A veteran policeman, Murtaugh, is partnered with a younger, suicidal officer, Riggs. They both have one thing in common: hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders out of prison and onto American soil.
When a multimillionaire man's son is kidnapped, he cooperates with the police at first but then turns the tables on the kidnappers when he uses the ransom money as a reward for the capture of the kidnappers.
Taking place in a dystopian Australia in the near future, Mad Max tells the story of a highway patrolman cruising the squalid back roads that have become the breeding ground of criminals foraging for gasoline and scraps. When his wife and child meet a grisly end at the hands of a motorcycle gang, Max sets out across the barren wastelands in search of revenge. Written by
George Miller described the whole experience as "guerrilla filmmaking", where the crew would close roads without filming permits, not use walkie-talkies because their frequency coincided with the police radio, and after filming was done Miller and Byron Kennedy would even sweep down the roads. Still, as filming progressed the Victoria Police became interested in the production, helping the crew by closing down roads and escorting the vehicles. See more »
After exiting the farmhouse looking for her son, Jessie encounters the motorcycle gang at the garage/barn of the farmhouse. However, the property is enclosed by a fence, and the gate to the driveway is locked. In addition, nobody heard the motorcycles drive up to the farmhouse. Yet, somehow, the gang was able to sneak onto the property with their motorcycles without anyone hearing their approach. See more »
It was like slow motion. He leaves his seat and goes through the windshield, headfirst straight into the tree, right? And then bounces back through the windshield. And by the time we got to him, he was just sitting there, trying to scream with his face ripped off.
What's the matter?
Not hungry anymore.
Give it here.
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A quarter of a century on now (from the original filming) and still an icon of Aussie movie making!
It was the very rawness and budgetary constraints of this little flick that made it what it was. A new kind of action hero in a new kind of world! Gibson's laughably underpaid (though unavoidably so) contribution cannot be underestimated. He imbued Max with more than the script actually merited. An attitude perhaps that struck a chord with many office-desk (wannabe) vigilantes. After all, Max takes control of his own life - is not cowed by authority. Max is everyman, the one inside us that few get the chance to let loose. He is part Jesus, part Che, part James Dean, all Australian yobbo! But this guy gets the job done - drop Max into Iraq next month and see how far Saddam Hussein gets trying to stock up on sarin!
Raw energy is what MAD MAX was all about! Distilled, tempered and inflamed by the time THE ROAD WARRIOR came around but at this juncture. a man on a mission and with the best tricked-up car since....well, THE CAR ! For those of you incidentally, totally mortified that his glorious black-hearted Interceptor was rendered dead-meat in MAD MAX 2, be comforted by the fact that it DOES in fact reside still in a museum in London (Why there and not Sydney I know not...perhaps for the same reason Australia still is not host to the cricket-ashes urn!) What chance of either's return when Greece can't even get the Elgin Marbles back?
Much has been made (and remembered) of the high-power car chases in this film, held by many in absolute reverence. In fact after the main cops vs The Nightrider work-out in the first few minutes of the flick, its pretty much all downhill in the action stakes - nothing subsequently in MAD MAX (1) comes near this brief sequence. This situation (with a way bigger budget) was inarguably reversed by the time THE ROAD WARRIOR came along. The stunts in THAT film have never been surpassed and remember this was without CGI fx.
MAD MAX has that indefinable 'something" the sequels didn't...perhaps just a raw innovation couldn't be duplicated - rather like ur first kiss. It might not have been the best, but it sure IS fondly remembered.
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