Oskar Schindler is a vainglorious and greedy German businessman who becomes an unlikely humanitarian amid the barbaric German Nazi reign when he feels compelled to turn his factory into a refuge for Jews. Based on the true story of Oskar Schindler who managed to save about 1100 Jews from being gassed at the Auschwitz concentration camp, it is a testament to the good in all of us. Written by
Harald Mayr <email@example.com>
The opening sequence in the train station, one can clearly see that there is no metal cover where the guy is setting up the table, yet as they begin to take names, it seems that the action is happening in a different place. See more »
[a Hebrew prayer is chanted, followed by a flashback to 1940s Poland]
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The theatrical version juxtaposed images from the film of the actors portraying certain identified "Schindler Jews" as each actual person placed a stone on Schindler's grave. The VHS version does not use this device, showing only the actual persons, credited by name. See more »
Spielberg is now the Numero Uno director of schmaltzy cinema. I thought Saving Private Ryan was the ultimate good guys save the poor soul, but this one outdoes Ryan in every conceivable heart-tugging, noble humanity fashion. Don't view this film as accurate history, if
Private Ryan is any guide. Historical accuracy is not a Spielberg characteristic. It's the heartstrings he keeps tugging. I next expect a new Pollyanna by Spielberg any day now. The problem with Spielberg's characterizations is that people are either black or white, no inbetweens are allowed. But even old Adolph can be presented in a way that makes him the human being that he was, regardless. This is what makes Shakespeare such a genius in his plays - he never failed to see all sides of a personality. Spielberg's characterizations are cartoons. This could have been a really good movie, if it had acknowledged the
humanity in every person and been realistic.
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