When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
An impoverished woman who has been forced to choose between a privileged life with her wealthy aunt and her journalist lover, befriends an American heiress. When she discovers the heiress is attracted to her own lover and is dying, she sees a chance to have both the privileged life she cannot give up and the lover she cannot live without.
Helena Bonham Carter,
Eight years earlier, Anne Elliot, the daughter of a financially troubled aristocratic family, was persuaded to break off her engagement to Frederick Wentworth, a young seaman, who, though ... See full summary »
A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting the Emersons could change Lucy's life forever but, once back in England, how will her experiences in Tuscany affect her marriage plans? Written by
My Beautiful Laundrette and A Room with a View both opened in New York on the same day, March 7, 1986. Both movies featured Daniel Day-Lewis in prominent and very different roles: in A Room with a View, he played a repressed, snobbish Edwardian upperclassman, while in Laundrette, he played a lower-class gay ex-skinhead in love with an ambitious Pakistani businessman in Thatcher's London. When American critics saw Day-Lewis, who was then virtually unknown in the US, in two such different roles on the same day, many (including Roger Ebert of The Chicago Sun-Times and Vincent Canby of The New York Times) raved about the talent it must have taken him to play such vastly different characters. See more »
In the plaza scene when Lucy faints, her photographs do not fall into the blood, her hat does. The hat rolls to the left into the blood pool. When George retrieves the packet, the hat and the packet have switched places. See more »
This is not at all what we were led to expect.
I thought we were going to see the Arno.
The signora distinctly wrote, South rooms, with a view and close together, instead of which she has given us North rooms without a view and a long way apart.
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A Room with a View possesses a fabulous cast, beautiful cinematography, an awesome adapted script, and a tale of oppressed desire during the paradigm shift from the repressive Victorian age to the more liberal Edwardian time. The film moves at a deliberate pace of country strolls and carriage rides filling the viewer with literary awakenings and music compositions. Poppies, barley, and Florence architecture decorate the screen.
The film is witty if anything with carefree individuals roaming about with leisure on their minds. Pure love and desire aches throughout and Italy is the place to bring the lovers together.
It is a handsome picture. Detailed period pieces and costumes. The cast is phenomenal! Helena Bohnam Carter portrays the peevish Lucy Honeychurch on her way to becoming her prudish Cousin and chaperone, Charlotte Bartlett (The Great Maggie Smith.) However The spirit of Italy will prevent such an occurrence and fill Miss Honeychurch with pure desire for George, the man who was brought up from the evils and hate of the world.
The adaptation is superb. Fun. It is a film to live in and swim in the sacred lake. One of the best films of the 80's. Terrific!
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