A bag full of symbolic folklore about werewolves, or, rather, their sexual connotation. Granny tells her granddaughter Rosaleen strange, disturbing tales about innocent maidens falling in ... See full summary »
An old Gothic cathedral, built over a mass grave, develops strange powers which trap a number of people inside with ghosts from a 12th Century massacre seeking to resurrect an ancient demon from the bowels of the Earth.
Feodor Chaliapin Jr.
This film contains four distinct, separate stories. "Black Hair": A poor samurai who divorces his true love to marry for money, but finds the marriage disastrous and returns to his old wife... See full summary »
After a tragic car accident that killed his wife, a man discovers he can communicate with the dead to con people but when a demonic spirit appears, he may be the only one who can stop it from killing the living and the dead.
Michael J. Fox,
A young family are visited by ghosts in their home. At first the ghosts appear friendly, moving objects around the house to the amusement of everyone, then they turn nasty and start to terrorise the family before they "kidnap" the youngest daughter. Written by
The shadow of the rig "flying" Diane's stunt double is visible against the wall as she is propelled backwards by the shock of grabbing the doorknob. See more »
Hello? What do you look like? Talk louder, I can't hear you! Hey, hello! Hello, I can't hear you! Five. Yes. Yes. I don't know. I don't know.
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After the credits and the logo of the MGM lion is shown, we hear children laughing. Fans of the film have assumed that the laughing children are those who have been released from the beast and have crossed over the threshold into the next life. See more »
Poltergeist was one of the films of the 80s that many kids of that era remember renting when VCRs were already a very popular thing. Like The Exorcist, it has been embedded into our movie culture as one of the great scary movies.
This film has been credited as having great special effects. But what I love about this movie is that, like other Spielberg films, the FXs are not offered to us at the expense of the film. That is, the effects aren't used to cover up holes. This is very popular in movies today. With the advancement in computer technology, many filmmakers decide that they can write their script on a POST-IT note and fill in the missing pieces with million-dollar special effects. But Spielberg films do not do this. Even in films like Jurassic Park which was a special effects showcase, the computer technology did not cover for anything. It enhanced the film to make it absolutely spectacular.
Poltergeist seems to be in the same vein as JAWS in that the monster is not shown right off the bat. Though a film like this is intended to be far-fetched and exploding, it is done in such a way that we almost could believe that this is what a real haunting would be like. We don't see a slimy creature around every corner. Instead, fear of the unknown is used. And Spielberg was a genius in tapping into childhood fears. Clowns, trees, lightning, closets...genius! Because, though we all tend to grow out of our childhood fears, there is still something terrifying about looking at them as an adult.
A great concept and great acting come together to make a truly unique movie. The long-debated question as to whether Tobe Hooper (the film's credited director) actually directed much or whether Spielberg took over for most of it, has never been satisfied. However, the film seems to show more tones of Spielberg than anything.
See it. * * * 1/2 out of * * * *
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