He had everything and wanted nothing. He learned that he had nothing and wanted everything. He saved the world and then it shattered. The path to enlightenment is as sharp and narrow as a razor's edge.
Seymour Krelborn is a nerdy orphan working at Mushnik's, a flower shop in urban Skid Row. He harbors a crush on fellow co-worker Audrey Fulquard, and is berated by Mr. Mushnik daily. One day as Seymour is seeking a new mysterious plant, he finds a very mysterious unidentified plant which he calls Audrey II. The plant seems to have a craving for blood and soon begins to sing for his supper. Soon enough, Seymour feeds Audrey's sadistic dentist boyfriend to the plant and later, Mushnik for witnessing the death of Audrey's ex. Will Audrey II take over the world or will Seymour and Audrey defeat it? Written by
The shot pulling away from Audrey after the song "Somewhere That's Green" was so long that it required two cranes, one placed on top of the other, to pull it off. The camera actually shifts a little when the one crane stops and the other takes over. See more »
When Audrey II fires the gun through the glass, sparks are visible from the pyrotechnic charges. See more »
On the twenty-third day of the month of September, in an early year of a decade not too long before our own, the human race suddenly encountered a deadly threat to its very existence. And this terrifying enemy surfaced, as such enemies often do, in the seemingly most innocent and unlikely of places...
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"Special Thanks" are given to Paul Dooley, because his scenes as Patrick Martin were cut and re-cast with James Belushi. Dooley's scenes are restored for the Director's cut, and consequently Belushi gets the "Special Thanks" instead. See more »
One of the most unappreciated films of the eighties, the songs, performances, and especially the affectionate screenplay all harken back to the cheap old days of Roger Corman and his B movie compatriots. From Steve Martin's sadistic Elvis-inspired dentist to the early girl-group rock score, "Little Shop" moves with an appropriately cheesy style that lets you in on the joke, yet never insults you for loving those poverty row movies.
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