It's the end of the term at College, and Vyvan, Rick, Mike and Neil are having a lazy summer holiday. But they end up getting evicted by Mr. Bolowski and decide to rob a bank, before making a getaway...
Richie buys an inflatable doll named Monica as his lover, and he tries to conceal it from Eddie. But it all goes terribly wrong when Richie accidentally super glues Monica to his groin, mistaking Eddie's super glue for Handcream.
Richie and Eddie are in charge of the worst hotel in the UK, Guest House Paradiso, neighbouring a nuclear power plant. The illegal immigrant chef has fled and all the guests have gone. But ... See full summary »
Eddie has locked himself away in the toilet and Richie finds he's been inventing gadgets and only to find himself joining Eddie on a adventure through time and space on-board Eddie's time machine "The Turdis" which is a toilet cubicle.
A series of self contained TV films starring performers from London's "Comic Strip" comedy club and their friends. Noted for a high sense of parody of previous films, literature, and generally everyone in sight.
This comedy series is all about two mates, Gary and Tony who share a two bedroom home. They are grown men who act like a couple of drunk two year olds, who spend their time either drinking ... See full summary »
Four mis-matched university students share a house in North London: Neil, the hippy; Mike, the cool person; Rick, a would-be anarchist studying sociology; and Vyvyan, the punk medical student who is prone to extreme violence. Together with their bastard Russian landlord, the world of these "bachelor boys" is surreal and violent, but ultimately hilarious. Written by
Alexander Lum <firstname.lastname@example.org>
The Young Ones may be an obscurity in the USA, but here in Australia its fondly remembered. We first heard rumours of it back in about '82, then someone sneaked in a crappy tape of 'Bomb'. We sat and watched it in awe. This was The Great British Surrealist sitcom; the logical next step from The Goons and Monty Python. It was appallingly, daringly head and shoulders above everything else from the 80's (oh, alright, except Black Adder. Especially Black Adder II).
Four students: a hippy, a punk, a would-be anarchist who secretly loves Cliff Richard, and... Mike, 'the cool person' - who appears to be throughly normal. Except he isn't. In fact, when you really take a close look at him, Mike is actually stranger than all the others put together. Half of his lines make little or no sense. He said something once about a sheepdog, which struck me as one of the strangest lines I've ever heard on television. But anyway, he is still nominally the anchor of normality around which all the madness rotates.
Using Python's rapid-cut technique, and employing a similar lack of concern for continuity, a Young Ones episode is a rollercoaster of surrealism, violence and squalor (the latter two elements taken to even greater extremes by Mayall and Edmonson in 'Bottom'). Episodes are suddenly interrupted by the appearance of Benito Mussolini, singing a song called 'Stupid Noises', or by various other manifestations of Russian landlord Alexai Sayle, who is inclined to go into stand up comedy routines and address the audience, much to the confusion of everyone else on set. Images of garden taps or insects are flashed on screen for a fraction of a second, scenes cartwheel off in all directions: a family of peasants in the adjoining room sit huddled round a lamp, a wardrobe leads into the realms of Narnia, an unexploded atomic bomb lands in the middle of the kitchen, vegetables in the fridge talk to each other, and Motorhead just happen to be in the loungeroom, performing 'Ace of Spades'.
Someobody else said that this series hit Britain like bombshell. It's effect was similar in Australia. It never spawned any imitators - the rest of the 80's seemed to be given over to dreary political satire, but it is undeniably one of the great English sitcoms - even if, now and then, it drags its feet just a little.
Like Fawlty Towers, it ran for only two series, but when they were over, it had breached countless boundaries of bad taste and absurdity, introduced the writing talents of Ben Elton, the careers of Rik Mayall, Alexei Sayle, Nigel Planer, Dawn French and Adrian Edmonson, and made the godawful, bland, mid 80's bearable for a few people like me.
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