Lentulus Batiatus. The uprising soon spreads across the Italian Peninsula involving thousand of slaves. The plan is to acquire sufficient funds to acquire ships from Silesian pirates who could then transport them to other lands from Brandisium in the south. The Roman Senator Gracchus schemes to have Marcus Publius Glabrus, Commander of the garrison of Rome, lead an army against the slaves who are living on Vesuvius. When Glabrus is defeated his mentor, Senator and General Marcus Licinius Crassus is greatly embarrassed and leads his own army against the slaves. Spartacus and the thousands of freed slaves successfully make their way to Brandisium only to find that the Silesians have abandoned them. They then turn north and must face the might of Rome.

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Plot Keywords:

slave | spartacus | senator | freedom | italy | 

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Taglines:

The thrilling adventure that electrified the world!

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Genres:

Adventure | Biography | Drama | History

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

7 October 1960 (USA)

Also Known As:

Spartacus: Rebel Against Rome

Filming Locations:

Alcalá de Henares, Madrid, Spain

Box Office

Budget:

$12,000,000 (estimated)

Company Credits

Production Co:

Bryna Productions

Technical Specs

Runtime:

197 min 184 min (premiere) 187 min (1968 re-release) 161 min (1967 re-release) 197 min (1991 restored) 184 min (theatrical)

Sound Mix:

70 mm 6-Track (70 mm prints) Mono (Westrex Recording System) (35 mm prints, original release)

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1

Did You Know?

Trivia

In order to put actor Woody Strode in the right mood for the scene where he and 'Kirk Douglas' wait to do combat, the director had the actor listen to a Prokofiev concerto during the filming and got the visual response he wanted.

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Goofs

The trainer blows a pea-whistle to call in the slaves. The first pea-whistle wasn't invented until the 19th century, although the Romans are known to use other whistles on board slave-galleys in order to keep the correct pace.

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Quotes

[first lines]
Narrator: In the last century before the birth of the new faith called Christianity, which was destined to overthrow the pagan tyranny of Rome and bring about a new society, the Roman Republic stood at the very center of the civilized world. "Of all things fairest," sang the poet, "first among cities and home of the gods is golden Rome." Yet, even at the zenith of her pride and power, the Republic lay fatally stricken with a disease called human slavery. The age of the dictator was at hand, ...

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Crazy Credits

The opening titles appear in a montage of silhouetted Roman sculptures and tablets, which according to title designer Saul Bass is meant to evoke the strength and power of the Roman Empire. The montage ends with a zoom into the eye of a crumbling Roman bust, which hints at the Empire's coming decline and fall.

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Connections

Referenced in Seinfeld: The Gum (1995)

User Reviews

Controlling Stanley: The Spartacus Experience

As most are undoubtedly aware, this is the film that the director virtually expunged from his repertoire. But why did Stanley Kubrick really disown SPARTACUS(1960)? The answer can be summed up in two words: absolute control. Kubrick wanted total administrative as well as artistic authority over the making of the film about a revolt of gladiators and slaves in ancient Rome.

But you will notice that Bryna Productions not only financed SPARTACUS but also an earlier film directed by Kubrick, PATHS OF GLORY(1958). Bryna was Kirk Douglas' film company and, as most filmgoers know, he was the star of both films. Besides having all the money to make the films, Douglas had artistic vision as well. Only three weeks into what would prove to be an incredibly complex and arduous production, Douglas fired venerable director Anthony Mann (RAW DEAL, RAILROADED,THE FURIES, THE NAKED SPUR, THE MAN FROM LARAMIE, MAN OF THE WEST, etc.) from SPARTACUS. With only two days notice, Kubrick was hired to replace him.

Shooting PATHS OF GLORY, Douglas had confined his criticisms and objections to Kubrick's failed rewriting of the script (they went with the original screenplay). Douglas' complaints and artistic influence were far greater on SPARTACUS, much to Kubrick's chagrin. Though the director craved autonomy over every aspect of the film, Douglas would not budge. A tense compromise was reached, yet ultimately Douglas had the last word. Kubrick saw himself as just a hired gun. And he would never allow himself to be placed in this position again.

Later, both men would complain about the film's outcome and each other. They never made another movie together.

But SPARTACUS is no uneven patchwork of divergent ideas. The film is cohesive and arresting. At the restored version of three hours and eighteen minutes, there is practically no dead footage in the film. Dalton Trumbo's screenplay is surprisingly economical, with sharply drawn characters placed against the sweeping historical majesty and violent sociological tumult of ancient Rome. Quite plainly, the gloriously inventive music by Alex North is among the greatest scores ever written for a motion picture. And despite Kubrick's bad experience, he managed to guide the actors towards creating outstanding work ( a best supporting Oscar for Peter Ustinov). He even transformed the very real enmity between Laughton and Olivier into an on-screen asset. His other contributions were considerable also (the large scale and power of the battle sequence, for example). In the end, for the film at least, the clash of giant egos proved fortuitous. Recommendations: for greater insight and detail on this and Kubrick's other films I urge you to seek out Jan Harlan's excellent documentary, STANLEY KUBRICK: A LIFE IN PICTURES, and Vincent LoBrutto's exhaustive, highly informative biography, STANLEY KUBRICK. For the producer's views on SPARTACUS and its director, take a gander at Kirk Douglas' very candid autobiography, THE RAGMAN'S SON.