When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
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Tale of 19th century New York high society in which a young lawyer falls in love with a woman separated from her husband, while he is engaged to the woman's cousin.
Director:
Martin Scorsese
Stars:
Daniel Day-Lewis,
Michelle Pfeiffer,
Winona Ryder
An impoverished woman who has been forced to choose between a privileged life with her wealthy aunt and her journalist lover, befriends an American heiress. When she discovers the heiress is attracted to her own lover and is dying, she sees a chance to have both the privileged life she cannot give up and the lover she cannot live without.
Director:
Iain Softley
Stars:
Helena Bonham Carter,
Linus Roache,
Alex Jennings
Eight years earlier, Anne Elliot, the daughter of a financially troubled aristocratic family, was persuaded to break off her engagement to Frederick Wentworth, a young seaman, who, though ... See full summary »
Rich Mr. Dashwood dies, leaving his second wife and her three daughters poor by the rules of inheritance. The two eldest daughters are the titular opposites.
Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Berg re-encounters his former lover as she defends herself in a war-crime trial.
A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting the Emersons could change Lucy's life forever but, once back in England, how will her experiences in Tuscany affect her marriage plans? Written by
Bridget Jones
During a film making discussion with Gus Van Sant during the Oregon Sesquicentennial Film Festival, James Ivory stated that he chose to make A Room with a View because he wanted to return to Italy. See more »
Goofs
In Mrs Vyse's home, she and Cecil Vyse discuss Lucy becoming part of the family. The mantle clock reads about 10:46. When Cecil and Lucy part on the landing, the clock strikes 10. See more »
Quotes
[first lines]
Charlotte Bartlett:
This is not at all what we were led to expect.
Lucy Honeychurch:
I thought we were going to see the Arno.
Charlotte Bartlett:
The signora distinctly wrote, South rooms, with a view and close together, instead of which she has given us North rooms without a view and a long way apart.
See more »
"Mademoiselle Modiste"
Composed by Victor Herbert
Courtesy Caedmon/Arabesque Records
Performed by The Eastman-Dryden Orchestra (as The Dryden Orchestra of the Eastman School of Music)
Conducted by Donald Hunsberger (uncredited)
(from the album "Souvenir") (uncredited) See more »
No disrespect to the achingly elegant prose of E.M. Forster, but the
last chapter of his novel simply cannot compare to this film's last
shot, of a pair of lovers in a pensione in Florence, finally with their
view of the Arno. As for the rest of this brilliant adaptation, it is
populated with actors so perfectly cast it's as if they'd been invented
for the roles-- Julian Sands as the Edwardian bohemian George Emerson,
Helena Bonham-Carter, radiant as Lucy Honeychurch, Denholm Elliott,
once again stealing every scene he's in, and Daniel Day-Lewis as the
priggish Cecil Vyse, in a performance so self-consciously stiff he
looks as though he were taken off the cover of the New Yorker. It's
romantic, funny, stylish and impassioned. I first saw this film when it
was released, and even at a young age, I knew I'd fallen in love.
Twenty years later, I'm still in love with it.
53 of 64 people found this review helpful.
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No disrespect to the achingly elegant prose of E.M. Forster, but the last chapter of his novel simply cannot compare to this film's last shot, of a pair of lovers in a pensione in Florence, finally with their view of the Arno. As for the rest of this brilliant adaptation, it is populated with actors so perfectly cast it's as if they'd been invented for the roles-- Julian Sands as the Edwardian bohemian George Emerson, Helena Bonham-Carter, radiant as Lucy Honeychurch, Denholm Elliott, once again stealing every scene he's in, and Daniel Day-Lewis as the priggish Cecil Vyse, in a performance so self-consciously stiff he looks as though he were taken off the cover of the New Yorker. It's romantic, funny, stylish and impassioned. I first saw this film when it was released, and even at a young age, I knew I'd fallen in love. Twenty years later, I'm still in love with it.