The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
Oskar Schindler is a vainglorious and greedy German businessman who becomes an unlikely humanitarian amid the barbaric Nazi reign when he feels compelled to turn his factory into a refuge for Jews. Based on the true story of Oskar Schindler who managed to save about 1100 Jews from being gassed at the Auschwitz concentration camp, it is a testament for the good in all of us. Written by
Harald Mayr <firstname.lastname@example.org>
Liam Neeson admitted in a 60 Minutes (1968) interview that he was disappointed in his performance in this film. He stated "I didn't own the part. I didn't see enough of me in there". See more »
When the Nazis are separating healthy and sick prisoners, they play two shellac records. The second disc is labeled "Fogg Records", but Mieczyslaw Fogg founded his record company after the war; moreover Fogg recorded mostly (if not only) Polish performers at his studio, and that song doesn't resemble a Polish song. See more »
[a Hebrew prayer is chanted, followed by a flashback to 1940s Poland]
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There are no opening credits after the title is shown. See more »