A giant great white shark arrives on the shores of a New England beach resort and wreaks havoc with bloody attacks on swimmers, until a part-time sheriff teams up with a marine biologist and an old seafarer to hunt the monster down.
A seemingly indestructible humanoid cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
After a space merchant vessel perceives an unknown transmission as distress call, their landing on the source moon finds one of the crew attacked by a mysterious lifeform. Continuing their journey back to Earth with the attacked crew having recovered and the critter deceased, they soon realize that its life cycle has merely begun.
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
It's a hot summer on Amity Island, a small community whose main business is its beaches. When new Sheriff Martin Brody discovers the remains of a shark attack victim, his first inclination is to close the beaches to swimmers. This doesn't sit well with Mayor Larry Vaughn and several of the local businessmen. Brody backs down to his regret as that weekend a young boy is killed by the predator. The dead boy's mother puts out a bounty on the shark and Amity is soon swamped with amateur hunters and fisherman hoping to cash in on the reward. A local fisherman with much experience hunting sharks, Quint, offers to hunt down the creature for a hefty fee. Soon Quint, Brody and Matt Hooper from the Oceanographic Institute are at sea hunting the Great White shark. As Brody succinctly surmises after their first encounter with the creature, they're going to need a bigger boat. Written by
There were two three hundred-pound weights attached to Susan Backlinie that were being tugged by two groups of crewmen on shore. One group would pull right, and the other would pull left. It took three days to film that sequence. See more »
Great White Sharks cannot move backwards once their gills are
under water, as seen towards the end of the film. See more »
Widely regarded as the film that began the "summer movie blockbuster era", JAWS (1975) was also rightfully one of the year's most critically acclaimed movies. It was also the recipient of an Academy Award Nomination for Best Picture and a winner of Oscars for film editing (Verna Fields) and music score (John Williams). One of the reasons the film received no acting nods is that everyone involved is so good, how could one single out just one or two? (I personally feel Robert Shaw should have gotten a Best Actor nomination, however). Roy Scheider is wonderful as New York cop Martin Brody, who has relocated to a small coastal island town, only to have his bad case of "aquaphobia" put to the ultimate test. Richard Dreyfuss is perfectly cast as a shark expert and provides some truly funny comic bits along the way. Lorraine Gary (who director Steven Spielberg says was the first person to be cast for the film) does an excellent job of being the concerned wife and mother. Finally, there's Murray Hamilton, who gives one of the best performances of his career as Mayor Vaughn, who seems to be more concerned about the economy of the town than the safety of the residents. In a way, Vaughn is really the film's villain. Solid cast indeed. The screenplay (by Peter Benchley and Carl Gottlieb) is tight and well-written, as is Spielberg's direction. Whether it was the mechanical shark's failure to operate correctly or Spielberg's decision to simply see less of the shark until the end of the film, the "less is more" idea works perfectly, particularly in the opening scene, which is chilling to this day.
One thing I do want to add: if you choose to watch this film at home, do yourself a favor and rent or buy the WIDESCREEN version. The full-screen pan and scan version is a travesty that ruins the great camerawork that Spielberg and cameraman Bill Butler made. I always recommend the widescreen version but it is especially important for JAWS.
No offense to fans of ONE FLEW OVER THE CUCKOO'S NEST, but this is the film that should have taken home the Oscar gold. Grade: A+
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