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Mulholland Drive (2001)
"Mulholland Dr." (original title)

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Ratings: 8.0/10 from 200,037 users   Metascore: 81/100
Reviews: 1,726 user | 221 critic | 34 from Metacritic.com

After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.

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Title: Mulholland Drive (2001)

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Nominated for 1 Oscar. Another 48 wins & 37 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Rita (as Laura Elena Harring)
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Rita Taggart ...
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Storyline

A bright-eyed young actress travels to Hollywood, only to be ensnared in a dark conspiracy involving a woman who was nearly murdered, and now has amnesia because of a car crash. Eventually, both women are pulled into a psychotic illusion involving a dangerous blue box, a director named Adam Kesher, and the mysterious night club Silencio. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

A Love Story In The City Of Dreams See more »


Motion Picture Rating (MPAA)

Rated R for violence, language and some strong sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

21 November 2001 (France)  »

Also Known As:

Mulholland Drive  »

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

£134,798 (UK) (4 January 2002)

Gross:

$7,219,578 (USA) (3 May 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Chosen by "Les Cahiers du cinéma" (France) as the best picture of the decade (in 2010). See more »

Goofs

The Sony-brand telephone that Betty and Rita use to call Diane Selwyn has separate buttons for 'on' and 'off' functions. However, Betty presses the 'on' button to turn the phone off following the call. See more »

Quotes

[first lines]
Betty Elms: Oh! I can't believe it!
See more »

Crazy Credits

Credits have the movie director's name as 'Bob Booker' (not 'Brooker' as we hear). Furthermore, many of the characters' names are simply not mentioned at all during the course of the film (Billy Deznutz, Joe Messing, Bondar, etc.) but their character's names are all listed in the closing credits. See more »

Connections

References  (1963) See more »

Soundtracks

Sixteen Reasons
Written by Doree Post and Bill Post
Performed by Connie Stevens
Courtesy of Warner Bros. Records Inc.
By Arrangement with Warner Special Products
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
love lynch, or hate lynch, admit he's a master
28 January 2002 | by (melbourne, australia) – See all my reviews

"twin peaks" and "blue velvet" have always been two of my favourite pieces of film-making, and even though past films by lynch have been slightly disappointing for me they have always been worth watching a number of times. to be pretentious, lynch can be like a good wine - he must be savoured and mulled over. but in the end you must make up your own mind about what you have seen, for lynch never gives you the full answers.

many people will walk out of "mulholland drive" possibly wanting to throttle themselves over the mind-bending visual jigsaw puzzle that has just unfolded before them. but there is a twisted logic to this film, you just have to look for the clues. betty (naomi watts) arrives in hollywood, doe-eyed and in search of stardom. she then finds an amnesiac in her bathroom who has escaped from an attempted murder on mulholland drive. together they try to uncover the secrets behind the amnesiac's life. this all leads to a club called silencio, where a blue box will reveal all. and that is when the film throws everything out the window. people we thought we knew are entirely different people altogether... is it a dream? a reminiscence about life's previous escapades? you will either love this film or hate it. david lynch always draws such extreme reactions from his viewers. but as his universe itself is always about extremes, it is fitting that his films provoke such reactions.

It is best to look at this film thematically, rather than as a straight-forward narrative. and appreciate the fact that lynch is a film-maker who will still let you draw your own conclusions. he has had many imitators as of late, particularly in "vanilla sky", where a mind-bending film decides to give you all the answers in the last rushed five minutes, and you will probably forget about that film as soon as you walk out of the cinema. mulholland drive will haunt you.


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