The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
Oskar Schindler is a vainglorious and greedy German businessman who becomes an unlikely humanitarian amid the barbaric Nazi reign when he feels compelled to turn his factory into a refuge for Jews. Based on the true story of Oskar Schindler who managed to save about 1100 Jews from being gassed at the Auschwitz concentration camp, it is a testament for the good in all of us. Written by
Harald Mayr <email@example.com>
According to the art directors, no green paint or clothing were used on the set because the color would not show up well on black and white film. Special attention was paid to how much lighting or paint was used in order to appear correctly on film regardless of how unrealistic it seemed in real life. See more »
When one train of the male Jews were taken to Czechoslovakia, we can see some electric columns for electric rail tracks. That could be impossible because till the end of War there was no electric tracks in that area. Even all locomotives were steam-engine. See more »
[a Hebrew prayer is chanted, followed by a flashback to 1940s Poland]
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There are no opening credits after the title is shown. See more »
This is the best war film about the Holocaust I have ever seen. It depicts the horrors of the Holocaust and war, the tragedy of Jewish nation, and I know, this film could be directed by a Jew, who keeps these horrible times and crimes against humanity in his heart. The tagline says "Whoever saves one life, saves the world entire". And this film shows us that no human life can be replaced by another one, and that there is nothing more valuable than HUMAN LIFE. I have not seen a film of such a power in my life. Superbly directed by Steven Spielberg, magnificently photographed in black-and-white by Janusz Kaminski (one of the best directors of photography in modern Hollywood, so to say), perfect performances by Liam Neeson and Ben Kingsley, and, especially, John Williams' beautiful, brilliant score, brings the whole horror and tragedy, cruelty of Nazism, Holocaust and War. This is Spielberg's Triumph. Congratulations!
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