Traveling dentist O'Connell traverses South America on his motorcycle for the 'Eversmile' foundation of New Jersey, in a fight not only against caries, but also against fear, ignorance, ... See full summary »
Famous film director Guido Contini struggles to find harmony in his professional and personal lives, as he engages in dramatic relationships with his wife, his mistress, his muse, his agent, and his mother.
Christy Brown is a spastic quadriplegic born to a large, poor Irish family. His mother, Mrs Brown, recognizes the intelligence and humanity in the lad everyone else regards as a vegetable. Eventually, Christy matures into a cantankerous writer who uses his only functional limb, his left foot, to write with. Written by
According to the "Making of My Left Foot" segment on the Special Edition DVD, Daniel Day-Lewis broke two ribs during filming from assuming the hunched-over position in his wheelchair for weeks of filming. He also would refuse to come out of character. On visits to the set canteen, other people would have to help him with food. On one visit from his English agent, Day-Lewis again refused to come out of character as Christy Brown, and his frustrated agent took off. See more »
Christy's position on the stairs changes between cuts when he is going downstairs after his mother's fall. See more »
[Christy's nurse won't light his cigarette because it's bad for his health]
I didn't ask for a fucking psychological lecture. I only asked for a fucking light.
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One of the best performances by an actor in the last decade.
I am in awe of Daniel Day-Lewis' acting in this movie. I can't think of anyone else who could have portrayed the real-life writer Christy Brown as well as he does. He doesn't just portray the ravages of cerebral palsy of his character but the intelligence, humour, courage and love of the man. The character also is not deemed a saint but allowed to have humanity - the foul mouth and love of booze and women. If a movie can be called inspiring than this has to be it.
Lewis and Brenda Fricker as his mother both won Oscars and Ray McAnally as his father also deserved one. The movie is well directed by Jim Sheridan with whom Lewis again worked with in the excellent In The Name Of The Father as well as The Boxer.
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