An alien agent from the distant planet Davana is sent to Earth via a high-tech matter transporter. There, he terrorizes Southern California in an attempt to acquire blood for his dying race, the result of a devastating nuclear war.
Paul Groves (Peter Fonda), a television commercial director, is in the midst of a personality crisis. His wife Sally (Susan Strasberg) has left him and he seeks the help of his friend John ... See full summary »
Dr. Xavier develops eye drops intended to increase the range of human vision, allowing one to see beyond the visible spectrum. Believing that testing on animals and volunteers will produce ... See full summary »
Dr. James Xavier is a world renowned scientist experimenting with human eyesight. He devises a drug, that when applied to the eyes, enables the user to see beyond the normal realm of our sight (ultraviolet rays etc.) it also gives the user the power to see through objects. Xavier tests this drug on himself, when his funding is cut off. As he continues to test the drug on himself, Xavier begins to see, not only through walls and clothes, but through the very fabric of reality! Written by
The re-release in Spain was only in Madrid (Artistic Metropol). The film was shown for only four days and only in a subtitled version. See more »
When in the party, Dr. Xavier sees everybody naked, through their clothes, curtains and table cloths are shown. If he can see through clothes, the table should be "naked". See more »
Dr. Diane Fairfax:
What do you see?
Dr. James Xavier:
The city... as if it were unborn. Rising into the sky with fingers of metal, limbs without flesh, girders without stone. Signs hanging without support. Wires dipping and swaying without poles. A city unborn. Flesh dissolved in an acid of light. A city of the dead.
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I just (finally) saw this film a few days ago, after years of hearing about it. The screening was the final show of a three-day SF/horror film festival. After three days of films, most people were feeling a bit loopy and ready for some light entertainment. As X opened, quite a few members of the audience started treating it as an episode of Mystery Science Theater 3000, shouting out their own (generally lame) joke comments in response to the film. I was annoyed, because I'd been looking forward to this film all weekend (although, in their defense, certain lines have become unintentionally loaded in the comparatively sexually liberated 21st century).
What I found fascinating was that, by 15 minutes into the movie, all the commentary stopped. Once the film moved beyond the talky opening scenes and stilted dialog, once the story really got going, everyone was drawn into it. They actually paid attention to the movie instead of each other.
As SF cinema goes, this is definitely one of the more entertaining, thoughtful, and intelligent examples (and intelligent SF film is a dying genre). This one goes well beyond the standard mad scientist formula.
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