With his closest friend, Matahachi, Takezo (the town's wild, orphan kid) leaves his village to join an army on its way to battle. After their side loses, they seek shelter in the isolated ... See full summary »
A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the ... See full summary »
After years on the road establishing his reputation as Japan's greatest Samurai, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the ... See full summary »
In 73 BCE, a Thracian slave leads a revolt at a gladiatorial school run by Lentulus Batiatus. The uprising soon spreads across the Italian Peninsula involving thousand of slaves. The plan is to acquire sufficient funds to acquire ships from Silesian pirates who could then transport them to other lands from Brandisium in the south. The Roman Senator Gracchus schemes to have Marcus Publius Glabrus, Commander of the garrison of Rome, lead an army against the slaves who are living on Vesuvius. When Glabrus is defeated his mentor, Senator and General Marcus Licinius Crassus is greatly embarrassed and leads his own army against the slaves. Spartacus and the thousands of freed slaves successfully make their way to Brandisium only to find that the Silesians have abandoned them. They then turn north and must face the might of Rome. Written by
Writer Howard Fast felt that Spartacus hamstringing the guard with his teeth and drowning the trainer in soup were Kirk Douglas's ideas, and would never be done by Spartacus, who Fast portrayed as a gentle, compassionate figure. Douglas justified the violence as necessary for a rebel leader, and claims he tried to show the tough and gentle sides of Spartacus equally in the film. See more »
The 'rocks' Spartacus carries in his basket in the quarry scene behave as styrofoam and when they are dropped fragments of styrofoam break off and blow away. See more »
In the last century before the birth of the new faith called Christianity, which was destined to overthrow the pagan tyranny of Rome and bring about a new society, the Roman Republic stood at the very center of the civilized world. "Of all things fairest," sang the poet, "first among cities and home of the gods is golden Rome." Yet, even at the zenith of her pride and power, the Republic lay fatally stricken with a disease called human slavery. The age of the dictator was at hand, ...
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The opening titles appear in a montage of silhouetted Roman sculptures and tablets, which according to title designer Saul Bass is meant to evoke the strength and power of the Roman Empire. The montage ends with a zoom into the eye of a crumbling Roman bust, which hints at the Empire's coming decline and fall. See more »
The darkest historical epic. No dancing girls, no chariot races, filmed in sombre browns and reds. Nominally directed by Kubrick but Douglas, as a very 'hands on' producer was responsable for the operatic sweep of the film. I was astonished when revisiting the film in 1991 at the cinema at the bravery of the project-to have the hero cry several times, once even out of self pity and with a heart rending ending! The film has depth and weight, the characters are well drawn. The performances are almost flawless, Douglas managing as actor to create tension in each scene-Olivier, not withstanding his eyerolling mannerisms is perfectly cast. The minor parts are richly drawn-gravel voiced Charles McGraw, Herbert Lom and Woody Strode. The cinematography and music are flawless. Only John Dall as a very modern Glaberus and John Ireland as Crixus seem out of place. Ironically, despite the downbeat tone of the film it is impossible to watch it without being uplifted through your tears of compassion. Unofficialy remade as Braveheart...watch one after the other and you'll see the similarities in mood, theme and even the battle choreography. Spartacus would be my 'desert island' movie.
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