The world is shocked by the appearance of three talking chimpanzees, who arrived mysteriously in a U.S. spacecraft. They become the toast of society; but one man believes them to be a threat to the human race.
In a futuristic world that has embraced ape slavery, Caesar, the son of the late simians Cornelius and Zira, surfaces after almost twenty years of hiding out from the authorities, and prepares for a slave revolt against humanity.
J. Lee Thompson
Ten years after conquering the Earth, ape leader Caesar wants the ruling apes and enslaved humans to live in peace. But warring factions of apes led by a militant gorilla general as well as various human groups threaten the stability.
J. Lee Thompson
In a future where the polar ice-caps have melted and Earth is almost entirely submerged, a mutated mariner fights starvation and outlaw "smokers," and reluctantly helps a woman and a young girl try to find dry land.
It is the year 2029: Astronaut Leo Davidson boards a pod cruiser on a Space Station for a "routine" reconnaissance mission. But an abrupt detour through a space time wormhole lands him on a strange planet where talking apes rule over the human race. With the help of a sympathetic chimpanzee activist named Ari and a small band of human rebels, Leo leads the effort to evade the advancing Gorilla Army led by General Thade and his most trusted warrior Attar. Now the race is on to reach a sacred temple within the planet's Forbidden Zone to discover the shocking secrets of mankind's past - and the key to its future. Written by
If one wants to remake a movie, the best option is probably to choose and original that was good, but not a great classic. Clearly, any attempt to remake a concept that failed first time around is fraught with danger, but an attempt to remake a classic runs the risk that one's film will be unfavourably compared with the original. The original 1968 film of 'Planet of the Apes' is one of cinema's great science fiction classics. More than an adventure story, it touches on some of the concerns of the late sixties- the fear of nuclear war, race relations- and also raises more fundamental issues about the relationship between man and nature, the relationship between religion and science, Darwinism and animal rights. It was therefore a brave move on Tim Burton's part to try and remake it.
The main concept of Tim Burton's film is basically similar to Franklin Schaffner's. An astronaut from Earth travels to a planet ruled by intelligent apes. Humans exist on this planet, but they are regarded as an inferior species, despised and exploited by the apes. There is, however, an important difference. In the original film, the apes are the only intelligent and articulate beings on the planet. Although they have only attained a pre-industrial level of civilization (they have firearms, but no power-driven machinery, and no means of transport other than the horse or horse-drawn vehicles), they are a far more advanced species than the planet's human inhabitants, who lack the powers of speech and reason and live an animal-like existence. In Burton's remake, humans and apes have similar powers of speech and intellect; it is only the apes' greater physical strength that enables them to dominate the planet and to treat the humans as slaves.
It was this ironic role-reversal, with apes behaving like men and men behaving like beasts, that gave Schaffner's film its satirical power. That film was advertised with the slogan 'Somewhere in the Universe, there must be something better than man!', and the apes are indeed, in some respects, better than man. Their law against killing others of their kind, for example, is much more strictly observed than our commandment that 'Thou shalt do no murder'. There is no sense that the apes are bad and the humans good. Even Dr Zaius, the orang-utan politician, is not a wicked individual; by the standards of his society he is an honourable and decent one. His weakness is that of excessive intellectual conservatism and unwillingness to accept opinions that do not fit in with his preconceived world view. (In this respect the apes are very human indeed).
Burton's film takes a less subtle moral line. It is a straightforward story of a fight for freedom. The villains are most of the apes, especially the fanatical, human-hating General Thade. The heroes are Captain Davidson, the astronaut from Earth, the planet's human population who long for freedom from the domination of the apes, and a few liberal, pro-human apes, especially Ari, the daughter of an ape senator. The apes are more aggressive and more obviously animals than in the original film; they still frequently move on all fours and emit fierce shrieks whenever angry or excited.
There are some things about this film that are good, especially the ape make-up which is, for the most part, more convincing than in the original film and allows the actors more scope to show emotion. (I say 'for the most part' because Ari looks far less simian than do most of the other apes- Tim Burton obviously felt that the audience would be more likely to accept her as a sympathetic character if she looked half-human). The actors playing apes actually seem more convincing than those playing humans. Tim Roth is good as the militaristic Thade, as is Helena Bonham-Carter as Ari. Mark Wahlberg, on the other hand, is not an actor of the same caliber as Charlton Heston, who played the equivalent role in the original film, and Estella Warren has little to do other than look glamorous. (Heston has a cameo role as an ape in Burton's film, and even gets to repeat his famous line 'Damn you all to hell').
Overall, however, the film is a disappointment when compared to the original, a simple science-fiction adventure story as opposed to an intelligent and philosophical look at complex issues. It tried to copy the device of a surprise ending but failed. Schaffner's famous final twist is shocking, but makes perfect sense in the context of what has gone before. Burton's makes no sense whatsoever.
Tim Burton can be a director of great originality, but with 'Planet of the Apes' he fell into the standard Hollywood trap of trying to copy what had already been done and remaking a film that never needed to be remade. It was good to see him return to form with the brilliant 'Big Fish', one of the best films of last year. 6/10
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