After a long journey, Philip arrives at the Usher mansion seeking his loved one, Madeline. Upon arriving, however, he discovers that Madeline and her brother Roderick Usher have been afflicted with a mysterious malady: Roderick's senses have become painfully acute, while Madeline has become catatonic. That evening, Roderick tells his guest of an old Usher family curse: any time there has been more than one Usher child, all of the siblings have gone insane and died horrible deaths. As the days wear on, the effects of the curse reach their terrifying climax. Written by
Jean-Marc Rocher and Nina <email@example.com><firstname.lastname@example.org>
In Spain this hadn't a theatrical release until 1983, 23 years later. The film was only released - with 1 copy - at first in Barcelona (July/83, Casablanca 2) for 33 days and later, in Madrid (August/83, Alphaville 3) for 4 weeks, only projected in a subtitled version. Also there was a re-release in Madrid in 2003 (Pequeño Cine Estudio) for 23 days, only in a subtitled version. The dubbed version was for VHS premiere (1984) and later was broadcast on TV premiere (1989). See more »
Roderick is shown playing a lute, but the sound we hear is a muted harpsichord. See more »
A Gothic classic and one of Roger Corman's best films.
Corman's first Poe film (out of eight) is one of the best adaptations of the familiar story (rivaled only by French director Jean Epstein's superb, yet completely different, 1928 version) and was a critical and commercial success in its day on a meager $125,000 budget. Vincent Price is superb as Roderick Usher, an eternally tortured soul who lives in a crumbling castle with his sister Madeline (Myrna Fahey) and faithful butler Bristol (nicely etched by Harry Ellerbe). When Philip Winthrop (bland Mark Damon) shows up to take Madeline away, Roderick's incestuous feelings come to surface and the terror begins. Highlights include Damon's colorful nightmare sequence and Price's explanation of the Usher family history.
HOUSE OF USHER is intelligent, subtle and effective, with good sets and costumes and excellent work from scripter Richard Matheson, composer Les Baxter, cameraman Floyd Crosby and art director Daniel Haller--all united by Corman's smart, stylish, fluent direction. Truly deserving of it's reputation as horror classic.
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