Francis Barnard goes to Spain, when he hears his sister Elizabeth has died. Her husband Nicholas Medina, the son of the brutest torturer of the Spanish Inquisition, tells him she has died ... See full summary »
After a long journey, Philip arrives at the Usher mansion seeking his loved one, Madeline. Upon arriving, however, he discovers that Madeline and her brother Roderick Usher have been afflicted with a mysterious malady: Roderick's senses have become painfully acute, while Madeline has become catatonic. That evening, Roderick tells his guest of an old Usher family curse: any time there has been more than one Usher child, all of the siblings have gone insane and died horrible deaths. As the days wear on, the effects of the curse reach their terrifying climax. Written by
Jean-Marc Rocher and Nina <firstname.lastname@example.org><email@example.com>
This film marked a major change in the career of Roger Corman. Instead of producing two low-budget black-and-white films for release as a double feature, American-International agreed that he could use the budget to produce one higher-budget movie, in CinemaScope and color instead. See more »
When Madeline's coffin is taken to the crypt, the head of the coffin is to the viewer's right. In subsequent scenes, the coffin's head is to the viewer's left. See more »
In one of the many classic adaptations of Edgar Allan Poe tales, Vincent Price creepily shines yet again. When Philip Winthrop (Mark Damon) goes to an estate to pick up his fiancée Madeleine Usher (Myrna Fahey), he learns from her brother Roderick (Price) that she and he both suffer from a degenerative disease that gives them both acute senses. Sure enough, it turns out that all is not quite what it seems.
Probably the most noticeable thing about this movie is that Vincent Price lacks his famously eerie moustache. But in a way, that almost makes him more mysterious. Roger Corman scored another triumph here. You're sure to love it.
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