A rebellious punk of the beat generation spends his days as an amateur dirt track driver in between partying and troublemaking. He eventually kidnaps his buddy's girlfriend, kills a few ... See full summary »
A frustrated and talentless artist finds acclaim for a plaster covered dead cat that is mistaken as a skillful statuette. Soon the desire for more praise leads to an increasingly deadly series of works.
Seymour is a young man who works in a flower store. He manages to create a carnivorous plant that feeds on human flesh. Nobody knows about it, so Seymour and the plant become good "friends". The plant needs food to grow up, so it convinces him to start killing people. Written by
Chris Makrozahopoulos <email@example.com>
Dick Miller was originally offered the role of Seymour Krelboin but he declined it in favor of the flower-eating Mr. Fouch instead. See more »
Frank walks into Detective Fink's office, sits down and lights a cigarette. The cigarette remains in his mouth until a close-up shot, where it is missing. When the wide shot is resumed, the cigarette is back again. See more »
[reading an article from "Pain" magazine in the waiting room of the dentist; giggling]
"The patient came to me with a large hole in his abdomen, caused by a fire poker used on him by his wife. He almost bled to death and gangrene had set in. I didn't give him much of a chance. There were other complications. The man had cancer, tuberculosis, leprosy, and a touch of the grippe. I decided to operate."
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A surprisingly funny piece of b-movie entertainment from Corman
Mushnick's is a small florists in skid row a dead end part of town that everyone knows about but nobody wants to know about. Business is not great, in fact it is awful nobody wants to buy flowers when they can't be sure where their next meal is coming from. However the cleaning boy has nurtured a strange new plant up from seed and it seems to be getting interest. When he discovers it needs a few drops of blood to make it grow Seymour is the toast of the town with his employer very grateful for the increased revenue the visitors bring. However as it grows it begins to need more than a few drops and soon he is heading down a terrible, dark road.
Like many viewers I suspect, I came to this film after seeing the musical remake; as such I assumed that this would be a straight film in the b-movie genre that Corman is famous for. However I was taken by how amusing this film was because really this is as much a horror comedy as the musical is. From Seymour's alcoholic mother to the cop so hard that even the death of his son is met with a shrug, the whole film is full of darkly comic touches that drew some nice laughs from me. This comic approach helps the film because really it is a silly plot and the fact that the script was tongue-in-cheek meant it was easier to swallow, if you pardon the choice of words. As a horror it doesn't really work but it does have a slocky property that Corman films tend to have not high quality but low budget, b-movie fun.
The cast match the material and all buy into the joke, watching them also shows that the cast in the musical are really pretty much just impersonate the actors here. Haze is enjoyably geeky and convinces throughout. Welles is funny and plays up to his ethnic caricature well. Corman regular Miller hasn't really got much to do but his face is always a ruggedly familiar and welcome sight. Joseph is not great but her performance suits the b-movie genre likewise Campo and Warford (who are very funny as Dragnet style cops). Nicholson is pretty funny and was a curious find in a small cameo.
Overall this is not a great film but it is a great b-movie horror. Never taking itself seriously means that it can be darkly funny and take the audience along for the ride. To me it is just as funny as the musical even it is a different type of humour and it is worth checking out.
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