It's the end of the term at College, and Vyvan, Rick, Mike and Neil are having a lazy summer holiday. But they end up getting evicted by Mr. Bolowski and decide to rob a bank, before making a getaway...
Richie and Eddie are in charge of the worst hotel in the UK, Guest House Paradiso, neighbouring a nuclear power plant. The illegal immigrant chef has fled and all the guests have gone. But ... See full summary »
Richie buys an inflatable doll named Monica as his lover, and he tries to conceal it from Eddie. But it all goes terribly wrong when Richie accidentally super glues Monica to his groin, mistaking Eddie's super glue for Handcream.
Eddie has locked himself away in the toilet and Richie finds he's been inventing gadgets and only to find himself joining Eddie on a adventure through time and space on-board Eddie's time machine "The Turdis" which is a toilet cubicle.
A series of self contained TV films starring performers from London's "Comic Strip" comedy club and their friends. Noted for a high sense of parody of previous films, literature, and generally everyone in sight.
Four mis-matched university students share a house in North London: Neil, the hippy; Mike, the cool person; Rick, a would-be anarchist studying sociology; and Vyvyan, the punk medical student who is prone to extreme violence. Together with their bastard Russian landlord, the world of these "bachelor boys" is surreal and violent, but ultimately hilarious. Written by
Alexander Lum <email@example.com>
The principal characters were all derived from characters performed by the actors at The Comic Strip club in London in the early-1980s. Rik, the People's Poet was a solo act by Rik Mayall; Vyvyan was a development of Adrian Edmondson's half of Twentieth Century Coyote (with Rik Mayall); Neil was originally Nigel Planer's inept (and depressed) folk singer; while Mike was based on Peter Richardson's performance as half of The Outer Limits (with Nigel Planer). It was originally intended that Richardson should join the show, but when he declined, the role was offered to Christopher Ryan. See more »
The Young Ones is a comedy classic and one of my all time favourites. The twelve episodes capture the political mood of Britain in the early eighties to perfection and in my opinion it does so as good as any serious political observation of that era. What I would say is that although the viewer may appreciate the humour of the series, one really needs to have experienced the early 80's in a full on social sense to get the full impact of what is being viewed. As I was a teenager during the Young Ones era, I not only love the humorous aspects but can also draw direct parallels with the dark and oppressive undertones that are constantly present throughout the series. On the one hand we are in stitches over Viv hitting Rik or Neil and then a moment later we are reminded of the darker elements, which I feel prevailed during this time. Racial violence, unemployment, minor's and teacher's strikes, power cuts, capitalism gone mad, in fact everything that summed up the so-called Thatcher Era'. And not forgetting the total fear of nuclear attack from the super powers which seemed prevalent during this decade. Wipe the glitz and glamour from the 80's and you are left with a very dark and gloomy time period. The Young Ones acknowledges this brilliantly. I would say that The Young Ones is just as much a social commentary as it is a comedy and a terrific one at that.
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