A seemingly indestructible humanoid cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
After a space merchant vessel perceives an unknown transmission as distress call, their landing on the source moon finds one of the crew attacked by a mysterious lifeform. Continuing their journey back to Earth with the attacked crew having recovered and the critter deceased, they soon realize that its life cycle has merely begun.
It's a hot summer on Amity Island, a small community whose main business is its beaches. When new Sheriff Martin Brody discovers the remains of a shark attack victim, his first inclination is to close the beaches to swimmers. This doesn't sit well with Mayor Larry Vaughn and several of the local businessmen. Brody backs down to his regret as that weekend a young boy is killed by the predator. The dead boy's mother puts out a bounty on the shark and Amity is soon swamped with amateur hunters and fisherman hoping to cash in on the reward. A local fisherman with much experience hunting sharks, Quint, offers to hunt down the creature for a hefty fee. Soon Quint, Brody and Matt Hooper from the Oceanographic Institute are at sea hunting the Great White shark. As Brody succinctly surmises after their first encounter with the creature, they're going to need a bigger boat. Written by
Producers Richard D. Zanuck and David Brown optioned the film rights to the novel for $175,000 in a deal which also included a first-draft screenplay from author Peter Benchley. This draft, extremely faithful to the novel, would later be rejected by Steven Spielberg. The subsequent two drafts from Benchley would also be rejected. See more »
There are five yellow barrels on the Orca. After they get the third barrel in the shark, Quint walks past the barrels with his harpoon gun and there are still three barrels left. See more »
Steven Spielberg is one of the best American directors working today. He has made many films that have been hailed as classics. Yet before the Dinosaurs, Holocaust, Peter Pan, UFO's, and Indy there was the Shark. Jaws represents one of the masterpieces on Spielbergs resume. It is also probably the "Quintessential Spielberg Film."
Jaws was very popular when released, it was the gighest grossing film of 1975. It spawned three sequels, which were all inferior. In fact, no film about Sharks or any killer fish has been able to come close to the level of Jaws.
The genius in Jaws is its ability to build suspense. The Shark is never really shown till near the end of the film. When ever the Shark is approaching its victims, we get the Sharks point of view, instead of seeing the Shark. These POV shots combined with John Williams very effective score, make the scenes when the Shark is about to devour his victims much more effective.
Evry actor does a nice job with their performances. Roy Scheider brings Martin to life. Martin is not a showy character but Scheider is able to make us like him. Richard Dreyfuss exhibits energy in his performance as Matt Hooper. Robert Shaw is very effective as Quint, that Indiannapolis speech is still very chilling to me. Lorraine Gary and Murray Hamilton also give solid support.
People always talk about how fake the Shark looks. I think its passable but today it would definitely be done by CGI. However, the Shark is not seen that much in the film so its not that big of a deal.
I would like to say Jaws is Spielbergs best film, Schindlers List closely follows. But I would like to see Close Encouners and the Indiana Jones films again. I did not like Close Encounters the first time, and I like the Indiana Jones films but they never stood out to me. If these films dont surpass Jaws, then it is definitely Spielberg's best film.
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