Alex Hitchens is "The Date Doctor." He helps men to land dates. Sara is a gossip columnist for a New York City tabloid. Both are very guarded around the opposite sex. Despite their natures, Alex and Sara begin a relationship. Complications ensue when Sara's latest scoop happens to be one of Alex's clients. Written by
Ken Miller <firstname.lastname@example.org>
The character Sara Melas' sister's car is a BMW-manufactured Mini. See more »
When Albert attacks Hitch on Alegra's boat, Hitch is knocked back on to a couch with a pillow under his head. In the next shot, the pillow is between his head and the back of the couch. See more »
Basic principles: no woman wakes up saying, "God, I hope I don't get swept off my feet today!" Now, she might say, "This is a really bad time for me," or something like, "I just need some space," or my personal favorite, "I'm really into my career right now." You believe that? Neither does she. You know why? Because she's lying to you, that's why. You understand me? Lying! It's not a bad time for her. She doesn't need any space. And she may be into her career, but what she's really...
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Written by Lil Jon (as Jonathan Smith), Sean Garrett, Patrick J. Que Smith, Ludacris (as Christopher Bridges), James Phillips and La Marquis Jefferson
Published by EMI April Music Inc. o/b/o itself, Air Control Music, Basajamba Music, Me and Marq Music and Ludacrisi Music Publishing Inc.
TVT Music o/b/o itself and White Rhino Music, Christopher Garrett Pub./Hitco South administered by Music of Windswept and Christopher Matthew Music/Hitco Music administered by Songs of Windswept
Performed by Usher Raymond (as Usher) featuring Lil Jon (as Lil Jon) & Ludacris
Courtesy of LaFace Records/Zomba Label Group
Under license from BMG Film & Television Music
Lil Jon appears courtesy of TVT Records
Ludacris appears courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises See more »
This film was not about stereotypes, nor dance moves, nor pickup lines, really. This film was about the vulnerability of peoples' hearts. It was hard to believe that Kevin James could play in a convincing role, that Will Smith could satisfy without action, and that such a hackneyed genre of film could succeed in such a way. I don't intend to sound overly endeared with this film - it wasn't "groundbreaking" in any sort of way - but it was a film worth seeing. Was it believable? No. New York couldn't be so simple and there has been no human being in the history of mankind that has the "hutzpah" of Hitch. Sure, there are bar-studs, but not ones that can get any chick, at any time - excluding those raking in seven figures, of course. The thing that worked best for this film was its true focus on the dramatic side of things, not just on the comedy. It was a funny two hours, no doubt. But it was also two hours that made you sit in your seat, become immersed in the characters, and smile.
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