This is another story of the secret Coast to Coast auto race across America The only rule is, the first to finish is the winner. Naturally, anyone driving 55 isn't going to win. They'll ... See full summary »
Three Italian-American brothers, living in the slums of 1940's New York, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.
Johnny Kovak joins the Teamsters trade-union in a local chapter in the 1930s and works his way up in the organization. As he climbs higher and higher his methods become more ruthless and ... See full summary »
The story of the rise and fall of the infamous Chicago gangster Al Capone and the control he exhibited over the city during the prohibition years. Unusually, briefly covering the years ... See full summary »
Convicted cop-killer Carl Lucas, aka Frankenstein, is a superstar driver in the brutal prison yard demolition derby known as Death Race. Only one victory away from winning freedom for himself and his pit crew.
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
In New York in the late 60s, a politically motivated group of students plans bombings of company offices who do business with dictators in Middle American countries. But when they contact a... See full summary »
Robert Allen Schnitzer
A champion of a brutal cross-country car race of the future where pedestrians are run down for points has a change of heart while being hounded by rivals and a conspiracy seeking to stop the race. Written by
Keith Loh <email@example.com>
The opening sequence was shot at an actual racetrack in between races. See more »
When Frankenstein is being attacked by the air plane, he pulls his navigator's sedated body closer to the middle of the car and she disappears and reappears in subsequent shots. See more »
[Opening; The United Provinces version of "The Star-Spangled Banner" is played at the fictional New York Memorial Raceway]
O, great American multitude and sports fans everywhere, today we inaugurate the 20th Annual Trans-Continental Road Race. Today, the five bravest young men and women in this greatest of nations will risk their lives in the greatest sporting event since the day the Sparticus! Three days hence, a new American champion will be crowned for all the world to behold, in...
[...] See more »
Carmageddon, or how I learned to stop worrying and love those crazy seventies
'Mad Max' meets the 'Running Man' and they both drive over miss Daisy. 'Death Race 2000' is a disconcerting smithereen job, but also fun. It is unprobable to say the least: 'Frankenstein' as the embodiment of national virtue? Nice thought over a dose of mescaline maybe. With unbelievable music too. Everything seems 2 B possible: ethical correct splatter comedies? You've got it. The acting in this supposed SF (caricatures of the immoral society of the future) is absolutely horrible (apart from Carradine and Griffeth). Add some black humor and non-existing emotions and you have Death Race 2000: the obscure cult flick in which Sly gets slapped around some as driver Machine-Gun Joe Viterbo. And retrospectively one of his best roles, besides 'First Blood' and 'Rocky'.
Luckily there was room in the rating for some graphical splatter and nudity, which is why this has become a cult movie. And fat chance the uncut version will be banned where I live. It is more than questionable if the story is really about the fear of America becoming that chauvinistic and drenched in bloodlust. I get the impression that most of it is just a glorification of violence. But in a more thoroughly humorous way than e.g. Wild Bunch (1969) et al. Imagine the American president has a summer house in Peking, or driver Mathilda the Hun has a nazi-navigator Herman the German...
DR2k was appropriately filmed by the great cinematographer Tak Fujimoto (Badlands, Silence of the lambs, Sixth Sense, and last but not least Ferris Bueller's day off). Good for Paul Bartel that he made Death Race 2000 before George Miller made Mad Max (1978), because it would have been a completely obsolete cartoon otherwise: something like Evil Knievel vs Dick Dastardly. Nevertheless DR2k is quite enjoyable. This movie may be inspired by 'the Cars that ate Paris' (Weir, 1974) and seemed to have inspired 'Carmageddon' (VG) and Mad Max of course. Guys, it's been real. Jesus Chrysler, I'd almost rate this 6/10.
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