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Schindler's List (1993)

8.9
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Ratings: 8.9/10 from 631,216 users   Metascore: 93/100
Reviews: 1,120 user | 161 critic | 23 from Metacritic.com

In Poland during World War II, Oskar Schindler gradually becomes concerned for his Jewish workforce after witnessing their persecution by the Nazis.

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Title: Schindler's List (1993)

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Top 250 #7 | Won 7 Oscars. Another 70 wins & 26 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
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Poldek Pfefferberg (as Jonathan Sagalle)
...
Malgorzata Gebel ...
Wiktoria Klonowska (as Malgoscha Gebel)
Shmuel Levy ...
Wilek Chilowicz (as Shmulik Levy)
...
Béatrice Macola ...
Ingrid (as Beatrice Macola)
Andrzej Seweryn ...
...
Rolf Czurda (as Friedrich Von Thun)
Krzysztof Luft ...
Herman Toffel
Harry Nehring ...
Leo John
...
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Storyline

Oskar Schindler is a vainglorious and greedy German businessman who becomes unlikely humanitarian amid the barbaric Nazi reign when he feels compelled to turn his factory into a refuge for Jews. Based on the true story of Oskar Schindler who managed to save about 1100 Jews from being gassed at the Auschwitz concentration camp. A testament for the good in all of us. Written by Harald Mayr <marvin@bike.augusta.de>

Plot Summary | Plot Synopsis

Plot Keywords:

factory | nazi | death | german | list | See more »

Taglines:

Whoever saves one life, saves the world entire. See more »


Motion Picture Rating (MPAA)

Rated R for language, some sexuality and actuality violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | |

Release Date:

15 December 1993 (USA)  »

Also Known As:

La lista de Schindler  »

Box Office

Budget:

$22,000,000 (estimated)

Opening Weekend:

£1,234,591 (UK) (4 March 1994)

Gross:

£16,439,233 (UK) (17 June 1994)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (TV)

Sound Mix:

|

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

At Steven Spielberg's request, Aaron Sorkin did a "dialogue wash" on the excessively wordy script. See more »

Goofs

Shindler travels in a 1946 Daimler Landaulet. See more »

Quotes

[first lines]
[a Hebrew prayer is chanted, followed by a flashback to 1940s Poland]
Krakow registrar: Name?
See more »

Crazy Credits

There are no opening credits after the title is shown. See more »

Connections

Referenced in The Enclave (2002) See more »

Soundtracks

GUTE NACHT MUTTER
Composed by Werner Bochmann
Text by Erwin Lehnow
Arranged by Werner Eisbrenner for Electrola
Performed by Wilhelm Strienz and FFB Orchestra
Conducted by Werner Eisbrenner
Courtesy of EMI Classics
Under license from CEMA Special Markets
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

My brief review of the film
8 January 2005 | by (Perth, Australia) – See all my reviews

The most amazing thing about this film is that it was not made to be an epic or an acclaimed film. Spielberg made it as a personal film for himself and other Jews affected by the Holocaust. There is nothing flashy about the film except for Neeson's bravura performance. Spielberg's usual style is invisible, and the cinematography and editing, although excellent, are not shown off to make a spectacle of the film or give it an epic feel. Yet it is still a compulsive, involving, and utterly heart-wrenchingly moving filming of a part of history that should not be forgotten. The screenplay is one of the best ever written: it captures the stories of so many Holocaust survivors but without distracting from the main story at hand. The black and white photography and editing is perfect, and John Williams provides a perfectly subtle but nice music score. The acting is simply brilliant, with Liam Neeson towering as Oskar Schindler, and Ralph Fiennes bringing out the Nazi character Amon Goeth into full flesh. And Ben Kingsley and Embeth Davidtz give off excellent performances too. The film also has a lot to say about absolute power corrupting and spiraling out of control, and such a message of the film can be applied to any time and crisis, not just the Holocaust. This is not just one of the the ten best films ever produced, but it shall remain so for years to come, because its messages in terms of power and racism are applicable in any age.


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