Convicted cop-killer Carl Lucas, aka Frankenstein, is a superstar driver in the brutal prison yard demolition derby known as Death Race. Only one victory away from winning freedom for himself and his pit crew.
This is another story of the secret Coast to Coast auto race across America The only rule is, the first to finish is the winner. Naturally, anyone driving 55 isn't going to win. They'll ... See full summary »
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
The story of the rise and fall of the infamous Chicago gangster Al Capone and the control he exhibited over the city during the prohibition years. Unusually, briefly covering the years ... See full summary »
Johnny Kovak joins the Teamsters trade-union in a local chapter in the 1930s and works his way up in the organization. As he climbs higher and higher his methods become more ruthless and ... See full summary »
Three Italian-American brothers, living in the slums of 1940's New York, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.
In New York in the late 60s, a politically motivated group of students plans bombings of company offices who do business with dictators in Middle American countries. But when they contact a... See full summary »
Robert Allen Schnitzer
A champion of a brutal cross-country car race of the future where pedestrians are run down for points has a change of heart while being hounded by rivals and a conspiracy seeking to stop the race. Written by
Keith Loh <firstname.lastname@example.org>
Sylvester Stallone would again be portraying a race car driver in the 2001 film Driven. See more »
When Frankenstein is being attacked by the air plane, he pulls his navigator's sedated body closer to the middle of the car and she disappears and reappears in subsequent shots. See more »
[Opening; The United Provinces version of "The Star-Spangled Banner" is played at the fictional New York Memorial Raceway]
O, great American multitude and sports fans everywhere, today we inaugurate the 20th Annual Trans-Continental Road Race. Today, the five bravest young men and women in this greatest of nations will risk their lives in the greatest sporting event since the day the Sparticus! Three days hence, a new American champion will be crowned for all the world to behold, in...
[...] See more »
In a dystopian future, a cross country automobile race requires contestants to run down innocent pedestrians to gain points that are tallied based on each kills brutality. Starring David Carradine and Sylvester Stallone.
When I was younger and my family would go for a drive, my father would often make the remark that if he swerved and hit someone, it would be worth twenty points. In my youth, I never really understood where he picked it up from, but now I think it is safe to say that "Death Race 2000" was his source.
While this movie is fairly cheesy, it is fun in a way most other films simply are not. I would not even call it a "dark comedy" because the violence is not dark, it is just campy. Beverly Gray calls it "comically macabre".
There is some strong underlying message about American values that could be interpreted differently by different people: is America an inherently violent nation? Or are we a nation trying to maximize our freedoms? (This dispute comes into play when "rebels" show up who wish to end the race and restore the old America.) What is interesting is that Corman was known to be anti-authority, so he should be saying that this race is barbaric. Yet, he clearly understands that the viewer enjoys the death scenes... without them, the film would be nothing. What does this say about us, or about him?
Stallone has a surprisingly small role, despite being the secondary character. He does not speak much and seems to be in the movie for no other reason than to use violence against women. In the vernacular, he "keeps his pimp hand strong".
David Carradine, who never busts out many a karate move in this film, is the real hero. He plays the race's most popular character ("Frankenstein") who has allegedly been pieced back together year after year. His bondage gear outfit and smooth Carradine attitude make him a clear favorite for movie viewers, as well.
All in all, this film is a cult classic and deserves to be. Corman wanted to compete with "Rollerball" (1975) for a fraction of the cost, so he purchased Ib Melchoir's "The Racer" and went from there. I think he succeeded. I do not know how much money each film made, but I know of nobody today who is out there calling "Rollerball" the better film.
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