The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
Oskar Schindler is a vainglorious and greedy German businessman who becomes an unlikely humanitarian amid the barbaric Nazi reign when he feels compelled to turn his factory into a refuge for Jews. Based on the true story of Oskar Schindler who managed to save about 1100 Jews from being gassed at the Auschwitz concentration camp, it is a testament for the good in all of us. Written by
Harald Mayr <email@example.com>
The film, as shown in most countries, had the song "Yerushalayim Shel Zahav" - Jerusalem of Gold - at the end. When the film was shown in Israel, audiences laughed at this, as this song was written after the 1967 war as a pop song. They then re-dubbed the song "Eli Eli," which was written by Hannah Sennesh during World War Two over the end. However, some criticized this decision as a misinterpretation of the scene, since the song serves as a lead-in to a scene that takes place in modern-day Israel (long after the release of "Yerushalayim Shel Zahav") not during the Holocaust. See more »
The sequence of Schindler interviewing for a secretary position opens with a wide shot showing furniture in the room that is covered while the walls are being painted. Once it cuts to a close shot, the furniture is gone. See more »
[a Hebrew prayer is chanted, followed by a flashback to 1940s Poland]
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Polish fonts were used in the credits sequence See more »
This is the best war film about the Holocaust I have ever seen. It depicts the horrors of the Holocaust and war, the tragedy of Jewish nation, and I know, this film could be directed by a Jew, who keeps these horrible times and crimes against humanity in his heart. The tagline says "Whoever saves one life, saves the world entire". And this film shows us that no human life can be replaced by another one, and that there is nothing more valuable than HUMAN LIFE. I have not seen a film of such a power in my life. Superbly directed by Steven Spielberg, magnificently photographed in black-and-white by Janusz Kaminski (one of the best directors of photography in modern Hollywood, so to say), perfect performances by Liam Neeson and Ben Kingsley, and, especially, John Williams' beautiful, brilliant score, brings the whole horror and tragedy, cruelty of Nazism, Holocaust and War. This is Spielberg's Triumph. Congratulations!
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