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Kill Bill: Vol. 1 (2003)

The Bride wakens from a four-year coma. The child she carried in her womb is gone. Now she must wreak vengeance on the team of assassins who betrayed her - a team she was once part of.

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, (character The Bride) (as Q) | 1 more credit »
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Cast

Cast overview, first billed only:
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Hattori Hanzo (as Sonny Chiba)
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Johnny Mo (as Gordon Liu)
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Kenji Ohba ...
Bald Guy (Sushi Shop) (as Kenji Oba)
Yuki Kazamatsuri ...
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Storyline

The lead character, called 'The Bride,' was a member of the Deadly Viper Assassination Squad, led by her lover 'Bill.' Upon realizing she was pregnant with Bill's child, 'The Bride' decided to escape her life as a killer. She fled to Texas, met a young man, who, on the day of their wedding rehearsal was gunned down by an angry and jealous Bill (with the assistance of the Deadly Viper Assassination Squad). Four years later, 'The Bride' wakes from a coma, and discovers her baby is gone. She, then, decides to seek revenge upon the five people who destroyed her life and killed her baby. The saga of Kill Bill Volume I begins. Written by JD

Plot Summary | Plot Synopsis

Taglines:

On October 10th, speak softly and carry a big sword See more »

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for strong bloody violence, language and some sexual content | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

Language:

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Release Date:

10 October 2003 (USA)  »

Also Known As:

Kill Bill  »

Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend:

£162,857 (UK) (12 October 2003)

Gross:

$70,099,045 (USA) (28 May 2012)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Quentin Tarantino: [cereal] The pistol that Vernita Green fires at The Bride is hidden in a box of "KaBoom" cereal. See more »

Goofs

As Elle is buttoning up her blouse at the hospital, you can see that she is wearing a fuchsia colored bra. In the hospital room with The Bride, it has changed to a white bra. See more »

Quotes

[first lines]
Bill: Do you find me sadistic? You know, I bet I could fry an egg on your head right now, if I wanted to. You know, Kiddo, I'd like to believe that you're aware enough even now to know that there's nothing sadistic in my actions. Well, maybe towards those other... jokers, but not you. No Kiddo, at this moment, this is me at my most...
[cocks pistol]
Bill: masochistic.
The Bride: Bill... it's your baby...
[BLAM!]
See more »

Crazy Credits

Based on the character of 'The Bride' created by Q & U. See more »

Connections

References Lady Snowblood (1973) See more »

Soundtracks

The Lonely Shepherd
Written by James Last
Performed by Gheorghe Zamfir
Courtesy of Decca Music Group Limited
Under license from Universal Music Enterprises
See more »

Frequently Asked Questions

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User Reviews

 
Tarantino's Blue Period is OVER!
10 October 2003 | by (Los Angeles, CA) – See all my reviews

Just saw Kill Bill: Vol. 1 and was surprised, to be honest, at how incredibly GOOD this film is. Here is a craftsman (or artist, if you prefer) at the top of his game. Some of the shots are simply incredible; the score is, for the most part, vintage Tarantino selections- and the RZA does a very good job at filling the blanks; Uma Thurman is a great female lead, for sheer presence (and decent acting chops). Even Lucy Liu, who I expected was going to re-hash her Charlie's Angel character, burst on the scene like a flaming nunchuck.

The stringing together of the scenes was impeccable. The transitions, the intercutting between dialogue, the flashbacks... I simply could not get enough. Tarantino IS, indeed, having fun here. He is giving us a film that may not go down as a classic, Pulp Fiction style, but that shows us what is yet to come. I doubt that he's lost his writing talents (as some have claimed), and I actually disagree that the dialogue in the film is "poor", or that there are "no memorable lines" (Empire). The kung-fu genre has never been a particularly good park to display Shakespearean writing virtuosisms. The lines work fine. The plot is simple enough, but Tarantino takes a burger and serves it as "steak tartare with sauce au poivre and asparagus terrine". He basically manages to cram so much information into the film that plot is simply irrelevent. What is relevent is the Bride's thirst for blood, her primal sense of vengeance and our total devotion to her. Bill, of course, is one of the greatest characters to ever NOT appear on screen. Overall, a great movie and an example of how a filmmaker's tool is not his pen: it's his eye.


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