Rod Serling's seminal anthology series focused on ordinary folks who suddenly found themselves in extraordinary, usually supernatural, situations. The stories would typically end with an ironic twist that would see the guilty punished.
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Anthology type science fiction program with a different cast each week. Tending toward the hard science, space travel, time travel, and human evolution it tries to examine in each show some... See full summary »
Two FBI agents, Fox Mulder the believer and Dana Scully the skeptic, investigate the strange and unexplained while hidden forces work to impede their efforts.
Stars:
Gillian Anderson,
David Duchovny,
Mitch Pileggi
A television drama centered around a female FBI agent who is forced to work with an institutionalized scientist in order to rationalize a brewing storm of unexplained phenomena.
During the Great Depression, an Oklahoma farm boy and a charismatic minister learn that they are key players in a proxy war being fought between Heaven and Hell.
Stars:
Michael J. Anderson,
Adrienne Barbeau,
Clancy Brown
Two brothers follow their father's footsteps as "hunters" fighting evil supernatural beings of many kinds including monsters, demons, and gods that roam the earth.
Stars:
Jared Padalecki,
Jensen Ackles,
Misha Collins
Produced at the same time as the more well-known Twilight Zone, this series fed the nation's growing interest in paranormal suspense in a different way. Rather than creating fictional ... See full summary »
Stars:
John Newland,
Robert Douglas,
Will J. White
Master of suspense Alfred Hitchcock presents several short stories. The stories are invariably surprising, often containing elements of horror, comedy, suspense, and the supernatural.
Stars:
Alfred Hitchcock,
Harry Tyler,
John Williams
A thirty-something secretary steals $40,000 from her employer's client, and subsequently encounters a young motel proprietor too long under the domination of his mother.
Rod Serling's seminal anthology series focused on ordinary folks who suddenly found themselves in extraordinary, usually supernatural, situations. The stories would typically end with an ironic twist that would see the guilty punished.
Rod Serling invited any viewers to submit a script. He was flooded with over 14,000 scripts, and he actually got around to reading 500 of them. But only two were any good, and he couldn't use them because they didn't fit the format of the show. See more »
Quotes
[Opening narration - season 3]
Narrator:
You are traveling through another dimension, a dimension not only of sight and sound but of mind. A journey into a wondrous land of imagination. Next stop, the Twilight Zone!
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Rod Serling's distinctive approach gave "The Twilight Zone" a unique character that will always keep it among the best-remembered of all classic television shows. Not only that, but it set high goals for itself, and it took a lot of chances - and not chances in the phony, trivial sense in which a lot of more recent series "take chances" by resorting to unnecessarily provocative or indecent material that actually guarantees them attention and acclaim.
"The Twilight Zone" took chances by experimenting with many different kinds of stories and material, and by aiming to provide high-quality entertainment while simultaneously giving you something to think about. As a result, there were a few episodes that didn't quite click, and that seem odd or even dull. But when it worked - as it did a great deal of the time - no television show then or now was more imaginative.
In a short review, it would be impossible to list all of the memorable episodes, or even to cover the full range of the kinds of material that it used. There were chilling episodes like "To Serve Man", which is often remembered by those who saw it decades ago, and there were thought-provoking episodes like "In the Eye of the Beholder", which was also imaginatively filmed.
Many episodes relied primarily on a well-written and well-conceived story, while others, like "The Invaders", relied heavily on excellent acting performances (in that case, by Agnes Moorehead). There were occasional light-hearted episodes like "Once Upon a Time", which was also a nice showcase for the great Buster Keaton.
It's too bad that these anthology-style series went out of fashion, because a number of them were of high quality. This one, in particular, stands well above its subsequent imitators. The best science fiction, like the best of any genre or art form, appeals to the imagination, not to the senses, and imagination is what "The Twilight Zone" was all about.
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Rod Serling's distinctive approach gave "The Twilight Zone" a unique character that will always keep it among the best-remembered of all classic television shows. Not only that, but it set high goals for itself, and it took a lot of chances - and not chances in the phony, trivial sense in which a lot of more recent series "take chances" by resorting to unnecessarily provocative or indecent material that actually guarantees them attention and acclaim.
"The Twilight Zone" took chances by experimenting with many different kinds of stories and material, and by aiming to provide high-quality entertainment while simultaneously giving you something to think about. As a result, there were a few episodes that didn't quite click, and that seem odd or even dull. But when it worked - as it did a great deal of the time - no television show then or now was more imaginative.
In a short review, it would be impossible to list all of the memorable episodes, or even to cover the full range of the kinds of material that it used. There were chilling episodes like "To Serve Man", which is often remembered by those who saw it decades ago, and there were thought-provoking episodes like "In the Eye of the Beholder", which was also imaginatively filmed.
Many episodes relied primarily on a well-written and well-conceived story, while others, like "The Invaders", relied heavily on excellent acting performances (in that case, by Agnes Moorehead). There were occasional light-hearted episodes like "Once Upon a Time", which was also a nice showcase for the great Buster Keaton.
It's too bad that these anthology-style series went out of fashion, because a number of them were of high quality. This one, in particular, stands well above its subsequent imitators. The best science fiction, like the best of any genre or art form, appeals to the imagination, not to the senses, and imagination is what "The Twilight Zone" was all about.