A Mad Max-esque post apocalyptic world provides the backdrop for a brutal, futuristic game resembling football. Rutger Hauer plays a disgraced former star leading a rag tag group of "... See full summary »
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
A soldier is dumped on a waste disposal planet and lives among a community of crash survivors on the planet and takes it upon himself to defend his new home when genetic engineered soldiers are ordered to eliminate the crash survivors.
Paul W.S. Anderson
Jason Scott Lee,
A champion of a brutal cross-country car race of the future where pedestrians are run down for points has a change of heart while being hounded by rivals and a conspiracy seeking to stop the race. Written by
Keith Loh <email@example.com>
Explaining why he took the Frankenstein role, David Carradine says, "I started that picture two weeks after I walked off the Kung Fu (1972) set, and that was essentially my image, the 'Kung Fu' character, and a lot of people still believe I'm that guy. The idea actually was: No. 1, if you walk off a television series, you better do a movie right away or you might never get to do one. And the second thing was to do something right away that would create the image of a monster to get rid of the image of that little Chinese guy that I'd been playing for four years. And, you know, it did kick-start my movie career." See more »
In the theatrical version and all video versions up to the "Roger Corman's Classics" release, there were some errors that have since been corrected. Traffic has been cropped from the shot when Machine Gun Joe runs over the man hanging the "Frankenstein" banner on the street (which previously made nonsense of the earlier newscast of "citizens staying off the streets"). A crewmember previously visible when Joe runs down the fisherman has also been cropped out. See more »
[Opening; The United Provinces version of "The Star-Spangled Banner" is played at the fictional New York Memorial Raceway]
O, great American multitude and sports fans everywhere, today we inaugurate the 20th Annual Trans-Continental Road Race. Today, the five bravest young men and women in this greatest of nations will risk their lives in the greatest sporting event since the day the Sparticus! Three days hence, a new American champion will be crowned for all the world to behold, in...
[...] See more »
Carmageddon, or how I learned to stop worrying and love those crazy seventies
'Mad Max' meets the 'Running Man' and they both drive over miss Daisy. 'Death Race 2000' is a disconcerting smithereen job, but also fun. It is unprobable to say the least: 'Frankenstein' as the embodiment of national virtue? Nice thought over a dose of mescaline maybe. With unbelievable music too. Everything seems 2 B possible: ethical correct splatter comedies? You've got it. The acting in this supposed SF (caricatures of the immoral society of the future) is absolutely horrible (apart from Carradine and Griffeth). Add some black humor and non-existing emotions and you have Death Race 2000: the obscure cult flick in which Sly gets slapped around some as driver Machine-Gun Joe Viterbo. And retrospectively one of his best roles, besides 'First Blood' and 'Rocky'.
Luckily there was room in the rating for some graphical splatter and nudity, which is why this has become a cult movie. And fat chance the uncut version will be banned where I live. It is more than questionable if the story is really about the fear of America becoming that chauvinistic and drenched in bloodlust. I get the impression that most of it is just a glorification of violence. But in a more thoroughly humorous way than e.g. Wild Bunch (1969) et al. Imagine the American president has a summer house in Peking, or driver Mathilda the Hun has a nazi-navigator Herman the German...
DR2k was appropriately filmed by the great cinematographer Tak Fujimoto (Badlands, Silence of the lambs, Sixth Sense, and last but not least Ferris Bueller's day off). Good for Paul Bartel that he made Death Race 2000 before George Miller made Mad Max (1978), because it would have been a completely obsolete cartoon otherwise: something like Evil Knievel vs Dick Dastardly. Nevertheless DR2k is quite enjoyable. This movie may be inspired by 'the Cars that ate Paris' (Weir, 1974) and seemed to have inspired 'Carmageddon' (VG) and Mad Max of course. Guys, it's been real. Jesus Chrysler, I'd almost rate this 6/10.
23 of 30 people found this review helpful.
Was this review helpful to you?