Star Trek (1966–1969)

TV Series  -   -  Action | Adventure | Sci-Fi
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Captain James T. Kirk and the crew of the Starship Enterprise explore the Galaxy and defend the United Federation of Planets.

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Title: Star Trek (1966–1969)

Star Trek (1966–1969) on IMDb 8.4/10

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3 | 2 | 1

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1988 | 1969 | 1968 | 1967 | 1966
Nominated for 13 Primetime Emmys. Another 7 wins & 14 nominations. See more awards »
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Cast

Complete series cast summary:
...
 Mr. Spock (80 episodes, 1966-1986)
...
 Captain James T. Kirk / ... (79 episodes, 1966-1969)
...
 Dr. McCoy (76 episodes, 1966-1969)
...
 Uhura (70 episodes, 1966-1969)
...
 Scott / ... (66 episodes, 1966-1969)
Eddie Paskey ...
 Lt. Leslie / ... (60 episodes, 1966-1968)
...
 Sulu (51 episodes, 1966-1969)
...
 Chekov (36 episodes, 1967-1969)
...
 Nurse Christine Chapel / ... (36 episodes, 1966-1986)
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Storyline

The adventures of the USS Enterprise, representing the United Federation of Planets on a five-year mission in outer space to explore new worlds, seek new life and new civilizations, and to boldly go where no man has gone before. The Enterprise is commanded by handsome and brash Captain James T. Kirk. His First Officer and best friend is Mr. Spock from the planet Vulcan, and Kirk's Medical Officer is Dr. Leonard "Bones" McCoy. With its crew of approximately 430, the Enterprise battles aliens, megalomanical computers, time paradoxes, psychotic murderers, and even Genghis Khan! Written by Marty McKee <mmckee@wkio.com>

Plot Summary | Add Synopsis

Taglines:

Boldly Go. Again. (2006 remasters tagline) See more »


Certificate:

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Parents Guide:

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Details

Official Sites:

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Language:

Release Date:

8 September 1966 (USA)  »

Also Known As:

Star Trek: TOS  »

Box Office

Budget:

$200,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(79 episodes)

Sound Mix:

| (re-mastered version)| (re-mastered version)

Color:

(Technicolor)

Aspect Ratio:

4:3
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Did You Know?

Trivia

The shimmer of the transporter beam was actually a film of aluminum powder being blown into the air by an industrial fan, under a bright spotlight. See more »

Goofs

In almost all of the hand-to-hand combat shots, with the exception of close-up shots, the characters fighting are very obvious stunt doubles. See more »

Quotes

Scotty: When are ya gonna get off of that milk diet Laddy? Now Scotch is a real drink for a man.
Chekov: Scotch was invented by a little old lady from Leningrad.
See more »

Crazy Credits

On some episodes, the closing credits show a still that is actually from the Star Trek blooper reel. It is a close-up of the actor who played the android body in "Return to Tomorrow, removing his latex make up. In the reel, He is shown taking it off, while an off-screen voice says "You wanted show business, you got it!" See more »

Connections

Referenced in Star Trek: Enterprise: Strange New World (2001) See more »

Soundtracks

Theme
Music credited to Alexander Courage, although it is basically identical to the main title music for 'Hollow Triumph (1948)' by Sol Kaplan
Sung by Loulie Jean Norman
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Landmark for Mainstream Science Fiction
4 June 2007 | by (Vulcan) – See all my reviews

Commonly known as "The Original Series", those of us engaged in an unhealthy obsession with Star Trek refer to it as TOS. TOS, began under the creative influence of Gene Roddenberry, with a brilliant,complex and intellectual pilot known as The Cage. The Cage proved to be too much for network TV. The first pilot was about as complex as a few episodes of Twin Peaks and almost as edgy. Plus it included a woman in a command position (Majel Barret or Majel Leigh Hudec, who later married Gene Roddenberry and eventually became Nurse/Dr. Christine Chapel, the voice of most of Star Trek's computers and Deanna Troi's mom in the Next Generation). The only major character who was consistent between The Cage and TOS was Spock (Leonard Nimoy's half-Vulcan science officer).

Roddenberry and his collaborators did not lose hope, and took the advice of the networks seriously - shooting a second pilot with William Shatner replacing Jeffrey Hunter as the captain. The second pilot was later recycled as the episode "Where No Man Has Gone Before". The first, was reused and retold in the great two part episode "The Menagerie".

To put it simply, TOS revolved around three main characters and a strong supporting cast. The three principal cast members were Captain James T Kirk (William Shatner, who previously made a major mark in Roger Corman's excellent "The Intruder") - an intelligent, courageous, humanitarian and righteous leader with an occasional tendency to bend the rules in order to get positive results; Mr. Spock (Nimoy)- Kirk's first officer and scientist, a brilliant half-human, half-Vulcan male who can calculate complex math in his head and see the logical path in any situation; and Dr. McCoy (veteran character actor Deforest Kelley)- a crusty, likable southern gentleman and expert surgeon.

Women and non-whites were better represented in positions of respect in this show than most of what appeared on TV before it, and the show presented through demonstration (as opposed to rhetoric) an earth which was united, interested in diversity, and rationally governed by an interplanetary Federation founded by humans and their Vulcan allies.

One of my favorite and most memorable Star Trek memories is when I learned the story of how the great Whoopie Goldburg was inspired by seeing a black woman (Lt Uhura, Nichelle Nichols) in a position of power on the bridge of the Enterprise, and even more inspired by the fact that a black woman was acting in a respectable major supporting role on a network TV show! Whoopie was apparently so indebted to TOS that she all but volunteered to play the important recurring role of Guinan in The Next Generation. It is also great to learn of the many members of NASA who cite TOS as one of their major career influences.

The world of TOS is, of course, not the world we live in, but rather a world in which humankind has a bright future and the possibility of living to our highest potential as explorers, scientists, and enlightened beings. Yet, despite the hope represented in this future, TOS' characters face many of the same problems we face today - prejudice (Devil in the Dark, Errand of Mercy, Enemy Within, others), militarism (Errand of Mercy, Balance of Power, etc); the conflict between self and society (City on the Edge of Forever, etc); technological advance and social change (Ultimate Computer, The Changeling, etc); Cultural conflict (almost every episode, but especially Amok Time, The Tholian Web, Journey to Babel, The Corbomite Maneouver) and religion (many episodes, especially Who Mourns for Adonais, Amok Time and The Squire of Gothos).

In creating this expansive and ever-expanding universe, the creators of TOS provided ample territory for allegoric examination of contemporary problems,without privileging any particular political or philosophical tradition over another.

TOS featured generally good writing (though not as consistently good as that of Star Trek: Deep Space Nine), wildly experimental plots, consistent characterization, and a moderate and very well-used budget. The special effects are dated, and are really just adequate to convey the meaning, but unlike a lot of contemporary sci-fi, the stories, characters, acting and directing overshadow the special effects completely - rendering them somewhat irrelevant.

The show's great themes, and the entertaining way in which is explores them has changed the mainstream approach to science fiction in more than just the television medium. TOS took itself seriously, and attempted to create serious drama seasoned with occasional humor, and more than its fair share of humanism and romance. Like the show, the characters were well imagined, well-developed, and intelligent. The starship Enterprise - also wonderfully detailed - did not carry any ballast in its crew. The crew showed many different kinds of people working together - united only by the desire to explore and learn, by rationality and discipline, and by a sense of purpose far higher than simple self-interest.

What an inspiring vision of human life.

As German pop musician Nena once said "We are all a Captain Kirk" -

...well.... maybe some day.


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