A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
A vision of an apocalyptic future set in the wastelands of Australia. Total social decay is just around the corner in this spectacular cheap budget gang orientated road movie, where the cops do their best to lay down the law and the outlaw gangs try their hardest to defy the system. Leather clad Max Rockatansky husband, father and cop turns judge, juror and executioner after his best friend, wife and baby are killed. Here we see the final days of normality of a man who had everything to live for, and his slip into the abyss of madness. Mad Max is the antihero on the road to vengeance and oblivion. Written by
Although it is now referred to as an (or "the") Interceptor, Max's black car is technically a Pursuit Special. It was referred to as "the last of the V8 interceptors" in Mad Max 2: The Road Warrior (1981), but never actually named in Mad Max (1979). The MFP dispatcher says over the radio, after Max takes the car, "Code unspecified. We have a 'query/locate' on a black Pursuit Special: Unauthorized use by a Main Force officer. This is designated as a potential Code 3 Red Alert." See more »
When Roop is aiming the shotgun at the Nightrider in the opening chase, his grip on the gun changes from one-handed to two-handed between shots. See more »
[sarcastically, as his superior walks out of earshot]
Thanks, Labatouche. You're a real human being.
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This movie is primarily a classic, in my opinion, because it was the prequel which led to THE ROAD WARRIOR, which really is a classic. MAD MAX was made on a low budget, yes, and some nice things were done with very little money. (Although choppy editing is inexcusable no matter how low the budget, and there's lots of nonsensical editing in this flick.) THe opening sequences of the film, in which the various police chase Nightrider, is fairly effective and sets one up for ever increasing excitement. However, the movie heads pretty much downhill from there in terms of excitement.
The events that make Max "Mad" happen so late in the film, and then his revenge is so abruptly carried out that it is about as anti-climactic as anything can be. Toecutter, whom we've grown to despise, should face a clever, hard-fought death at the hands of Max, instead of the abrupt end that comes to him almost without Max's help.
Mel Gibson is okay in the movie, but has little to do. THe actor playing Goose is the most fun, certainly. I only recommend the movie to those who feel they MUST have the backstory to The Road Warrior, but frankly, the future envisioned in MAD MAX is very different from the truly post-apocalyptic world of the ROAD WARRIOR.
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