After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful, time-traveling Romulan creates black holes to destroy the Federation one planet at a time.
After the rebels have been brutally overpowered by the Empire on their newly established base, Luke Skywalker takes advanced Jedi training with Master Yoda, while his friends are pursued by Darth Vader as part of his plan to capture Luke.
Neo and the rebel leaders estimate that they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. During this, Neo must decide how he can save Trinity from a dark fate in his dreams.
During the reign of the Vikings, Kainan, a man from a far-off world, crash lands on Earth, bringing with him an alien predator known as the Moorwen. Though both man and monster are seeking revenge for violence committed against them, Kainan leads the alliance to kill the Moorwen by fusing his advanced technology with the Viking's Iron Age weaponry.
At the story's heart is Caesar (Andy Serkis), a chimpanzee who gains human-like intelligence and emotions from an experimental drug. Raised like a child by the drug's creator, Will Rodman (James Franco) and a primatologist Caroline Aranha (Freida Pinto), Caesar ultimately finds himself taken from the humans he loves and imprisoned in an ape sanctuary in San Bruno. Seeking justice for his fellow inmates, Caesar gives the fellow apes the same drug that he inherited. He then assembles a simian army and escapes the sanctuary - putting man and ape on a collision course that could change the planet forever. Written by
This movie is the first installment to feature another great ape species besides chimpanzees, gorillas, and orangutans; Koba, the scarred lab ape and some apes at the Gen-Sys and sanctuary, are bonobos. See more »
When the apes jump on the cable car, they move down a hill where they can see the Golden Gate Bridge behind downtown. In actuality, the bridge is a distance away. There would be nowhere in San Francisco where this shot would be viable. See more »
[administering chimp intelligence test]
Okay, okay. Here you go. And let's go again.
[gives Bright Eyes treat and clocks timer]
Which one's this? Number nine?
Yeah, this is number nine. Bright Eyes, we call her. Are you watching this? This is unbelievable.
[Bright Eyes does the tower fast]
Oh, my God. Oh, my God.
[grabs treat and eats it]
How many moves was that?
[...] See more »
The end credits appear over a map, showing the virus spreading around the world. See more »
Summer 2011: A season blessed with brilliant prequels
To begin on a tangent before evaluating the film, before summer 2011, I had not seen a decent prequel film. Prequels to films are often made when there is either a rich back story behind the originals or the producers are wanting a little more money from a particular franchise (see the Star Wars prequels). The problem they present is that film- makers have to construct their work, with the knowledge that the audience knows how it ends. One of the greatest things about seeing a film for the first time is the surprise and anticipation, to removing that can detract a lot from the overall impact of the film. But this summer I have had the pleasure of seeing X-men First Class, and now Rise of the Planet of the Apes - two excellent prequels to series that I didn't care for previously.
Rise of the Planet of the Apes (RPA from now on, I can't bear typing it) is not only a triumph in CG animation, but as a stellar science fiction film, that remembers that films are infinitely more engaging when the audience actually cares for the characters on screen. Too often do I see films with a high premise that forget to flesh out their characters, leaving us to run around in mindless, weightless explosions with nobodies who we know less than 3 things about (cough, Transformers 3). Yes, RPA is about super intelligent apes that ransack cities and take on armed forces with little more than what surrounds them, but before we get to that there is an enormous amount of development from the main protagonist; Caesar. Although the advertisement trumpets James Franco, John Lithgow etc, the real star here is Andy Serkis, along with millions of dollars worth of CG animation to create the most expressive animated creatures on film. Even with Avatar, using real humans, pales in comparison to the amount of detail going into every single one of these apes; there is not one second in the film where you cannot understand one of the primates intentions - you could practically vocalise them yourself with the refined eye movement, body language that clearly separates Caesar from his more primitive relatives. Needless to say, Caesar's performance is flawless; after all this is the man who brought Gollum to life, but he captures the screen with an entirely wordless performance, which to me is the greatest part of the film. I felt for Caesar more than any other character in this film, and he did it without saying a word. Eat that Michael Bay. I was almost in tears at one point during one of Caesar's more emotional scenes for Christ Sake - although a chimp, the heightened intelligence really gives him just enough human characteristic to be above the uncanny valley while still behaving like an animal.
The humans in the film were what I considered weakest in this film; not any of the performances were bad, but a little more development in some minor characters and some tweak in the writing here and there would have made this a perfect 10. Tom Felton (Draco Malfoy) felt a bit off to me; he was cruel but almost in a cartoon way, though I suspect that's more to do with ill writing than any personal issues. The main cast are good, though at it's current length, I think more development with James Franco's character wouldn't have gone amiss, but then again, this might have thrown off the pacing.
Another thing I love about this film is that while taking a sharp diversion from its roots in terms of gradual characterisation, it does a superb job of delivering what everyone inevitably came for. A massive Chimpocalypse. A simian uprising that sees the downtrodden apes taking up arms against humanity, and in three words: it's f - ing cool. Made all the more exciting by the anticipation and the feel for these characters, the marvellous point about Caesar's character is that we sympathise with him, we understand why he leads an ape army AND WE SUPPORT HIM. A super intelligent ape is rallying a chimp attack force to free themselves from their confines, cause mayhem, disrupt order and ultimately rule humanity AND WE WANT THEM TO. And for that I applaud.
I love a film that makes us look inwards at ourselves and question our own moral codes and attitudes to events in life (this one clearly representing a case of animal cruelty) that make us conclude that WE are indeed the bad guys, and we need to change. Living in a small, rural middle-class society (like myself) or a well-developed area often makes mainstream audiences forget about those less fortunate than themselves, and what it drives them to, or in this case, what having too much drives us to, and it's refreshing to see something that reminds us of how much of a plague we are to the rest of the planet.
Overall, I would say a strong 9/10, perhaps not quite reaching the highs that First Class did, but by God, was it more consistent - definitely watch this one, and stay after the credits.
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