Jaws (1975)

When a gigantic great white shark begins to menace the small island community of Amity, a police chief, a marine scientist and grizzled fisherman set out to stop it.

Director:

Steven Spielberg

Writers:

Peter Benchley (screenplay), Carl Gottlieb (screenplay),

Stars:

Roy Scheider, Robert Shaw, Richard Dreyfuss

Top 250 #142 | Won 3 Oscars. Another 9 wins & 14 nominations.

Cast

Cast overview, first billed only:
Roy Scheider	...	Brody
Robert Shaw	...	Quint
Richard Dreyfuss	...	Hooper
Lorraine Gary	...	Ellen Brody
Murray Hamilton	...	Vaughn
Carl Gottlieb	...	Meadows
Jeffrey Kramer	...	Hendricks (as Jeffrey C. Kramer)
Susan Backlinie	...	Chrissie
Jonathan Filley	...	Cassidy
Ted Grossman	...	Estuary Victim
Chris Rebello	...	Michael Brody
Jay Mello	...	Sean Brody
Lee Fierro	...	Mrs. Kintner
Jeffrey Voorhees	...	Alex Kintner
Craig Kingsbury	...	Ben Gardner

Storyline

It's a hot summer on Amity Island, a small community whose main business is its beaches. When new Sheriff Martin Brody discovers the remains of a shark attack victim, his first inclination is to close the beaches to swimmers. This doesn't sit well with Mayor Larry Vaughn and several of the local businessmen. Brody backs down to his regret as that weekend a young boy is killed by the predator. The dead boy's mother puts out a bounty on the shark and Amity is soon swamped with amateur hunters and fisherman hoping to cash in on the reward. A local fisherman with much experience hunting sharks, Quint, offers to hunt down the creature for a hefty fee. Soon Quint, Brody and Matt Hooper from the Oceanographic Institute are at sea hunting the Great White shark. As Brody succinctly surmises after their first encounter with the creature, they're going to need a bigger boat.

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Plot Keywords:

shark | island | great white shark | mayor | beach | 

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Taglines:

Amity Island had everything. Clear skies. Gentle surf. Warm water. People flocked there every summer. It was the perfect feeding ground.

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Genres:

Adventure | Horror | Thriller

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Certificate:

PG

Details

Official Sites:

Official Facebook Universal Studios

Country:

USA

Language:

English

Release Date:

20 June 1975 (USA)

Also Known As:

Stillness in the Water

Filming Locations:

Martha's Vineyard, Massachusetts, USA

Box Office

Budget:

$8,000,000 (estimated)

Gross:

$260,000,000 (USA)

Company Credits

Production Co:

Zanuck/Brown Productions, Universal Pictures

Technical Specs

Runtime:

124 min 130 min (TV)

Sound Mix:

Mono (Westrex Recording System)

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Peter Benchley has mentioned that if he had known about the actual behavior of sharks, he would have never written the book.

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Goofs

The corners of Jaws' mouth change throughout the movie, whether we are seeing a footage shark or the mechanical one. When we see a real one, the lines of its mouth are parallel. But when we see the fake one, the top corners of its jaws are overlapping the bottom ones.

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Quotes

[first lines]
Tom Cassidy: What's your name again?
Christine 'Chrissie' Watkins: Chrissie.
Tom Cassidy: Where are we going?
Christine 'Chrissie' Watkins: Swimming

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Crazy Credits

The producers gratefully acknowledge the cooperation of The Nation Geographical Society and Mr. L.J.V. Compagno of the Department of Biological Sciences, Stanford University.

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Connections

Referenced in Hit and Run (2009)

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Soundtracks

"In the Good Old Summer Time"
(uncredited)
Music by George Evans
Played in the score

User Reviews

"You yell barracuda, everybody says, 'Hunh, what?' You yell shark, and we got a panic on our hands on the Fourth of July."

This is the movie that started it all. I'm not talking about the Hollywood blockbuster, or the insane madness that sent thousands of misunderstood Great Whites to their deaths, I'm talking about the beginning of my interest in movies. This is the movie that did it. I couldn't tell you how old I was when I first saw it, but I do remember this is the movie I made my parents rent time and time again when we went to the video store. This is the movie that drove my parents and some of my friends nuts while I watched it day after day after day when my mom gave it to me for Christmas. This is the movie that made me want to turn a real interest in the movies from just a hobby and into a career. For that, I owe Spielberg, Benchley, Scheider, Shaw, Dreyfuss, Williams, Fields and everyone else a sincere and heart-felt thank you. I own this movie on every format in which it is available. I love it that much. I've probably seen it between 200 and 300 times. I guess you can say it is an obsession. A sick obsession. The plot, the pacing, the editing, the score, the acting, and, oh yes, the shark. Who cares that is fake? By the time we finally get to see it, do we care? Truly, a more suspenseful movie was never made. Several come close, but none quite reaches the primal level the JAWS does. No other film so effectively taps into our fear of the unknown, and then gives it a riveting score to boot. No other movie grips us so strongly with heart stopping suspense that we find ourselves nearly falling off our seats. And no other movie leaves us feeling so spent and wasted after a viewing. And the reason for all the fear, suspense and emotional withdrawal is not top-notch special effects. It was the mid-70's. You can barely apply top -notch to anything of that era. The reason the movie does all that to us is that it is a great story. It is filled with real people, who have real jobs, and who have real fears. And who must now confront a real shark. Can you think of anything more terrifying that getting on a rickety, leaky boat to kill a 25-foot shark when you already have a paralyzing fear of the water? I can't. And Martin Brody sure can't. And so, no matter what ranking JAWS may get on AFI's list of the 100 greatest movies, or TV Guides list of the top 50 movies, or any list for that matter, JAWS will always come in number one on mine. Steven, Peter, Roy, Robert, Richard, John, and Verna -- thank you. Not for just giving me a sense of direction in my life, not for just making me want to be a screenwriter, but also for making a movie that still thrills me as much now when I watch it as when it did when I saw it for the very first time.