A prequel series, set 100 years before the original Star Trek series, which focuses on the early years of Starfleet, leading up to the formation of the Federation and the Earth-Romulan Wars. The series is set aboard the Earth ship Enterprise NX-01, captained by Jonathan Archer.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
Captain Picard and his crew pursue the Borg back in time to stop them from preventing Earth's first contact with an alien species. They also make sure that Zefram Cochrane makes his famous maiden flight at warp speed.
The adventures of the USS Enterprise, representing the United Federation of Planets on a five-year mission in outer space to explore new worlds, seek new life and new civilizations, and to boldly go where no man has gone before. The Enterprise is commanded by handsome and brash Captain James T. Kirk. His First Officer and best friend is Mr. Spock from the planet Vulcan, and Kirk's Medical Officer is Dr. Leonard "Bones" McCoy. With its crew of approximately 430, the Enterprise battles aliens, megalomanical computers, time paradoxes, psychotic murderers, and even Genghis Khan! Written by
Marty McKee <firstname.lastname@example.org>
Gene Roddenberry originally conceived Spock's skin color to be red, which would have meant extra hours in make-up for Leonard Nimoy. Fortunately for him, an early make-up test showed that the red color merely appeared as black on black-and-white televisions. Since most televisions in the '60s were still black-and-white, the idea was dropped. See more »
There are numerous instances where the flimsy nature of the set can be seen when an actor/actress bumps into a wall and the wall bends with him/her. See more »
All right, you mutinous, disloyal, computerized half-breed. We'll see about you deserting my ship.
The term "half-breed" is somewhat applicable, but "computerized" is inaccurate. A machine can be computerized, not a man.
What makes you think you're a man? You're an overgrown jackrabbit. An elf with a hyperactive thyroid.
Jim, I don't understand...
Of course you don't understand. You don't have the brains to understand. All you have is printed circuits.
Captain, if you will excuse me.
[...] See more »
In the latter part of the first season, the credit, in all-uppercase, for "SCRIPT SUPERVISOR", has the first word misspelled "SCPIPT". See more »
The magic was in the interaction between the characters.
I have loved Star Trek since I first watched it as a child. However, the series which followed - Star Trek: TNG, Star Trek: Voyager, Star Trek: Deep Space Nine, and Star Trek: Enterprise - although generally still entertaining, seem to me to have left out the element which made the original series so special. Namely, the interaction between the characters, particularly Spock, Jim, and Bones.
So well written, and generally well acted.
With Bones (Dr Leonard H McCoy) being the opposite to Spock in terms of personality, so that the two of them always found something to argue about. Jim (Captain James T Kirk) in the middle, as a referee, displaying faults and strengths taken from both extremes. Extremes in the sense of McCoy being a very caring, compassionate, yet also highly emotional character. Representative of humanity, perhaps. Spock, the dry, cold, logical, emotionless Vulcan. Jim "a man of deep feelings", as Spock once said, yet also no stranger to thorough analysis of whatever situation the crew found themselves in. Bones seeking always to heal, to return everybody he met (whether friend or foe, human or otherwise) to as close to perfect health as possible. Frustrated by the fact that he (Bones) could not fully understand, for example, Spock's Vulcan anatomy. All three of them the closest friends. All three displaying unwavering loyalty toward each other - even though Spock would have found the suggestion of his displaying such a human quality to be insulting.
The dynamics involved, the interaction, led to brilliant moments of humour. A science fiction programme to be not only enjoyed for the imaginative stories and the themes, but also for the humour, for the humanity.
Which is not to suggest that the other characters were in any way second rate. Scotty's loyalty and his supreme confidence in his engineering abilities, Chekov's almost adolescent playfulness and humour, Sulu's loyalty, honour, and physical prowess, Uhura's dedication to duty and femininity in a masculine world, all added important and welcome elements to what I still consider to be the best science fiction television series ever.
The special effects were often laughable, the sets cheap and often reused, but the humanity, the character interaction, the stories, imagination, the brilliant writing... all added up to something very special indeed.
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