Shalee Jethro (Dorothy Malone) helps her father run a desert stagecoach station. Five desperate outlaws arrive at the station to await a gold shipment they plan to rob, and Shalee becomes ... See full summary »
The Nazis imprison an Italian general who was planning to switch sides and turn over his army to the Allied side. Allied headquarters sends a small, somewhat misfit group of soldiers to ... See full summary »
The ultimate weapon which was meant to be safe for the mankind produces global side effects including time slides and disappearances. The scientist behind the project and his car are zapped... See full summary »
Dr. James Xavier is a world renowned scientist experimenting with human eyesight. He devises a drug, that when applied to the eyes, enables the user to see beyond the normal realm of our sight (ultraviolet rays etc.) it also gives the user the power to see through objects. Xavier tests this drug on himself, when his funding is cut off. As he continues to test the drug on himself, Xavier begins to see, not only through walls and clothes, but through the very fabric of reality! Written by
This film originally had a five minute prologue about the human senses. This prologue was removed from all post-theatrical prints of the film, and may have been removed from some of the theatrical release prints. This reduced the running time to 79 minutes. The footage still exists. See more »
After the accident with the 1963 light blue Lincoln Continental with suicide doors, the car shown upside down is either a Mercury or Ford of a similar color but without suicide doors and without whitewall tires. See more »
Dr. Diane Fairfax:
What do you see?
Dr. James Xavier:
The city... as if it were unborn. Rising into the sky with fingers of metal, limbs without flesh, girders without stone. Signs hanging without support. Wires dipping and swaying without poles. A city unborn. Flesh dissolved in an acid of light. A city of the dead.
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Classic sci-fi shocker has Rickles in one of his best roles
This is one of my favorite Roger Corman flicks. Brisk pace and many surprises. Don Rickles as a ruthless carny exploiteer is one of them. Milland wears more and more ridiculous sunglasses as the movie progresses.
Seriously, this is one of Don Rickles' best performances -- it shows that he could have gone in a totally different direction than he followed for most of his career (as an "insult comedian") if he had wanted to. I imagine that his appearance in the film had something to do with his contract with AIP, but I still think it's a bit of VERY inspired casting (regardless of the financial reasons that may have been behind it).
Milland is also excellent in the type of role that suits him to a T... he gets to be kind of a Dr. Frankenstein here, convinced he's doing good for humanity but making himself into a monster in the process.
A memorable story with a meaning.
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