The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
Oskar Schindler is a vainglorious and greedy German businessman who becomes unlikely humanitarian amid the barbaric Nazi reign when he feels compelled to turn his factory into a refuge for Jews. Based on the true story of Oskar Schindler who managed to save about 1100 Jews from being gassed at the Auschwitz concentration camp. A testament for the good in all of us. Written by
Harald Mayr <firstname.lastname@example.org>
When Steven Spielberg first showed 'John Williams' a cut of the film, Williams was so moved he had to take a walk outside for several minutes to collect himself. Upon his return, Williams told Spielberg he deserved a better composer. Spielberg replied, "I know, but they're all dead." See more »
In the opening sequence when Oskar Schindler is preparing for the party (dressing up, getting money) the shape of his hands (and nails) differs from shot to shot. See more »
[a Hebrew prayer is chanted, followed by a flashback to 1940s Poland]
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Polish fonts were used in the credits sequence See more »
These words spoken by Amon Goethe (Ralph Fiennes) during the film can be aptly used to signify the themes of this film: power and forgiveness.
I am part of the post war generation who has been lucky enough not to experience any major war. And after watching this film, I have deep respect and feelings for those who suffered during these times, be it the Holocaust or the Nam war. This film was just waiting to be made and I'm glad it was the right man who dared to take up the challenge. Any other person would not have done it justice.
The film focuses on how a German named Oskar Schindler saved the lives of thousands of Jews by employing them to work in his factory during WWII. However, I feel the film's primary aim is not to show us Schindler's kindness but the horrors of war. There are some of the most true and graphic scenes here ever captured on celluloid. People being shot for no particular reason, hiding in fear, stripped and gased, abused......so much so that viewers watching it for the 1st time will be deeply affected. We have never got to see this "flip side" of the war in many Hollywood productions which only focuses on action and their unrealistic "gung-ho" heroes. ( Another excellent film would be "Saving Pte Ryan" by Spielberg again ) War and its horrors are finally and faithfully recreated for the audience.
Like the film Raging Bull, its shot beautifully in black and white to reflect the era and tone of the film. Liam Neeson and Ralph Fiennes are excellent, esp the latter for his frightening protrayal of Amon Goethe. The scene where they discuss about power is a classic and the subsequent one where Amon 'pardons' a young jew remains as one of my many favs!
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