Series of unrelated short stories covering elements of crime, horror, drama and comedy about people of different species committing murders, suicides, thefts and other sorts of crime caused by certain motivations; perceived or not.
Rod Serling wanted Richard Egan to do the narration because of his rich, deep voice. However, due to strict studio contracts of the time, Egan was unable to. Serling said, "It's Richard Egan or no one. It's Richard Egan, or I'll do the thing myself," which is exactly what happened. See more »
[Opening narration - season 4 & 5]
You unlock this door with the key of imagination. Beyond it is another dimension - a dimension of sound, a dimension of sight, a dimension of mind. You're moving into a land of both shadow and substance, of things and ideas. You've just crossed over into the Twilight Zone.
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"The Twilight Zone" brought a complexity and maturity to television that had never existed before and probably hasn't been seen since. The stories were always ironic, briliant, and fascinating, and they often came with a moral lesson. Episodes like "A Kind of a Stopwatch", with Richard Erdmann, "Time Enough At Last", with Burgess Meredith, "Nightmare at 20,00 Feet", with William Shatner, and "Where is Everybody," with Earl Holliman, dove into concepts and situations no other show would have even touched. The entertainment brought on by "The Twilight Zone" was as vast as the Zone itself. Its principal writers, Sterling, Beaumont, and Matheson, were the best of their era. For sheer television entertainment, nothing compares to the brilliant, heavyweight stories of "The Twilight Zone." TO be frank, "The Twilight Zone" was the first show that didn't insult the viewer's intelligence.
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