A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
A young man is accidentally sent 30 years into the past in a time-traveling DeLorean invented by his friend, Dr. Emmett Brown, and must make sure his high-school-age parents unite in order to save his own existence.
Michael J. Fox,
It's a hot summer on Amity Island, a small community whose main business is its beaches. When new Sheriff Martin Brody discovers the remains of a shark attack victim, his first inclination is to close the beaches to swimmers. This doesn't sit well with Mayor Larry Vaughn and several of the local businessmen. Brody backs down to his regret as that weekend a young boy is killed by the predator. The dead boy's mother puts out a bounty on the shark and Amity is soon swamped with amateur hunters and fisherman hoping to cash in on the reward. A local fisherman with much experience hunting sharks, Quint, offers to hunt down the creature for a hefty fee. Soon Quint, Brody and Matt Hooper from the Oceanographic Institute are at sea hunting the Great White shark. As Brody succinctly surmises after their first encounter with the creature, they're going to need a bigger boat. Written by
Peter Benchley's novel was first discovered in galley form at early 1973 by then Cosmopolitan Magazine editor and producer David Brown's wife Helen Gurley Brown who was to be excerpting part of the novel to be published in an upcoming issue. Brown saw it by accident, having read it then a few days brought it to the attention of his partner Richard D. Zanuck, subsequently obtaining the rights to the book at the end of the year. See more »
When Quint yells "untie this, he'll pull out the transom" a shot from inside the boat shows the next barrel (which has been shot onto the shark) move from the front of the boat and you can see that there is just one barrel remaining. But a few seconds later when the shark begins pulling the boat backwards, there are now two barrels remaining. See more »
Widely regarded as the film that began the "summer movie blockbuster era", JAWS (1975) was also rightfully one of the year's most critically acclaimed movies. It was also the recipient of an Academy Award Nomination for Best Picture and a winner of Oscars for film editing (Verna Fields) and music score (John Williams). One of the reasons the film received no acting nods is that everyone involved is so good, how could one single out just one or two? (I personally feel Robert Shaw should have gotten a Best Actor nomination, however). Roy Scheider is wonderful as New York cop Martin Brody, who has relocated to a small coastal island town, only to have his bad case of "aquaphobia" put to the ultimate test. Richard Dreyfuss is perfectly cast as a shark expert and provides some truly funny comic bits along the way. Lorraine Gary (who director Steven Spielberg says was the first person to be cast for the film) does an excellent job of being the concerned wife and mother. Finally, there's Murray Hamilton, who gives one of the best performances of his career as Mayor Vaughn, who seems to be more concerned about the economy of the town than the safety of the residents. In a way, Vaughn is really the film's villain. Solid cast indeed. The screenplay (by Peter Benchley and Carl Gottlieb) is tight and well-written, as is Spielberg's direction. Whether it was the mechanical shark's failure to operate correctly or Spielberg's decision to simply see less of the shark until the end of the film, the "less is more" idea works perfectly, particularly in the opening scene, which is chilling to this day.
One thing I do want to add: if you choose to watch this film at home, do yourself a favor and rent or buy the WIDESCREEN version. The full-screen pan and scan version is a travesty that ruins the great camerawork that Spielberg and cameraman Bill Butler made. I always recommend the widescreen version but it is especially important for JAWS.
No offense to fans of ONE FLEW OVER THE CUCKOO'S NEST, but this is the film that should have taken home the Oscar gold. Grade: A+
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