Star Trek (1966–1969)

TV Series  -   -  Action | Adventure | Sci-Fi
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Captain James T. Kirk and the crew of the Starship Enterprise explore the Galaxy and defend the United Federation of Planets.

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Title: Star Trek (1966–1969)

Star Trek (1966–1969) on IMDb 8.4/10

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3   2   1  
1988   1969   1968   1967   1966  
Nominated for 13 Primetime Emmys. Another 7 wins & 16 nominations. See more awards »
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Action | Adventure | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 8.7/10 X  

Set decades after Captain James T. Kirk's 5-year mission, a new generation of Starfleet officers in a new Enterprise set off on their own mission to go where no one has gone before.

Stars: Patrick Stewart, Brent Spiner, Jonathan Frakes
Star Trek: Voyager (1995–2001)
Action | Adventure | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

Pulled to the far side of the Galaxy, where the Federation is 75 years away at maximum warp speed, a Starfleet ship must cooperate with Maquis rebels to find a way home.

Stars: Kate Mulgrew, Robert Beltran, Roxann Dawson
Action | Adventure | Drama
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

Orbiting the liberated planet of Bajor, a Federation space station guards the opening of a stable wormhole to the far side of the Galaxy.

Stars: Avery Brooks, Rene Auberjonois, Cirroc Lofton
Star Trek: Enterprise (2001–2005)
Action | Adventure | Drama
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A prequel series, set 100 years before the original Star Trek series, which focuses on the early years of Starfleet, leading up to the formation of the Federation and the Earth-Romulan Wars. The series is set aboard the Earth ship Enterprise NX-01, captained by Jonathan Archer.

Stars: Scott Bakula, John Billingsley, Jolene Blalock
Adventure | Mystery | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

When an alien spacecraft of enormous power is spotted approaching Earth, Admiral Kirk resumes command of the Starship Enterprise in order to intercept, examine and hopefully stop the intruder.

Director: Robert Wise
Stars: William Shatner, Leonard Nimoy, DeForest Kelley
Action | Adventure | Comedy
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

To save Earth from an alien probe, Admiral Kirk and his fugitive crew go back in time to 20th century Earth to retrieve the only beings who can communicate with it, humpback whales.

Director: Leonard Nimoy
Stars: William Shatner, Leonard Nimoy, DeForest Kelley
Action | Adventure | Drama
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

With the assistance of the Enterprise crew, Admiral Kirk must stop an old nemesis, Khan Noonien Singh, from using his son's life-generating device, the Genesis Device, as the ultimate weapon.

Director: Nicholas Meyer
Stars: William Shatner, Leonard Nimoy, DeForest Kelley
Action | Adventure | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

Admiral Kirk and his bridge crew risk their careers stealing the decommissioned Enterprise to return to the restricted Genesis planet to recover Spock's body.

Director: Leonard Nimoy
Stars: William Shatner, Leonard Nimoy, DeForest Kelley
Action | Adventure | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 5.3/10 X  

Captain Kirk and his crew must deal with Mr. Spock's long-lost half-brother who hijacks the Enterprise for an obsessive search for God at the center of the galaxy.

Director: William Shatner
Stars: William Shatner, Leonard Nimoy, DeForest Kelley
Action | Adventure | Mystery
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.

Director: Nicholas Meyer
Stars: William Shatner, Leonard Nimoy, DeForest Kelley
Action | Adventure | Mystery
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

Captain Picard, with the help of supposedly dead Captain Kirk, must stop a madman willing to murder on a planetary scale in order to enter an energy ribbon.

Director: David Carson
Stars: Patrick Stewart, William Shatner, Malcolm McDowell
Action | Adventure | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

After the Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty, the Federation soon find out the Romulans are planning an attack on Earth.

Director: Stuart Baird
Stars: Patrick Stewart, Jonathan Frakes, Brent Spiner
Edit

Cast

Complete series cast summary:
...
 Mr. Spock (80 episodes, 1966-1986)
...
 Captain James T. Kirk / ... (79 episodes, 1966-1969)
...
 Dr. McCoy (76 episodes, 1966-1969)
...
 Uhura (70 episodes, 1966-1969)
...
 Scott / ... (66 episodes, 1966-1969)
Eddie Paskey ...
 Lt. Leslie / ... (60 episodes, 1966-1968)
...
 Sulu (51 episodes, 1966-1969)
...
 Chekov (36 episodes, 1967-1969)
...
 Nurse Christine Chapel / ... (36 episodes, 1966-1986)
Edit

Storyline

The adventures of the USS Enterprise, representing the United Federation of Planets on a five-year mission in outer space to explore new worlds, seek new life and new civilizations, and to boldly go where no man has gone before. The Enterprise is commanded by handsome and brash Captain James T. Kirk. His First Officer and best friend is Mr. Spock from the planet Vulcan, and Kirk's Medical Officer is Dr. Leonard "Bones" McCoy. With its crew of approximately 430, the Enterprise battles aliens, megalomanical computers, time paradoxes, psychotic murderers, and even Genghis Khan! Written by Marty McKee <mmckee@wkio.com>

Plot Summary | Add Synopsis

Taglines:

Boldly Go. Again. (2006 remasters tagline) See more »


Certificate:

See all certifications »

Parents Guide:

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Details

Official Sites:

Country:

Language:

Release Date:

8 September 1966 (USA)  »

Also Known As:

Star Trek: TOS  »

Box Office

Budget:

$200,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (79 episodes)

Sound Mix:

| (re-mastered version)| (re-mastered version)

Color:

(Technicolor)

Aspect Ratio:

4:3
See  »
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Did You Know?

Trivia

Nichelle Nichols revealed in 2011 that she auditioned for Spock. See more »

Goofs

Numerous instances where Kirk orders phasers fired, but the animation is that of the photon torpedoes. See more »

Quotes

James T. Kirk: There seems to be no sign of intelligent life anywhere...
See more »

Crazy Credits

In the latter part of the first season, the credit, in all-uppercase, for "SCRIPT SUPERVISOR", has the first word misspelled "SCPIPT". See more »

Connections

Referenced in The Air Up There (1994) See more »

Soundtracks

Theme
Music credited to Alexander Courage, although it strongly resembles the main title music for 'Hollow Triumph (1948)' by Sol Kaplan
Sung by Loulie Jean Norman
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Like Forbidden Planet, a Most-Copied Masterpiece; Still the Standard in Sci-Fi
3 September 2005 | by See all my reviews

The science fiction series "Star Trek", called TOS (The Original Series) since its 1966-1969 three-season run on NBC-TV because there have been four other "Star Trek" series, has been made the biggest success of any re-run series in television history. Its re-run profits have been misused, in my view, by those who had nothing to do with the series' creation to set up the Fox Networl; in addition, novels of an authorized and of independent versions have been allowed to be published, many products have been created and sold, ranging from die-cut models to calendars, and a series of more than half-a dozen films have been made as features. But the nature of the series I argue has neither been understood not defined sufficiently in all the decades since its too-early demise and astonishing later career. The series was the product of an intelligent republican postmodernist; his central character for a 2200's starship-based series of adventure was an Iowa born activist named James Tiberius Kirk. Roddenberry's characters talked about individual development but generally confuted emergency ethics (altruism) with real-space-time ethics; and more than a dozen times, his central character was involved in actions a starship captain should not have assigned himself to carry out. The series' main creator, Gene Roddenberry, despite being a veteran both of military and police department experience, also frequently neglected or somewhat mishandled virtually all the details of physical importance to such a series--such as ship's equipment, duty assignments, defensive formations, weaponry, computers, transport, language and translation, color-coding, insigniae, Academy training, shipboard relief procedures etc.... Yet in spite of thee secondary omissions, the story-lines and plots were so strong in idea-level that above 50+ of 79 episodes in my estimation as a writer were above- average dramatic or comedic efforts, A look at the roster of writers and directors employed on "Star Trek" will demonstrate one reason why the show was so lively, emotionally-positive and dramatically compelling. Fine directors were used a number of times; in season two, Marc Daniels shared duties with Joseph Pevney; Vincent Mceveety, Gerd Oswald, Michael O'Herlihy, Gene Nelson, Ralph Senensky, Marvin Chomsky, Robert Sparr and others provided their talents. Writers also contributed story ideas or scripts in more than one case each , such as Jean Lisette Aroeste, Jerome Bixby, Margaret Armen, John D.F. Black, Robert Bloch and Theodore Sturgeon for example. And the series' head writers included Black, D.C. Fontana, Gene Coon, Stephen Carabatsos and Roddenberry. The famous cast was comprised Canadian William Shatner as Kirk, Lonard Nimoy as the half-alien pointed-eared 1st Officer, Spock, Georgia-born De Forest Kelley as the ship's doctor, McCoy, Candian James Doohan as Montgomery Scott, Chief Engineer, George Takei as Lt. Sulu, singer-dancer Nichelle Nichols as Uhura, and Majel Barrett as Nurse Christine Chapel. In pursuit of verisimilitude and an allegorical relationship to the Cold War 1960s, Roddenberry oversaw the elaboration of the Klingon race of aliens, stand-in for Communists, the Vulcan allies, stand-in for the British, and the Romulans, a Vulcan offshoot who were stand-ins for the Germans and Chinese. There are so many important story ideas on "Star Trek" TOS, especially when the series is compared to mere adventure programs of the same period, it is difficult to discern a pattern or to nominate the most worthy, separating the plot from its produced episode. The strongest included "Return to Tomorrow", "City On the Edge of Forever", "Balance of Terror", "This Side of Paradise", "Bread and Circuses", "Mirror, Mirror", "A Piece of the Action", "The Cloud Minders", "All Our Yesterdays", "Mudd's Women", "A Taste of Armageddon" and "The Enemy Within". Recurring themes included god-machines, the power and mystery of sex, humans' ingenuity, the need for self-discipline, the dangers of superhuman powers, the need for a government of sane people, the limits of logic and the problems of emotional extremity, loyalty to a charismatic leader, etc. If Spock was Eliot Ness in alien makeup, a normative human, the rest as depicted came across as promising humans with minor flaws that only got in their way under extreme circumstances. This was a show about the Federation--the flawed U.S. bureaucracy, and Starfleet Command-- the US Air Force and Navy, with details of the civilization of the future kept intentionally vague under such notions as "speaking basic English', the Prime Directive of non-interference being in force and the crew never visiting Earth, etc;, Yhe really questionable elements of the show were the universal translator device, the molecular-disassembly and reassembly "transporter" device and the mysterious "energy shields". But in spite of technical lapses and postmodernist philosophy, the viewers responded to the series' many positive elements--the multiracial crew getting along and functioning bravely under adverse circumstances, the exciting plots, and the sense of a human future of all-but-unlimited potential-- qualities very often entirely missing from other series of the same era. Many of the series' episodes are worth viewing, by my lights as a writer, many times over. That is the series' legacy, I suggest--that it spoke for hope, tolerance and self-assertion, albeit imperfectly, at a time when angst and doubt were all-but-universal on the fictional screens of the United States.


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