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House of Usher (1960)

Not Rated | | Horror | 22 June 1960 (USA)
A man, upon entering his fiancées's family mansion, discovers a savage family curse and fears that his future brother-in-law has entombed his bride-to-be prematurely.

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(based on "The Fall of The House of Usher"), (screenplay)
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Won 1 Golden Globe. Another 2 wins. See more awards »

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Cast

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Myrna Fahey ...
Harry Ellerbe ...
Bristol
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Storyline

After a long journey, Philip arrives at the Usher mansion seeking his loved one, Madeline. Upon arriving, however, he discovers that Madeline and her brother Roderick Usher have been afflicted with a mysterious malady: Roderick's senses have become painfully acute, while Madeline has become catatonic. That evening, Roderick tells his guest of an old Usher family curse: any time there has been more than one Usher child, all of the siblings have gone insane and died horrible deaths. As the days wear on, the effects of the curse reach their terrifying climax. Written by Jean-Marc Rocher and Nina <rocher@fiberbit.net><sinadone@hotmail.com>

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I heard her first feeble movements in the coffin... we had put her living in the tomb! See more »

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Horror

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Not Rated | See all certifications »

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22 June 1960 (USA)  »

Also Known As:

The Fall of the House of Usher  »

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Budget:

$200,000 (estimated)
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2.35 : 1
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Did You Know?

Trivia

The stark landscape that Mark Damon rides through was the site of a fire in the Hollywood hills. Roger Corman had heard of the fire on the radio and went to the location the next day with his crew to do the shots of Damon. See more »

Goofs

As Phillip leaves his room to go to supper you hear the house start to rumble and it shows the hallway shaking,you can tell that this is done by having the camera moved around as the candles and other miscellaneous items in the hall don't move at all. See more »

Quotes

Roderick Usher: I suggest you leave, Mr. Winthrop. No? Then perish with us.
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Connections

Featured in The Directors: The Films of Roger Corman (1999) See more »

Frequently Asked Questions

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User Reviews

 
AN EXCELLENT START FOR ROGER CORMAN'S POE CYCLE
30 May 2001 | by (Queens, New York) – See all my reviews

"House of Usher" is an excellent start for Roger Corman's cycle of films based on the work of Edgar Allan Poe. There have been many remakes, but the Corman films remain the definitive statement. Corman was able to capture the feel of Poe's work and that's something that the remakes couldn't even touch. It also provides a tour de force for Vincent Price and establishes him as a great actor.

The film was shot on a budget of $270,000 and it looks GREAT. "House of Usher" is a fabulous calling card for American International Pictures, the distributor. Mostly known for making grade Z schlock, Corman's films gave AIP real class. This is also Corman's first film in CinemaScope and he makes the most of the widescreen here. It earns him a distinction of mine as a "Master of the Widescreen", or filmmakers who create complex and worthwhile compositions in the widescreen frame. The only problem is that the Poe films die on TV, due to the horrific "pan-and-scan" process. Luckily for us, American Movie Classics show these Poe films often in letterbox and MGM is releasing the cycle on letterboxed DVDs.

For a film that runs 85 minutes, "House of Usher" packs a lot into its' narrative. It is the most faithful of the Poe adaptations, although screenwriter Richard Matheson does take some liberties with the source material, as any great adaptation should. Floyd Crosby's CinemaScope photography is excellent as usual and Daniel Haller's elaborate sets make this look more expensive than it really is. Vincent Price's performance as Usher sets the tone for his future appearances in other Poe films. It neatly combines calm and frenzy together and I can't think of anyone else who would have done a better job. He should have received an Oscar nomination and maybe even the Oscar itself.

Note: "House of Usher" introduces the infamous "Burning Rafters" sequence. If you watch these Poe films back-to-back, you'll see this same sequence repeat itself over and over in several of the films (Tomb of Ligeia and The Raven come to mind). It is a mild criticism, but it is such a great sequence and it is so effectively shot that I didn't mind seeing it again and again.

**** out of 4 stars


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