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The 51st State (2001)
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Overview
User Rating:
Release Date:
18 October 2002 (USA) moreTagline:
Nice Wheels. Dirty Deals. And One Mean Mother In A Kilt. morePlot:
An American master chemist plans to score big on a once in a lifetime drug deal. All does not go as planned and he is soon entangled in a web of deceit. full summary | add synopsisAwards:
1 nomination moreNewsDesk:
(11 articles)
[DVD Review] London to Brighton (From JustPressPlay. 13 August 2009, 10:00 AM, PDT)
Samuel L. Jackson Negotiates With Pirates
(From Cinematical. 13 May 2009, 4:03 PM, PDT)
User Comments:
Comparison's are what kill this film more (153 total)Cast
(Cast overview, first billed only)| Samuel L. Jackson | ... | Elmo McElroy | |
| Nigel Whitmey | ... | L.A. Highway Patrol | |
| Robert Jezek | ... | Priest | |
| Emily Mortimer | ... | Dakota Parker | |
| Meat Loaf | ... | The Lizard | |
| Jake Abraham | ... | Konokko | |
| Mac McDonald | ... | Mr. Davidson | |
| Aaron Swartz | ... | Mr. Yuri | |
| David Webber | ... | Mr. Jones | |
| Michael J. Reynolds | ... | Mr. Escobar | |
| Sonny Muslim | ... | Boy in Plane | |
| Barbara Barnes | ... | Boy's Mother | |
| Junix Inocian | ... | Mr. Ho-Fat | |
| Robert Carlyle | ... | Felix DeSouza | |
| Paul Barber | ... | Frederick |
Additional Details
MPAA:
Rated R for strong violence, language, drug content and some sexuality.Parents Guide:
View content advisory for parentsRuntime:
92 minLanguage:
EnglishColor:
ColorAspect Ratio:
2.35 : 1 moreCertification:
New Zealand:R18 | Philippines:R-18 | Argentina:16 | Australia:MA | Canada:18A | Finland:K-15 (re-rating) | Finland:K-18 (original rating) | Germany:16 | Netherlands:12 | Norway:15 | South Korea:18 | Spain:18 | Sweden:15 | UK:18 | USA:R | Singapore:NC-16 (original rating) | Singapore:M18 (DVD rating)Fun Stuff
Goofs:
Errors in geography: When Elmo and Felix are driving around Liverpool, they go from Liverpool town center to Old Swan (about 4 miles away), then back to the town center in a matter of seconds. moreQuotes:
[first lines]Elmo: I mean, rules are like, arbitrary, you know. Made up for people who believe in fairy tales like, you know, like Santa Claus. Hey, but not us, right? I mean, we know what's important. There's a war going on, man. A war. Ain't that a bitch?
[cop sucks his teeth]
Elmo: I just graduated today, man. With honors. Got my degree in pharmacology. I'm licensed. Look, if you write me up on this drug charge, I won't be able to practice. So what we're talking about here is, is my life. The rest of it.
[cop lights joint, takes one hit, then discards it]
[...]
more
Soundtrack:
Shamrocks and Shenanigans moreFAQ
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Formula 51, to me, wanted to badly to mimic the cool characteristics of films like Snatch and in doing so left behind elements which were necessary to get there. The script found the film with it's first fault when it was clear that during the writing process things like a flowing, rich and intelligent script were replaced by excessive overly 'Cool' dialogue, the f word and a narrative which shamelessly places the characters in situations with the sole purpose of them showing how witty (in a dialogue sense) they can be. And yes, I will admit, at times it works and you do enjoy some of this but it is overall tedious and relies far to heavy on this to make this film.
On the acting front I noticed pretty quickly how the actors saw their characters were written and just played with it (with the exception of Sam L Jackson who seemed to kick into auto pilot and let his cool persona shine through on his part). I think in the context this was a good choice by the actors, this movie was not a masterpiece and they treated it appropriately. But still, the characters lacked charisma and charm. Even the always likable Samual L Jackson failed to really strike a chord with me.
I guess I semi enjoyed the film but still felt as though it was trying to be something more and failed. I keep thinking it wanted to be Snatch, but to be, it needed the characters, the pace, the dialogue (subtlety needed) and the overall richness that Snatch possessed. Try to not make comparisons upon viewing, and take it as no more than a piece of entertainment. 5/10