Movie News
Disney and 20th Century’s “Kingdom of the Planet of the Apes” climbed to $72.5 million at the international box office in its first weekend of release.
The newest film in the long-running “Apes” series also notched No. 1 in North America with $56.5 million, bringing its initial global tally to a promising $129 million. Like its predecessors, the $160 million-budgeted “Kingdom of the Planet of the Apes” is projected to earn the bulk of its revenues at the international box office.
Overseas, the movie enjoyed the biggest start in China with $11.4 million (a lackluster debut for the territory), France with $7.1 million, Mexico with $6.4 million and the United Kingdom with $4.8 million. Other top markets were Korea ($3.2 million), Australia ($2.7 million), Brazil ($2.6 million), Germany (2.2 million) and Spain ($2.2 million).
Audiences opted to watch the film in the best possible quality as premium formats represented 41% of global box office revenues. In Imax alone, “Kingdom” earned $13.2 million worldwide, including $6.2 million from foreign territories.
The newest film in the long-running “Apes” series also notched No. 1 in North America with $56.5 million, bringing its initial global tally to a promising $129 million. Like its predecessors, the $160 million-budgeted “Kingdom of the Planet of the Apes” is projected to earn the bulk of its revenues at the international box office.
Overseas, the movie enjoyed the biggest start in China with $11.4 million (a lackluster debut for the territory), France with $7.1 million, Mexico with $6.4 million and the United Kingdom with $4.8 million. Other top markets were Korea ($3.2 million), Australia ($2.7 million), Brazil ($2.6 million), Germany (2.2 million) and Spain ($2.2 million).
Audiences opted to watch the film in the best possible quality as premium formats represented 41% of global box office revenues. In Imax alone, “Kingdom” earned $13.2 million worldwide, including $6.2 million from foreign territories.
- 5/12/2024
- by Rebecca Rubin
- Variety - Film News
Legendary B-movie king Roger Corman, who directed and produced hundreds of low-budget films and discovered such future industry stars as Jack Nicholson, Martin Scorsese and Robert De Niro, has died. He was 98.
Corman died May 9 at his home in Santa Monica, Calif., surrounded by family members, the family confirmed to Variety.
“His films were revolutionary and iconoclastic, and captured the spirit of an age. When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that,'” the family said in a statement.
Corman’s empire, which existed in several incarnations, including New World Pictures,...
Corman died May 9 at his home in Santa Monica, Calif., surrounded by family members, the family confirmed to Variety.
“His films were revolutionary and iconoclastic, and captured the spirit of an age. When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that,'” the family said in a statement.
Corman’s empire, which existed in several incarnations, including New World Pictures,...
- 5/12/2024
- by Richard Natale and Tim Gray
- Variety - TV News
“Kingdom of the Planet of the Apes” isn’t monkeying around.
The latest “Apes” entry from 20th Century Studios earned $22.2 million from 4,075 theaters on its opening day, a figure that includes $6.6 million in previews. “Kingdom of the Planet of the Apes” is estimated to make between $52 million and $56 million in its debut, which about the same as the last three installments.
The series’ second movie, 2014’s “Dawn of the Planet of the Apes,” holds the opening-weekend record with $72 million; followed by “War for the Planet of the Apes” with its $56.2 million opening; and then “Rise of the Planet of the Apes” with a $54.8 million opening.
“Kingdom” has gotten mixed reactions from critics and audiences, earning an 80% on Rotten Tomatoes and “B” grade on CinemaScore.
Director Wes Ball (“The Maze Runner” trilogy) helms “Kingdom of the Planet of the Apes,” which is tipped to kick off a new trilogy of films.
The latest “Apes” entry from 20th Century Studios earned $22.2 million from 4,075 theaters on its opening day, a figure that includes $6.6 million in previews. “Kingdom of the Planet of the Apes” is estimated to make between $52 million and $56 million in its debut, which about the same as the last three installments.
The series’ second movie, 2014’s “Dawn of the Planet of the Apes,” holds the opening-weekend record with $72 million; followed by “War for the Planet of the Apes” with its $56.2 million opening; and then “Rise of the Planet of the Apes” with a $54.8 million opening.
“Kingdom” has gotten mixed reactions from critics and audiences, earning an 80% on Rotten Tomatoes and “B” grade on CinemaScore.
Director Wes Ball (“The Maze Runner” trilogy) helms “Kingdom of the Planet of the Apes,” which is tipped to kick off a new trilogy of films.
- 5/11/2024
- by Jordan Moreau and Michaela Zee
- Variety - Film News
The Easterseals Disability Film Challenge awarded prizes in several categories at a Thursday event on the Sony Pictures Studios lot in Culver City.
The Disability Film Challenge is celebrating 11 years of advocating for diversity, equity and inclusion in the entertainment industry.
Presenters and attendees included “Ricky Stanicky” writer, producer and director Peter Farrelly, comedian Nate Bargatze, “Coda” director Siân Heder, Caterina Scorsone of “Grey’s Anatomy,” Sheaun McKinney of “The Neighborhood,” Rick Glassman of “Not Dead Yet,” Jillian Mercado of “The L Word: Generation Q” and Heather Morris of “Glee.”
The winners were selected from 135 submitted from around the world. They include:
Best Film – “Audio Description” – Lee Pugsley;
Best Director – “The Case of the Obsidian Muskrat”- Chase Chambers
Best Actor – “Emergency Contact” – Kiersten Kelly
Best Writer – “Call the A.D.A.” – David Radcliff
Best Editor – “The Case of the Obsidian Muskrat” – Chase Chambers
Best Awareness Campaign – “Out of Reach” – Sawsan Zakaria...
The Disability Film Challenge is celebrating 11 years of advocating for diversity, equity and inclusion in the entertainment industry.
Presenters and attendees included “Ricky Stanicky” writer, producer and director Peter Farrelly, comedian Nate Bargatze, “Coda” director Siân Heder, Caterina Scorsone of “Grey’s Anatomy,” Sheaun McKinney of “The Neighborhood,” Rick Glassman of “Not Dead Yet,” Jillian Mercado of “The L Word: Generation Q” and Heather Morris of “Glee.”
The winners were selected from 135 submitted from around the world. They include:
Best Film – “Audio Description” – Lee Pugsley;
Best Director – “The Case of the Obsidian Muskrat”- Chase Chambers
Best Actor – “Emergency Contact” – Kiersten Kelly
Best Writer – “Call the A.D.A.” – David Radcliff
Best Editor – “The Case of the Obsidian Muskrat” – Chase Chambers
Best Awareness Campaign – “Out of Reach” – Sawsan Zakaria...
- 5/10/2024
- by Pat Saperstein
- Variety - Film News
Susan Backlinie, who played the first shark attack victim in Steven Spielberg’s “Jaws,” has died. She was 77.
Backlinie died Saturday morning at her California home due to a heart attack, Convention All Stars owner Sean Clark confirmed to Variety. The former actor and stuntwoman was one of the company’s clients.
Backlinie was best known for her role as Chrissie Watkins in “Jaws,” who is dragged to her death by a killer shark in the 1975 film’s iconic opening scene. Backlinie specialized in swimming work as a stunt performer.
Contrary to widespread belief, Backlinie’s screams of anguish in the “Jaws” opening scene were not due to her being injured by the harness that jerked her back and forth. However, no one warned Backlinie when she would be pulled underwater in order to get a genuine reaction from her.
Variety‘s “Jaws” review said of the shark attack sequences:...
Backlinie died Saturday morning at her California home due to a heart attack, Convention All Stars owner Sean Clark confirmed to Variety. The former actor and stuntwoman was one of the company’s clients.
Backlinie was best known for her role as Chrissie Watkins in “Jaws,” who is dragged to her death by a killer shark in the 1975 film’s iconic opening scene. Backlinie specialized in swimming work as a stunt performer.
Contrary to widespread belief, Backlinie’s screams of anguish in the “Jaws” opening scene were not due to her being injured by the harness that jerked her back and forth. However, no one warned Backlinie when she would be pulled underwater in order to get a genuine reaction from her.
Variety‘s “Jaws” review said of the shark attack sequences:...
- 5/12/2024
- by Selena Kuznikov and Michaela Zee
- Variety - Film News
Back in 2017, Robinne Lee dropped by a local L.A. news station for an interview promoting her role in “Fifty Shades Darker,” the second film in the steamy series based on books by E.L. James.
“You’re venturing out a little bit now with a new novel…” the Kcal anchor said to Lee, whose filmography already included “Deliver Us From Eva,” “Hitch” and “13 Going on 30,” teeing the actor up to mention her career pivot. “I have a novel coming out this spring called ‘The Idea of You,’” Lee replied, grinning.
The premise was unique: A divorced mother and art gallery owner, living in L.A. on the precipice of turning 40, takes her daughter to a concert meet-and-greet and the 20-year-old lead singer of the band falls in love with her. The story, Lee explained, was “as much about a love story complicated by celebrity and the underbelly of...
“You’re venturing out a little bit now with a new novel…” the Kcal anchor said to Lee, whose filmography already included “Deliver Us From Eva,” “Hitch” and “13 Going on 30,” teeing the actor up to mention her career pivot. “I have a novel coming out this spring called ‘The Idea of You,’” Lee replied, grinning.
The premise was unique: A divorced mother and art gallery owner, living in L.A. on the precipice of turning 40, takes her daughter to a concert meet-and-greet and the 20-year-old lead singer of the band falls in love with her. The story, Lee explained, was “as much about a love story complicated by celebrity and the underbelly of...
- 5/12/2024
- by Angelique Jackson and Michaela Zee
- Variety - Film News
"Carrie" is the book that put Stephen King on the map. When King wrote it, he was struggling financially, eking out a living selling short stories and teaching high school. Then he sat down to write what was first a short story that turned into a novella that turned into a novel. The novel was "Carrie," the story of a bullied teenage girl with telekinesis. The book wasn't a blockbuster when it was published in hardcover, but by the time it hit paperback, it flew off the shelves and King was on his way to becoming one of the best-selling novelists of all time. Sure enough, Hollywood came calling. The book was published in 1974, and by 1976, Brian De Palma's dreamy film adaptation arrived in theaters, starring Sissy Spacek as poor, doomed Carrie White, a girl who is tormented by pretty much everyone, including her Bible-loving mother (played by Piper Laurie) and her classmates.
- 5/12/2024
- by Chris Evangelista
- Slash Film
Voltage Pictures launches Cannes sales this week on the motor racing drama Faster, which is currently shooting in France.
Radar Films’ Clément Miserez and Matthieu Wart are producing the project, which is called Rapide in France, where Universal has targeted a February 2025 theatrical release.
Morgan S. Dalibert, whose credits include Aka, directs the story starring French influencer Paola Locatelli from Netflix’s Dangerous Liaisons as Max, a speed freak who loves karting and dreams of winning the Formula 1 championship.
Conquering every junior competition, at the age of 17 she realises the professional racing world remains a fortress, reluctant to welcome a...
Radar Films’ Clément Miserez and Matthieu Wart are producing the project, which is called Rapide in France, where Universal has targeted a February 2025 theatrical release.
Morgan S. Dalibert, whose credits include Aka, directs the story starring French influencer Paola Locatelli from Netflix’s Dangerous Liaisons as Max, a speed freak who loves karting and dreams of winning the Formula 1 championship.
Conquering every junior competition, at the age of 17 she realises the professional racing world remains a fortress, reluctant to welcome a...
- 5/12/2024
- ScreenDaily
The new "Doctor Who" season's second installment, "The Devil's Chord," is the closest the show's come to a proper musical episode. Sure, there was that brief musical number in the latest Christmas episode, and that one song-based resolution in season 7, but we've never seen the show embrace the music quite like this one. There are multiple original numbers, including a battle where the villain's using floating notations like a cowboy swinging a lasso around. It's fun when "Doctor Who" goes full weird, and this episode is an exciting promise of more musical weirdness to come.
But judging the episode by proper musical standards, how does it hold up? Well, not great. There's the problem that "There's Always a Twist At the End" is the only genuine catchy banger in the bunch, but more importantly, we never really got to hear the Doctor and Ruby sing about anything that matters. Sure,...
But judging the episode by proper musical standards, how does it hold up? Well, not great. There's the problem that "There's Always a Twist At the End" is the only genuine catchy banger in the bunch, but more importantly, we never really got to hear the Doctor and Ruby sing about anything that matters. Sure,...
- 5/12/2024
- by Michael Boyle
- Slash Film
Steven Spielberg's filmmaking techniques took a large bound forward in 2001 with the release of "A.I. Artificial Intelligence." The sci-fi film, set in a near future populated by conscious androids, was a project Spielberg took over from an ailing Stanley Kubrick, who passed on it when he felt Spielberg could do it better. In "A.I.," Spielberg's photography and editing were very different from the slick, adventure films and glossy prestige pictures he had become popular making. Now everything was hazy, staid, more deliberate.
Although he had already won three Oscars (two for "Schindler's List" and one for "Saving Private Ryan") and was widely considered to be a reigning master of Hollywood's blockbuster class, Spielberg evolved. After 2001, Spielberg's career bifurcated into dispassionate effects-based thrillers wherein the filmmaker was merely experimenting, and deeply passionate political thrillers that used the politics of the past to reflect on issues of the day.
The official...
Although he had already won three Oscars (two for "Schindler's List" and one for "Saving Private Ryan") and was widely considered to be a reigning master of Hollywood's blockbuster class, Spielberg evolved. After 2001, Spielberg's career bifurcated into dispassionate effects-based thrillers wherein the filmmaker was merely experimenting, and deeply passionate political thrillers that used the politics of the past to reflect on issues of the day.
The official...
- 5/12/2024
- by Witney Seibold
- Slash Film
Nowadays, when people hear the name Justin Lin, they think big-time Hollywood director with installments in both the “Star Trek” reboot film series and the “Fast & Furious” franchise. But back in 2002, he was just an indie filmmaker with one little-known feature under his belt and not much credit to his name. That all changed with one film, his 2002 Sundance breakout, “Better Luck Tomorrow,” which he also edited, co-wrote, and co-produced with the help of Mr. “Can’t Touch This” himself, Mc Hammer. The film chronicles a group of young Asians in America who start as overachievers but quickly turn to a life of crime and violence. Though not based on a real story, Lin was influenced by the violence he saw in his 20s, such as the Columbine shootings and more directly the murder of Stuart Tay.
Speaking in a retrospective interview on the film with IGN, Lin said of the film’s success,...
Speaking in a retrospective interview on the film with IGN, Lin said of the film’s success,...
- 5/12/2024
- by Harrison Richlin
- Indiewire
Ross Matthews wasn’t three words into his opening monologue at the 35th annual GLAAD Awards in New York City Saturday evening when a protester stood up from the audience to shout, “GLAAD is complicit in genocide.” The lone pro-Palestine advocate, blanketed by a wide-eyed room who let out a few jeers — “Who are you, you weirdo?” one donor shouted — was slowly, if not ceremoniously escorted from the room before she gave a final jab: “And so are all of you.”
“Thank you for your free speech. I’m so glad you have freedom,” Matthews, the evening’s host, said from the stage in an awkward attempt to recognize the protester. “Well, that was uncomfy for all of us, but we have to fight for everyone’s rights. Thank you for my opener,” he moved on, back on his feet.
And so set the tone for the evening. Each year in a star-studded ceremony,...
“Thank you for your free speech. I’m so glad you have freedom,” Matthews, the evening’s host, said from the stage in an awkward attempt to recognize the protester. “Well, that was uncomfy for all of us, but we have to fight for everyone’s rights. Thank you for my opener,” he moved on, back on his feet.
And so set the tone for the evening. Each year in a star-studded ceremony,...
- 5/12/2024
- by Michael Appler
- Variety - Film News
Lucy Liu was honored with the Legend award at the third annual Gold House Gold Gala on Saturday in Los Angeles.
Liu delivered a passionate speech after accepting the award from Regina King. “What I love about Regina is that she always makes choices that are for her,” Liu told the audience. “When I started over 30 years ago, there weren’t a lot of choices that I could make for myself.”
Liu — whose credits include “Ally McBeal,” “Elementary,” “Kill Bill Vol. 1,” “Charlie’s Angels” and Steven Soderbergh’s “Presence” — talked about having to make casting decisions “because of limitations.” She said, “I love that we are all here tonight because there is no ceiling, and I’ve never seen that for myself. I want us to all collectively understand how special this moment is that we are together as a community. I share this award with you because you have lifted me up,...
Liu delivered a passionate speech after accepting the award from Regina King. “What I love about Regina is that she always makes choices that are for her,” Liu told the audience. “When I started over 30 years ago, there weren’t a lot of choices that I could make for myself.”
Liu — whose credits include “Ally McBeal,” “Elementary,” “Kill Bill Vol. 1,” “Charlie’s Angels” and Steven Soderbergh’s “Presence” — talked about having to make casting decisions “because of limitations.” She said, “I love that we are all here tonight because there is no ceiling, and I’ve never seen that for myself. I want us to all collectively understand how special this moment is that we are together as a community. I share this award with you because you have lifted me up,...
- 5/12/2024
- by Jazz Tangcay
- Variety - Film News
“Kingdom of the Planet of the Apes” (Disney) opened to $56.5 million, slightly above pre-opening projections, which is encouraging after “The Fall Guy” (Universal) last week. That’s a relief to theaters that hope summer releases meet their potential and buffer what is expected to be a major drop in revenues versus last year.
20th Century Fox released “Planet of the Apes” in 1968. For an old franchise, this is one that still has plenty of life: The “Kingdom” opening matched the last “Apes” installment in 2017 (albeit when tickets cost 15 percent less). Speaking of old franchises, it also beat the $55 million opening of the 2021 Bond entry “No Time to Die.” Disappointing B Cinemascore aside, “Kingdom” seems poised for a solid run.
The opening for “Kingdom” doubled that of “The Fall Guy;” that differential happens to reflect the difference in the films’ production budgets. “Apes” took in an initial $129 million worldwide. “The Fall Guy...
20th Century Fox released “Planet of the Apes” in 1968. For an old franchise, this is one that still has plenty of life: The “Kingdom” opening matched the last “Apes” installment in 2017 (albeit when tickets cost 15 percent less). Speaking of old franchises, it also beat the $55 million opening of the 2021 Bond entry “No Time to Die.” Disappointing B Cinemascore aside, “Kingdom” seems poised for a solid run.
The opening for “Kingdom” doubled that of “The Fall Guy;” that differential happens to reflect the difference in the films’ production budgets. “Apes” took in an initial $129 million worldwide. “The Fall Guy...
- 5/12/2024
- by Tom Brueggemann
- Indiewire
The summer TV series is here, and some of it has already commenced. Yes, some of these shows have aired already, but given most of them will be playing throughout the next few months—given the binge model seems to be going away on most channels, networks, and streamers other than Netflix—it looks more than ok to join them mid-airing.
It should be said that summer previews are weird in that many streamers, networks, and cable channels do not reveal their entire lineups until maybe a month or two before release.
Continue reading Summer TV Preview: Over 35 Series Must-See Series To Watch at The Playlist.
It should be said that summer previews are weird in that many streamers, networks, and cable channels do not reveal their entire lineups until maybe a month or two before release.
Continue reading Summer TV Preview: Over 35 Series Must-See Series To Watch at The Playlist.
- 5/12/2024
- by Rodrigo Perez
- The Playlist
One of the best running gags in "The Marvels" involves Monica Rambeau (Teyonah Parris) and the search for a perfect superhero name. Despite a fair amount of enthusiasm from Kamala Khan (Iman Vellani), whose own alter ego was not-so-subtly inspired by her obsession with Captain Marvel (Brie Larson), Monica is seemingly uninterested in that particular hero perk. By the end of "The Marvels," she's still just Monica Rambeau — despite powering up in a major way, saving the universe from an errant wormhole, and ending up in an entirely new timeline.
Monica's arc across the Marvel Cinematic Universe is pretty different from her peers, but it largely works to her benefit. In the comics, Monica is a superhero who's burned through a number of superhero nicknames. She's been called Photon, Spectrum, and even Captain Marvel throughout her tenure on the page — and her ever-changing role in the comics seems to have...
Monica's arc across the Marvel Cinematic Universe is pretty different from her peers, but it largely works to her benefit. In the comics, Monica is a superhero who's burned through a number of superhero nicknames. She's been called Photon, Spectrum, and even Captain Marvel throughout her tenure on the page — and her ever-changing role in the comics seems to have...
- 5/12/2024
- by Lyvie Scott
- Slash Film
This post contains spoilers for "Blue Velvet."
David Lynch's cinematic world tiptoes between stark reality and nightmarish dreams, where quaint, perfect lives and locales often hide Boschian hells. While some Lynchian small towns are infused with poetic romanticism despite harboring great evils (such as Twin Peaks), others, like Lumberton, weave an insincere facade with its aura of suburban bliss: a sentiment that forms the crux of Lynch's sensational, oft-misunderstood "Blue Velvet." Most of Lynch's work defies objective analysis, as the foundational ideas he embeds into his stories feel abstract and elusive, but are always tethered to reality in essential and terrifying ways. Although "Blue Velvet" helms one of the most straightforward narratives in Lynch's oeuvre — it is neither as labyrinthine nor heady as "Inland Empire" or "Mulholland Drive" — the film's graphic depictions of psychosexual impulses tend to confuse and alienate, with the merging of the real and the...
David Lynch's cinematic world tiptoes between stark reality and nightmarish dreams, where quaint, perfect lives and locales often hide Boschian hells. While some Lynchian small towns are infused with poetic romanticism despite harboring great evils (such as Twin Peaks), others, like Lumberton, weave an insincere facade with its aura of suburban bliss: a sentiment that forms the crux of Lynch's sensational, oft-misunderstood "Blue Velvet." Most of Lynch's work defies objective analysis, as the foundational ideas he embeds into his stories feel abstract and elusive, but are always tethered to reality in essential and terrifying ways. Although "Blue Velvet" helms one of the most straightforward narratives in Lynch's oeuvre — it is neither as labyrinthine nor heady as "Inland Empire" or "Mulholland Drive" — the film's graphic depictions of psychosexual impulses tend to confuse and alienate, with the merging of the real and the...
- 5/12/2024
- by Debopriyaa Dutta
- Slash Film
The wasteland can be a brutal place. Diegetically within the world of George Miller’s “Mad Max” film series and physically for the actors who have to inhabit it. Speaking with Variety for an interview on her upcoming role in “Furiosa: A Mad Max Saga,” star of the much-hyped prequel Anya Taylor-Joy discussed the challenges of taking on this role and how leaning into it was the only way through it.
“I had the earliest call time of my life: 1:45 a.m.,” Taylor-Joy said. “I’d be like, ‘I just wrapped! What do you mean?! It’s a mistake!’”
Part of that early call time involved Taylor-Joy getting into makeup, a process that required she be covered head-to-toe in the sand and sweat of Miller’s world.
“You will not believe how dirty I had to be for it to read on camera,” she said to Variety. “The first...
“I had the earliest call time of my life: 1:45 a.m.,” Taylor-Joy said. “I’d be like, ‘I just wrapped! What do you mean?! It’s a mistake!’”
Part of that early call time involved Taylor-Joy getting into makeup, a process that required she be covered head-to-toe in the sand and sweat of Miller’s world.
“You will not believe how dirty I had to be for it to read on camera,” she said to Variety. “The first...
- 5/12/2024
- by Harrison Richlin
- Indiewire
Roger Corman, who died Saturday at 98, was famously involved with many of the greats of filmmaking at the start of their careers. In the case of Ron Howard, he helped the young actor transition from being a child star into a versatile director, giving him his first directing job with the action comedy “Grand Theft Auto” in 1977.
Howard noted that Corman was also known for giving women more opportunities than they typically had in the film industry at that time, including Penelope Spheeris and Gale Ann Hurd.
Howard paid tribute to Corman Sunday morning in a heartfelt message, writing, “Roger not only mentored a couple of generations of high profile filmmakers, but he also opened doors to many on the production side who were struggling to find career paths in the industry. When I was working for Roger, he had far more women in positions of authority throughout his company...
Howard noted that Corman was also known for giving women more opportunities than they typically had in the film industry at that time, including Penelope Spheeris and Gale Ann Hurd.
Howard paid tribute to Corman Sunday morning in a heartfelt message, writing, “Roger not only mentored a couple of generations of high profile filmmakers, but he also opened doors to many on the production side who were struggling to find career paths in the industry. When I was working for Roger, he had far more women in positions of authority throughout his company...
- 5/12/2024
- by Pat Saperstein
- Variety - Film News
In the "Star Trek" episode "The Deadly Years", an away team beams down to the planet Gamma Hydra IV to investigate a seemingly disused research station. They find several people who have died of old age and a 60-something couple who claim to be in their 20s. The away team returns to the Enterprise, not knowing they have contracted a kind of radiation sickness that causes accelerated aging. Kirk (William Shatner) begins going gray, while Dr. McCoy (DeForest Kelley) and Scotty (James Doohan) quickly develop wrinkled, craggy faces. Hit hardest is Lieutenant Galway (Beverly Washburn), a science officer not previously seen on the show. She ages the most rapidly, moving from her early 20s to her late 90s in a day. Before the end of the episode, Galway will have died of old age.
Washburn was interviewed by StarTrek.com back in 2013, and she remembered shooting "The Deadly Years" quite well.
Washburn was interviewed by StarTrek.com back in 2013, and she remembered shooting "The Deadly Years" quite well.
- 5/12/2024
- by Witney Seibold
- Slash Film
For her third round of hosting duties on “Saturday Night Live,” “Mother” Maya Rudolph did not disappoint. Having been a cast member from 2000 to 2007, Rudolph is well acquainted with that 30 Rock stage, and has played a litany of memorable characters. In honor of Mother’s Day, current “SNL” cast-mates Sarah Sherman and Bowen Yang joined Rudolph onstage to honor her legacy and declare her a true “Moth-errr”.
“You’re a 30 Rock legend,” Sherman said. “You’ve had your foot on our necks since Y2K.”
Rudolph was disbelieving of this praise at first, but Yang quickly interjected to second Sherman’s claim.
“You were the first to slay the house down boots queen!” he exclaimed to Rudolph.
“You have achieved extra-terrestrial mother status!” said Sherman.
“Me? Mother?” questioned Rudolph. “You’re right.”
Cue a pumpin’ beat and Kenan Thompson in a Law Roach-inspired wig, holding a tiny purse in one...
“You’re a 30 Rock legend,” Sherman said. “You’ve had your foot on our necks since Y2K.”
Rudolph was disbelieving of this praise at first, but Yang quickly interjected to second Sherman’s claim.
“You were the first to slay the house down boots queen!” he exclaimed to Rudolph.
“You have achieved extra-terrestrial mother status!” said Sherman.
“Me? Mother?” questioned Rudolph. “You’re right.”
Cue a pumpin’ beat and Kenan Thompson in a Law Roach-inspired wig, holding a tiny purse in one...
- 5/12/2024
- by Harrison Richlin
- Indiewire
Browse Screen’s Qumra special edition, which looks back on the 2024 edition of the Doha Film Institute’s (Dfi) incubator event that took place from March 1-6.
The issue profiles the event’s six masterclasses delivered by the likes of Toni Collette, Jim Sheridan and Claire Denis, and rounds up the festival hits supported by the Dfi.
Click here to read the digital edition...
The issue profiles the event’s six masterclasses delivered by the likes of Toni Collette, Jim Sheridan and Claire Denis, and rounds up the festival hits supported by the Dfi.
Click here to read the digital edition...
- 5/12/2024
- ScreenDaily
In Jon Favreau's 2008 superhero film "Iron Man," Tony Stark spends a large portion of the movie inventing and building a high-tech, skintight suit of armor that is equipped with rocket boosters, missiles, and automated servos that increase Tony's physical strength. In order to put the suit on, Tony required an additional, assembly-line-like machine that sealed the various pieces of the armor around his body.
In the many "Iron Man" sequels that followed, however, the process of getting in and out of the suit became quicker and more streamlined. In one film, Tony thrusts his fists into a briefcase, and his suit stretches and assembles around him. Later, the "assembly line" process is so swift that Tony can remove his suit without having to stop walking. Eventually -- and perhaps boringly -- the suit became a sort of liquid metal like in "Terminator 2," shlorping around Tony almost instantly.
In...
In the many "Iron Man" sequels that followed, however, the process of getting in and out of the suit became quicker and more streamlined. In one film, Tony thrusts his fists into a briefcase, and his suit stretches and assembles around him. Later, the "assembly line" process is so swift that Tony can remove his suit without having to stop walking. Eventually -- and perhaps boringly -- the suit became a sort of liquid metal like in "Terminator 2," shlorping around Tony almost instantly.
In...
- 5/12/2024
- by Witney Seibold
- Slash Film
Primates ruled over the North American box office, as “Kingdom of the Planet of the Apes” collected $56.5 million in its first weekend of release.
Those ticket sales were a hair above early projections of $50 million to $55 million and were easily enough to tower over the nonexistent competition. “Kingdom of the Planet of the Apes” opened roughly even with two of the three prior installments in the rebooted franchise, landing behind only 2014’s “Dawn of the Planet of the Apes” (a series-best $72 million) and ahead of 2017’s “War for the Planet of the Apes” ($56.2 million) and 2011’s “Rise of the Planet of the Apes” ($54.8 million).
“The weekend figure is roughly average for the genre, but average here is based on the biggest action films of all time,” says David A. Gross of movie consulting firm Franchise Entertainment Research. “This is an excellent opening.”
An opening that’s in line with projections is great and all,...
Those ticket sales were a hair above early projections of $50 million to $55 million and were easily enough to tower over the nonexistent competition. “Kingdom of the Planet of the Apes” opened roughly even with two of the three prior installments in the rebooted franchise, landing behind only 2014’s “Dawn of the Planet of the Apes” (a series-best $72 million) and ahead of 2017’s “War for the Planet of the Apes” ($56.2 million) and 2011’s “Rise of the Planet of the Apes” ($54.8 million).
“The weekend figure is roughly average for the genre, but average here is based on the biggest action films of all time,” says David A. Gross of movie consulting firm Franchise Entertainment Research. “This is an excellent opening.”
An opening that’s in line with projections is great and all,...
- 5/12/2024
- by Rebecca Rubin
- Variety - Film News
A handsome American ends up stranded on an alien ship, manned by an unusual alien crew, where he falls in love with its resident warrior woman. It's not "Guardians of the Galaxy," it's "Farscape," the Australian-American sci-fi series! The series was created by Rockne S. O'Bannon and Brian Henson with alien designs courtesy of the Jim Henson Company, including several puppets that served as central characters. "Farscape" is funny, campy, and weird as hell, setting it apart from not only its television contemporaries but all other sci-fi shows. "Farscape" ran for four seasons from 1999-2003, and while it wasn't as popular as some of the other big sci-fi shows, it has a devoted cult following that really loves it.
In a retrospective for the show's 25th anniversary at IGN, Henson shared his inspiration for the show and what he and O'Bannon were trying to do with "Farscape." With its wacky...
In a retrospective for the show's 25th anniversary at IGN, Henson shared his inspiration for the show and what he and O'Bannon were trying to do with "Farscape." With its wacky...
- 5/12/2024
- by Danielle Ryan
- Slash Film
There’s a story Alfred Hitchcock always liked to tell about how, when he was five years old, his father dropped him off at the local police station near his home in East London. William Hitchcock left a note for the coppers explaining that his son had been misbehaving. A policeman locked young Alfred in a cell for a few minutes and explained, “This is what we do to naughty boys.”
When Hitchcock recounted that story to Dick Cavett he was in his 70s, but the incident continued to leave a profound mark on the director. He said he was still “terrified of the police” because of that and drew a connection from that to the feelings of guilt and wrong-men-on-the-run paranoia that seeps into so many of his films.
The funny thing is, though, father characters are almost entirely absent from Hitchcock’s work. There are a few: Cedric Hardwicke...
When Hitchcock recounted that story to Dick Cavett he was in his 70s, but the incident continued to leave a profound mark on the director. He said he was still “terrified of the police” because of that and drew a connection from that to the feelings of guilt and wrong-men-on-the-run paranoia that seeps into so many of his films.
The funny thing is, though, father characters are almost entirely absent from Hitchcock’s work. There are a few: Cedric Hardwicke...
- 5/12/2024
- by Christian Blauvelt
- Indiewire
Roger Corman, the B-movie legend who helped launch the careers of Martin Scorsese, James Cameron, and Francis Ford Coppola, among many others, has passed away at the age of 98. His family told Variety that he died on Thursday, May 9, at his home in Santa Monica, surrounded by his loved ones. The family also released this statement:
"His films were revolutionary and iconoclastic, and captured the spirit of an age. When asked how he would like to be remembered, he said, 'I was a filmmaker, just that.'"
It's no exaggeration to say that Hollywood wouldn't be the same without Roger Corman. In a career that spanned half a century and hundreds of films, he directed and/or produced B-movie hits and cult classics like "House of Usher," "The Little Shop of Horrors," "Death Race 2000," and "Attack of the Crab Monsters" (not to mention a famously unreleased "Fantastic Four" movie...
"His films were revolutionary and iconoclastic, and captured the spirit of an age. When asked how he would like to be remembered, he said, 'I was a filmmaker, just that.'"
It's no exaggeration to say that Hollywood wouldn't be the same without Roger Corman. In a career that spanned half a century and hundreds of films, he directed and/or produced B-movie hits and cult classics like "House of Usher," "The Little Shop of Horrors," "Death Race 2000," and "Attack of the Crab Monsters" (not to mention a famously unreleased "Fantastic Four" movie...
- 5/12/2024
- by Hannah Shaw-Williams
- Slash Film
Serialized storylines are, naturally, tricky for shows that are, by design, inherently episodic. When "House" devoted a large chunk of its third season to the relentless Detective Michael Tritter (David Morse) trying to get back at Hugh Laurie's misanthropic diagnostician for humiliating him, the series' writers were banking on viewers not losing interest before the pair's conflict had concluded. As one of those viewers, let me tell you: It's a good thing they didn't push their luck any further than they did, even if pitting House against a cop was about as effective a way as any to get us to overlook the former's many, many blatantly unethical indiscretions and root for him to outwit this wannabe Moriarty to his Sherlock.
"Bones," like "House," was primarily episodic, with its namesake, Dr. Temperance Brennan (Emily Deschanel), and her other half, FBI agent Seeley Booth (David Boreanaz), typically wrapping up a...
"Bones," like "House," was primarily episodic, with its namesake, Dr. Temperance Brennan (Emily Deschanel), and her other half, FBI agent Seeley Booth (David Boreanaz), typically wrapping up a...
- 5/12/2024
- by Sandy Schaefer
- Slash Film
"Star Wars" has one of the biggest worlds in fiction, a vast universe with extensive mythology, a sense of history, locations that feel tangible, and characters that come across as real, living beings.
This last bit is important, because "Star Wars" has given plenty of memorable characters, where even small players can turn out to have galaxy-changing importance. Then there are the villains, of which "Star Wars" has plenty, including some of the most memorable villains in cinema history, with their own stories worth exploring.
But while we all know the menacing man-turned-machine Darth Vader or the devil-looking Maul, are they really the worst villains in the franchise? As "Star Wars" has evolved and grown over the years, its villains have become less flashy and more, well, evil. That's why we're ranking the most evil and villainous characters in George Lucas' galaxy far, far away. As a note, this list...
This last bit is important, because "Star Wars" has given plenty of memorable characters, where even small players can turn out to have galaxy-changing importance. Then there are the villains, of which "Star Wars" has plenty, including some of the most memorable villains in cinema history, with their own stories worth exploring.
But while we all know the menacing man-turned-machine Darth Vader or the devil-looking Maul, are they really the worst villains in the franchise? As "Star Wars" has evolved and grown over the years, its villains have become less flashy and more, well, evil. That's why we're ranking the most evil and villainous characters in George Lucas' galaxy far, far away. As a note, this list...
- 5/12/2024
- by Rafael Motamayor
- Slash Film
From cancelled celebrity frogs to heartbroken shrimp, the vast “Smiling Friends” universe is home to a lot of strange side characters. But co-creators Michael Cusack and Zach Hadel took things to another level for the Season 2 premiere of their Adult Swim series. The episode, which sports the concise title “Gwimbly: Definitive Remastered Enhanced Extended Edition Dx 4K (Anniversary Director’s Cut),” follows the eponymous Smiling Friends as they attempt to cheer up Gwimbly, a beloved ’90s video game character who is unable to star in new games because the evil corporation known as Insane Groundbreaking Games refuses to grant him access to his own I.P.
The episode, which was previewed for fans last month after the network’s puppet-filled April Fool’s prank, is a classic “Smiling Friends” adventure that sees the gang rescue Gwimbly from his sad life of making undignified Cameo videos and help him produce his own independent game.
The episode, which was previewed for fans last month after the network’s puppet-filled April Fool’s prank, is a classic “Smiling Friends” adventure that sees the gang rescue Gwimbly from his sad life of making undignified Cameo videos and help him produce his own independent game.
- 5/12/2024
- by Christian Zilko
- Indiewire
In the original "Star Trek," only three actors were credited at the start of the show: William Shatner, Leonard Nimoy, and DeForest Kelley. For many watching the series -- and for the actors especially -- those three were the leads, while the rest of the recurring ensemble were mere supporting players. Shatner, Nimoy, and Kelley certainly had the most screen time on "Star Trek," yet they often advocated for more. Eventually, Shatner and Nimoy became such whiny spotlight hogs that show creator Gene Roddenberry had to write an angry letter, demanding the actors stop whining and get back to work.
Trekkies, however, knew better than Shatner and Nimoy. "Star Trek" was always an ensemble piece about a core cast of multiple characters. In addition to the three "leads," the show also regularly featured chief engineer Scott/Scotty (James Doohan), communications officer Uhura (Nichelle Nichols), Ensign Chekov (Walter Koenig), Yeoman Rand...
Trekkies, however, knew better than Shatner and Nimoy. "Star Trek" was always an ensemble piece about a core cast of multiple characters. In addition to the three "leads," the show also regularly featured chief engineer Scott/Scotty (James Doohan), communications officer Uhura (Nichelle Nichols), Ensign Chekov (Walter Koenig), Yeoman Rand...
- 5/12/2024
- by Witney Seibold
- Slash Film
Even if you weren't that big a fan of the bleak blockbuster that was "Dune: Part Two" or the equally bleak whisper-shout fest that was its 2021 predecessor "Dune," you've got to admire the artistry involved. If you take even a brief look at the effort that went into it, conceiving and creating the planet Arrakis was nothing short of an ordeal. Director Denis Villeneuve wasn't going to let "Dune" or its sequel become yet another generic CGI-laden blockbuster affair. Instead, he wanted to convey a real sense of texture and reality, even while bringing to life such fantastical source matter as Frank Herbert's 1965 novel.
There's a reason the visual effects team won an Oscar for the first "Dune." Not only did they manage to convincingly create scale, but they also managed to achieve Villeneuve's aim of making the film feel authentic despite the sheer amount of digital and practical effects work involved.
There's a reason the visual effects team won an Oscar for the first "Dune." Not only did they manage to convincingly create scale, but they also managed to achieve Villeneuve's aim of making the film feel authentic despite the sheer amount of digital and practical effects work involved.
- 5/12/2024
- by Joe Roberts
- Slash Film
Marvel hasn't been having the best time of late and the shaky attempt to recapture lightning in a bottle that was "Thor: Love and Thunder" is a good example. Whereas its predecessor, "Thor: Ragnarok," saw star Chris Hemsworth leaning into his comedic sensibilities to great effect, even Hemsworth himself agreed that "Love and Thunder" was just too silly. But when the God of Thunder made his Marvel Cinematic Universe debut all the way back in 2011, the opposite was true.
Whereas "Iron Man," the film that changed Hollywood forever by kicking off the massively popular interconnected universe, was led by Robert Downey Jr. and his magnetic charisma, 2011's "Thor" was a darker affair that embraced the character's origins and delivered what was essentially a fantasy adventure with relative unknowns in the lead roles of Thor and Loki. In the late-aughts, Hemsworth and Tom Hiddleston did not enjoy the superstar status they do today,...
Whereas "Iron Man," the film that changed Hollywood forever by kicking off the massively popular interconnected universe, was led by Robert Downey Jr. and his magnetic charisma, 2011's "Thor" was a darker affair that embraced the character's origins and delivered what was essentially a fantasy adventure with relative unknowns in the lead roles of Thor and Loki. In the late-aughts, Hemsworth and Tom Hiddleston did not enjoy the superstar status they do today,...
- 5/12/2024
- by Joe Roberts
- Slash Film
Roger Corman, a pioneer of low-cost independent filmmaking and the godfather of B-movies who produced hundreds of genre films in a career spanning eight decades, has died. He was 98.
During a prolific career that started in the 1950s and encompassed all genre, Corman directed the 1960 original The Little Shop Of Horrors – reportedly shot in two days – as well as The Man With The X-Ray Eyes, The Trip, The Wasp Woman, The Masque Of The Red Death, House Of Usher, and The Raven – the last three counting among a number of Edgar Allan Poe adaptations.
Dubbed ’the Pope of Pop Cinema...
During a prolific career that started in the 1950s and encompassed all genre, Corman directed the 1960 original The Little Shop Of Horrors – reportedly shot in two days – as well as The Man With The X-Ray Eyes, The Trip, The Wasp Woman, The Masque Of The Red Death, House Of Usher, and The Raven – the last three counting among a number of Edgar Allan Poe adaptations.
Dubbed ’the Pope of Pop Cinema...
- 5/12/2024
- ScreenDaily
Although never named in any entries of the franchise, the deadly aliens in the "Predator" series are a species called the Yautja (pronounced "Yah-oot-Cha"). The films themselves do little to explain where they come from and what their civilization might be like. What little we know is based on seeing a few of them as intergalactic big-game trophy hunters, but is this true of their entire society? Is their civilization centered around the hunt? Or are the Predators we've seen pariahs, the Yautja equivalent to big-game trophy hunters like Walter Palmer, widely criticized for his participation in the controversial killing of both Cecil the lion and a protected ram in Mongolia?
In 2010's "Predators," Royce (Adrien Brody) quotes Hemingway, "Certainly there is no hunting like the hunting of man and those who have hunted armed men long enough and liked it, never really care for anything else thereafter." Like us,...
In 2010's "Predators," Royce (Adrien Brody) quotes Hemingway, "Certainly there is no hunting like the hunting of man and those who have hunted armed men long enough and liked it, never really care for anything else thereafter." Like us,...
- 5/12/2024
- by Maurice Molyneaux
- Slash Film
Screen is running this regularly updated page with the latest film festival and market dates from across the world.
To submit details of or alter your festival dates, please contact us here with the name, dates, country and website for the event. Screen is also running a calendar for UK-Ireland film release dates here.
Ongoing
JFilm Festival, US - May 2-12
UK Asian Film Festival, UK - May 2-12
Seattle International Film Festival, US - May 9-19
Los Angeles International Children’s Film Festival Part 2, US - May 11-26
May
Cannes Film Festival, France - May 14-25
Marche Du Film,...
To submit details of or alter your festival dates, please contact us here with the name, dates, country and website for the event. Screen is also running a calendar for UK-Ireland film release dates here.
Ongoing
JFilm Festival, US - May 2-12
UK Asian Film Festival, UK - May 2-12
Seattle International Film Festival, US - May 9-19
Los Angeles International Children’s Film Festival Part 2, US - May 11-26
May
Cannes Film Festival, France - May 14-25
Marche Du Film,...
- 5/12/2024
- by Ben Dalton
- ScreenDaily
For a show filled with constant troublemakers, it makes sense that "The Simpsons" would feature multiple recurring lawyer characters. The most memorable is Lionel Hutz, the incompetent bozo who usually represents a member of the Simpson family; when he's taking on the case, that's a sure sign that whoever he's defending is going to jail. He's a familiar archetype, one we see echoes of with the incompetent alien chicken lawyer on "Futurama" or the perpetually anxious Ted on "Scrubs." Any lawyer who strays from the expected image of a smart, calculating, dignified man is always a welcome addition to a sitcom, but "The Simpsons" is unique in that it offers a counterpart.
Mr. Burns' lawyer, the blue-eyed New Yorker with the nasal voice, is the polar opposite of Lionel Hutz. He's an extremely efficient soulless drone, someone who tends to win his cases even if his methods aren't particularly ethical.
Mr. Burns' lawyer, the blue-eyed New Yorker with the nasal voice, is the polar opposite of Lionel Hutz. He's an extremely efficient soulless drone, someone who tends to win his cases even if his methods aren't particularly ethical.
- 5/12/2024
- by Michael Boyle
- Slash Film
Cinematically speaking, spiders are having a miniature moment. On April 12, 2024, fans of creature features were treated to Kiah Roache-Turner's "Sting," a film about an alien spider that grows to an enormous size and terrorizes the denizens of a run-down apartment building. Then, on April 26, the United States was granted access to Sébastien Vanicek's "Infested" (French title: "Vermines"), a film about many spiders that grow to enormous sizes and terrorize the denizens of a run-down apartment building. These two films, of course, came hot on the heels of the February release of "Madame Web," the best Spider-Man-adjacent, non-Marvel-Cinematic-Universe-related mid-budget clairvoyance caper film ever made.
Children of the '90s may be getting flashbacks to the glories of Frank Marshall's 1990 spider horror/comedy "Arachnophobia," one of the more exciting mainstream horror films of its era. In "Arachnophobia," a venomous Venezuelan spider is accidentally shipped to the United States,...
Children of the '90s may be getting flashbacks to the glories of Frank Marshall's 1990 spider horror/comedy "Arachnophobia," one of the more exciting mainstream horror films of its era. In "Arachnophobia," a venomous Venezuelan spider is accidentally shipped to the United States,...
- 5/12/2024
- by Witney Seibold
- Slash Film
The seventh edition of the Quirino Awards, an annual event dedicated to promoting animation in Spain, Portugal, and Latin America, saw Spain win five of the 10 awards on offer. Housed in the Teatro Leal, in the Canary Island’s Santa Cruz de Tenerife, an eclectic and, at times, musical gala concluded an upbeat Quirino Awards.
Pablo Berger’s first foray into animation, the Oscar-nominated “Robot Dreams,” continued its charge, winning awards for best feature film and sound design. A first Neon pick-up at Cannes last year, the film has won plaudits just about everywhere, described by Variety as a “sweetly sorrowful buddy movie .”
For the second year running, best series went to Spain’s “Jasmine & Jambo – Season 2” by Silvia Cortés. Series leads Jasmine and Jambo are music-obsessed and reside in Soundland. The series effortlessly educates through music-infused plots for kids, produced by Catalan company Teidees Audiovisuals in co-production with Corporació Catalana de Mitjans Audiovisuals.
Pablo Berger’s first foray into animation, the Oscar-nominated “Robot Dreams,” continued its charge, winning awards for best feature film and sound design. A first Neon pick-up at Cannes last year, the film has won plaudits just about everywhere, described by Variety as a “sweetly sorrowful buddy movie .”
For the second year running, best series went to Spain’s “Jasmine & Jambo – Season 2” by Silvia Cortés. Series leads Jasmine and Jambo are music-obsessed and reside in Soundland. The series effortlessly educates through music-infused plots for kids, produced by Catalan company Teidees Audiovisuals in co-production with Corporació Catalana de Mitjans Audiovisuals.
- 5/12/2024
- by Callum McLennan
- Variety - Film News
In 2021, in the months leading to the release of "Space Jam: A New Legacy," the New York Times published an editorial which said cartoon character Pepé Le Pew "normalized rape culture." In that same piece, the author also wrote that Speedy Gonzales had friends who "helped popularize the corrosive stereotype of the drunk and lethargic Mexicans."
In recent years, "Looney Tunes" stopped featuring rifles in new portrayals of Elmer Fudd, so why couldn't change its portrayal of Pepé Le Pew or Speedy, too? While France did nothing to defend Le Pew, Latinos in the U.S. and across Latin America jumped at the chance to defend Speedy Gonzales from never saying "Ándale! Ándale! Arriba! Arriba!" again. Comedian Gabriel Iglesias, who voiced Speedy in "Space Jam 2," defended the character on social media.
Few would argue that the character isn't racist or an outdated stereotype, but Speedy still engenders passionate love...
In recent years, "Looney Tunes" stopped featuring rifles in new portrayals of Elmer Fudd, so why couldn't change its portrayal of Pepé Le Pew or Speedy, too? While France did nothing to defend Le Pew, Latinos in the U.S. and across Latin America jumped at the chance to defend Speedy Gonzales from never saying "Ándale! Ándale! Arriba! Arriba!" again. Comedian Gabriel Iglesias, who voiced Speedy in "Space Jam 2," defended the character on social media.
Few would argue that the character isn't racist or an outdated stereotype, but Speedy still engenders passionate love...
- 5/12/2024
- by Rafael Motamayor
- Slash Film
Veteran film producer and distribution executive Avi Federgreen’s Toronto-based sales company Indiecan Entertainment International has unveiled its Cannes Film Market slate.
Leading the slate is “She Was Here,” a documentary that delves into the life of beloved child actress Heather O’Rourke, famed for her role in the “Poltergeist” and known for the line “They’re here.” O’Rourke’s life was tragically cut short at the age of 12. Director Nick Bailey explores O’Rourke’s untold story, featuring interviews with her “Poltergeist” co-stars Craig T. Nelson and JoBeth Williams, as well as Heather’s mother and sister. The documentary is produced by Brian Pocrass, Reese Eveneshen and Federgreen.
“Wild Goat Surf” is a Canadian, coming-of-age drama set in 2003 Penticton, British Columbia, following the adventures of 13-year-old Real “Goat” Anderson and her mother Jane as they navigate a summer of struggle and resilience. Living in an Rv park by Skaha Lake,...
Leading the slate is “She Was Here,” a documentary that delves into the life of beloved child actress Heather O’Rourke, famed for her role in the “Poltergeist” and known for the line “They’re here.” O’Rourke’s life was tragically cut short at the age of 12. Director Nick Bailey explores O’Rourke’s untold story, featuring interviews with her “Poltergeist” co-stars Craig T. Nelson and JoBeth Williams, as well as Heather’s mother and sister. The documentary is produced by Brian Pocrass, Reese Eveneshen and Federgreen.
“Wild Goat Surf” is a Canadian, coming-of-age drama set in 2003 Penticton, British Columbia, following the adventures of 13-year-old Real “Goat” Anderson and her mother Jane as they navigate a summer of struggle and resilience. Living in an Rv park by Skaha Lake,...
- 5/12/2024
- by Naman Ramachandran
- Variety - Film News
From Bond to Barbie, behind every Hollywood film or television drama is an unsung hero doing the scary stuff. Meet the doughty men and women willing to take big risks to be part of the magic
I’ve been in the game since 1960. My first film was The Young Ones, starring Cliff Richard. I can’t have been more than 17, and was only paid a few bob. Already a black belt in judo, I went down and taught him some basics: mostly showing how to do some throws on the mats.
I’ve been in the game since 1960. My first film was The Young Ones, starring Cliff Richard. I can’t have been more than 17, and was only paid a few bob. Already a black belt in judo, I went down and taught him some basics: mostly showing how to do some throws on the mats.
- 5/12/2024
- by Michael Segalov
- The Guardian - Film News
Heists, horror and carnivorous plants were all grist to Corman’s staggeringly prolific movie mill, as were his pivotal collaborations with other film-makers
News: Corman dies aged 98Roger Corman obituary
Roger Corman was the powerhouse of B-pictures and pulp classics, who in a staggeringly prolific career lasting from the 1950s to the 2010s produced more than 400 movies, and directed more than 50 – films such as The Wasp Woman, A Bucket of Blood, The Wild Angels, The Fall of the House of Usher, Little Shop of Horrors and The Man With the X-Ray Eyes. And with his collaborations with Vincent Price on a number of inspired Edgar Allan Poe adaptations in the 1960s, Corman helped to make Poe a canonical figure within American literature and a figure of enduring pop-cultural importance, revered by academics who have made campus careers out of the author.
Corman was the entrepreneurial life force of low-budget independent...
News: Corman dies aged 98Roger Corman obituary
Roger Corman was the powerhouse of B-pictures and pulp classics, who in a staggeringly prolific career lasting from the 1950s to the 2010s produced more than 400 movies, and directed more than 50 – films such as The Wasp Woman, A Bucket of Blood, The Wild Angels, The Fall of the House of Usher, Little Shop of Horrors and The Man With the X-Ray Eyes. And with his collaborations with Vincent Price on a number of inspired Edgar Allan Poe adaptations in the 1960s, Corman helped to make Poe a canonical figure within American literature and a figure of enduring pop-cultural importance, revered by academics who have made campus careers out of the author.
Corman was the entrepreneurial life force of low-budget independent...
- 5/12/2024
- by Peter Bradshaw
- The Guardian - Film News
Corman made over 400 movies including cult classics Death Race 2000, Piranha and The Little Shop of Horrors and launched the careers of Scorsese and De Niro
Gallery: a career in picturesAppreciation: Peter Bradshaw on CormanRoger Corman obituary
Roger Corman, the writer and director who helped turn out such low-budget classics as Little Shop of Horrors and gave many of Hollywood’s most famous actors and directors early breaks, has died aged 98.
Corman died on Thursday at his home in Santa Monica, California, his daughter Catherine Corman said on Saturday in a statement.
Gallery: a career in picturesAppreciation: Peter Bradshaw on CormanRoger Corman obituary
Roger Corman, the writer and director who helped turn out such low-budget classics as Little Shop of Horrors and gave many of Hollywood’s most famous actors and directors early breaks, has died aged 98.
Corman died on Thursday at his home in Santa Monica, California, his daughter Catherine Corman said on Saturday in a statement.
- 5/12/2024
- by Gwilym Mumford
- The Guardian - Film News
The artist and filmmaker has always enjoyed challenging convention. Now she has written a novel which takes a breathtaking look at menopause, sex, death and transformation
Miranda July has rented a little house in LA for 20 years. Every morning she’d drive over from the home she shared with her husband and young child, work on her films and art and writing and drive home again, until one day she noticed that another little house, the little rundown house that backed on to hers, was empty, and she had a thought. Something was shifting in her, it had been shifting for some time.
The shift started when, after signing on to publish her second novel, July realised the most valuable time for her to write was early in the morning. One day she said to her husband, film director Mike Mills, “I’m going to ask something,” and she took a breath.
Miranda July has rented a little house in LA for 20 years. Every morning she’d drive over from the home she shared with her husband and young child, work on her films and art and writing and drive home again, until one day she noticed that another little house, the little rundown house that backed on to hers, was empty, and she had a thought. Something was shifting in her, it had been shifting for some time.
The shift started when, after signing on to publish her second novel, July realised the most valuable time for her to write was early in the morning. One day she said to her husband, film director Mike Mills, “I’m going to ask something,” and she took a breath.
- 5/12/2024
- by Eva Wiseman
- The Guardian - Film News
The terror in "The Twilight Zone" always comes from "What if?" What if there was a little boy with way too much power for anyone to tell him "no"? What if what you thought of as Heaven turned out to be more like Hell? What if man-eating aliens arrived and made humans as docile as lambs to the slaughter?
These questions may be outrageous fantasy, but the terror of them is timeless. We still watch "The Twilight Zone" decades later, and the best episodes can still leave you chilled -- all thanks to the imagination of series creator Rod Serling.
Serling is synonymous with "The Twilight Zone" even for casual viewers; one could call him TV's first auteur. His reputation was as much thanks to his on-camera work as his writing. Serling was the narrator of "The Twilight Zone," introducing and closing out each episode. (He got the job after...
These questions may be outrageous fantasy, but the terror of them is timeless. We still watch "The Twilight Zone" decades later, and the best episodes can still leave you chilled -- all thanks to the imagination of series creator Rod Serling.
Serling is synonymous with "The Twilight Zone" even for casual viewers; one could call him TV's first auteur. His reputation was as much thanks to his on-camera work as his writing. Serling was the narrator of "The Twilight Zone," introducing and closing out each episode. (He got the job after...
- 5/12/2024
- by Devin Meenan
- Slash Film
Roger Corman, the maverick producer of B-movies and iconoclastic subjects whose innovative low-budget enterprises launched the careers of numerous major filmmakers, died on Thursday at his home in Santa Monica. He was 98.
Corman’s career encompassed seven decades and more than 500 producing credits, including early work that launched the careers of major Hollywood figures such as Jack Nicholson, Bruce Dern, Peter Fonda, Frances Ford Coppola, Martin Scorsese, James Cameron, Peter Bogdanovich, Gale Anne Hurd, John Sayles, Ron Howard and Jonathan Demme. Yet Corman resented the commercial studio system, and as both producer and as a director himself, he pursued his cheap, no-frills filmmaking style at all costs, while using lowbrow genre tropes as a Trojan horse for socially conscious themes.
Over the years, Corman’s name has been most closely associated with the zany escapist enterprises often referred to as exploitation films, a term he abhorred. With producing credits such...
Corman’s career encompassed seven decades and more than 500 producing credits, including early work that launched the careers of major Hollywood figures such as Jack Nicholson, Bruce Dern, Peter Fonda, Frances Ford Coppola, Martin Scorsese, James Cameron, Peter Bogdanovich, Gale Anne Hurd, John Sayles, Ron Howard and Jonathan Demme. Yet Corman resented the commercial studio system, and as both producer and as a director himself, he pursued his cheap, no-frills filmmaking style at all costs, while using lowbrow genre tropes as a Trojan horse for socially conscious themes.
Over the years, Corman’s name has been most closely associated with the zany escapist enterprises often referred to as exploitation films, a term he abhorred. With producing credits such...
- 5/12/2024
- by Eric Kohn
- Indiewire
“The Jennifer Hudson Show,” “Rustin” and “Red White & Royal Blue” earned top prizes at the New York GLAAD Media Awards, which this year celebrates the 35th year of the annual awards show.
Awards were presented Saturday night at the Hilton Midtown in New York City. The show was hosted by television personality Ross Mathews.
Notable winners included Jennifer Hudson, who received the excellence in media award, and Orville Peck, who was honored with the Vito Russo award presented by Jennifer Lawerence.
The night also featured live musical performances from Loren Allred and Scott Hoying.
Since 1990, the GLAAD Media Awards has honored fair, accurate and inclusive representations of LGBTQ people and issues across all forms of media, including film, television, journalism, comic books and video games.
See the full list of winners below.
Outstanding TV Journalism – Long-Form: “Our America Who I’m Meant to Be – Episode 3”
Outstanding Variety or Talk...
Awards were presented Saturday night at the Hilton Midtown in New York City. The show was hosted by television personality Ross Mathews.
Notable winners included Jennifer Hudson, who received the excellence in media award, and Orville Peck, who was honored with the Vito Russo award presented by Jennifer Lawerence.
The night also featured live musical performances from Loren Allred and Scott Hoying.
Since 1990, the GLAAD Media Awards has honored fair, accurate and inclusive representations of LGBTQ people and issues across all forms of media, including film, television, journalism, comic books and video games.
See the full list of winners below.
Outstanding TV Journalism – Long-Form: “Our America Who I’m Meant to Be – Episode 3”
Outstanding Variety or Talk...
- 5/12/2024
- by Jack Dunn
- Variety - Film News
Legendary B-movie king Roger Corman, who directed and produced hundreds of low-budget films and discovered such future industry stars as Jack Nicholson, Martin Scorsese and Robert De Niro, has died. He was 98.
Corman died May 9 at his home in Santa Monica, Calif., surrounded by family members, the family confirmed to Variety.
“His films were revolutionary and iconoclastic, and captured the spirit of an age. When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that,'” the family said in a statement.
Corman’s empire, which existed in several incarnations, including New World Pictures, and Concorde/New Horizons, was as active as any major studio and, he boasted, always profitable. He specialized in fast-paced, low-budget genre movies — horror, action, science fiction, even some family fare — and his company became a work-in-training ground for a wide variety of major talents, from actors like Nicholson (“Little Shop of Horrors...
Corman died May 9 at his home in Santa Monica, Calif., surrounded by family members, the family confirmed to Variety.
“His films were revolutionary and iconoclastic, and captured the spirit of an age. When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that,'” the family said in a statement.
Corman’s empire, which existed in several incarnations, including New World Pictures, and Concorde/New Horizons, was as active as any major studio and, he boasted, always profitable. He specialized in fast-paced, low-budget genre movies — horror, action, science fiction, even some family fare — and his company became a work-in-training ground for a wide variety of major talents, from actors like Nicholson (“Little Shop of Horrors...
- 5/12/2024
- by Richard Natale and Tim Gray
- Variety - Film News
If you took a poll of movie lovers and asked for a list of the best actors of the past 50 years, Daniel Day-Lewis would certainly be among them -- he may even occupy the number one slot. The versatile performer has been wowing audiences with his all-in, committed performance style for decades, and legends are legion about the lengths to which he'll go to immerse himself in his characters.
But only one of his films has a perfect 100% Rotten Tomatoes score, and it's somewhat surprising: It's not "Gangs of New York," "My Left Foot," or even "In the Name of the Father," but 1985's "A Room With a View," directed by James Ivory. Set in the early 1900s, the film follows a young Englishwoman named Lucy (Helena Bonham Carter) and her chaperone (Maggie Smith) on a trip to Italy, where she ignites a brief relationship with a man (Julian Sands...
But only one of his films has a perfect 100% Rotten Tomatoes score, and it's somewhat surprising: It's not "Gangs of New York," "My Left Foot," or even "In the Name of the Father," but 1985's "A Room With a View," directed by James Ivory. Set in the early 1900s, the film follows a young Englishwoman named Lucy (Helena Bonham Carter) and her chaperone (Maggie Smith) on a trip to Italy, where she ignites a brief relationship with a man (Julian Sands...
- 5/12/2024
- by Ben Pearson
- Slash Film
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.
More to explore
‘Kingdom of the Planet of the Apes’ Swings to $72 Million at Overseas Box Office, Mighty $129 Million Globally
- 5/12/2024
- by Rebecca Rubin
- Variety - Film News
BAFTA TV Awards: ‘Top Boy,’ ‘Happy Valley’ Win Two Each as ‘The Crown,’ ‘Black Mirror’ Miss Out
- 5/12/2024
- by Lily Ford
- The Hollywood Reporter - Movie News
Roger Corman, Pioneering Independent Producer and King of B Movies, Dies at 98
- 5/12/2024
- by Richard Natale and Tim Gray
- Variety - TV News
Box Office: ‘Kingdom of the Planet of the Apes’ Climbs to $22 Million Opening Day
- 5/11/2024
- by Jordan Moreau and Michaela Zee
- Variety - Film News
Susan Backlinie, Who Played the First Shark Attack Victim in ‘Jaws,’ Dies at 77
- 5/12/2024
- by Selena Kuznikov and Michaela Zee
- Variety - Film News
‘Law & Order’ Bidding Farewell to Camryn Manheim
- 5/10/2024
- by Lesley Goldberg
- The Hollywood Reporter - Movie News
Frank Grillo Joins ‘Peacemaker’ Season 2 as Rick Flag Sr.
- 5/10/2024
- by Jordan Moreau
- Variety - TV News
Aida Rodriguez: Unpacking My Childhood Traumas Through Comedy Is Cathartic
- 5/6/2024
- by Aida Rodriguez
- Popsugar.com
How Erik Rivera Uses Comedy to Heal and Help Others
- 5/6/2024
- by Miguel Machado
- Popsugar.com
Ian Lara: Comedy Gave Me the Strength to Overcome My Mother's Death
- 5/6/2024
- by Ian Lara
- Popsugar.com
Justin Lin Believes Cultural Labels Can Hurt Careers: ‘I Do Think There Are Restrictions’
- 5/12/2024
- by Harrison Richlin
- Indiewire
‘Kingdom of the Planet Apes’ Is Not Enough to Achieve a $100 Million Box-Office Weekend
- 5/12/2024
- by Tom Brueggemann
- Indiewire
Summer TV Preview: Over 35 Series Must-See Series To Watch
- 5/12/2024
- by Rodrigo Perez
- The Playlist
Anya Taylor-Joy Looks Back on the Wasteland and Her First Time Viewing ‘Furiosa’: ‘I Found it Very Traumatizing to Watch’
- 5/12/2024
- by Harrison Richlin
- Indiewire
Maya Rudolph Delivers the ‘Mother’ of All ‘SNL’ Monologues with Drag Ball Themed Extravaganza
- 5/12/2024
- by Harrison Richlin
- Indiewire
BAFTA TV Awards: ‘Top Boy,’ ‘Happy Valley’ Win Two Each as ‘The Crown,’ ‘Black Mirror’ Miss Out
- 5/12/2024
- by Lily Ford
- The Hollywood Reporter - Movie News
‘Law & Order’ Bidding Farewell to Camryn Manheim
- 5/10/2024
- by Lesley Goldberg
- The Hollywood Reporter - Movie News
‘The Bachelor,’ ‘American Idol’ Among Seven Unscripted Renewals at ABC
- 5/10/2024
- by Rick Porter
- The Hollywood Reporter - Movie News
‘The Conners’ Renewed for Seventh and Final Season at ABC, ‘Not Dead Yet’ Canceled
- 5/10/2024
- by Joe Otterson
- Variety - TV News
Frank Grillo Joins ‘Peacemaker’ Season 2 as Rick Flag Sr.
- 5/10/2024
- by Jordan Moreau
- Variety - TV News