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A.I. Artificial Intelligence (2001)
"Artificial Intelligence: AI" (original title)

 -  Adventure | Drama | Sci-Fi  -  29 June 2001 (USA)
7.1
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Ratings: 7.1/10 from 205,150 users   Metascore: 65/100
Reviews: 2,131 user | 281 critic | 32 from Metacritic.com

A highly advanced robotic boy longs to become "real" so that he can regain the love of his human mother.

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(short story "Supertoys Last All Summer Long"), (screen story), 1 more credit »
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Title: A.I. Artificial Intelligence (2001)

A.I. Artificial Intelligence (2001) on IMDb 7.1/10

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Nominated for 2 Oscars. Another 15 wins & 49 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Supernerd
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Supernerd
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Supernerd
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Supernerd
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Sheila
Theo Greenly ...
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Storyline

In the not-so-far future the polar ice caps have melted and the resulting rise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advancing, reaching the point of creating realistic robots (called mechas) to serve them. One of the mecha-producing companies builds David, an artificial kid which is the first to have real feelings, especially a never-ending love for his "mother", Monica. Monica is the woman who adopted him as a substitute for her real son, who remains in cryo-stasis, stricken by an incurable disease. David is living happily with Monica and her husband, but when their real son returns home after a cure is discovered, his life changes dramatically. Written by Chris Makrozahopoulos <makzax@hotmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

boy | future | fairy | affection | robot | See All (119) »

Taglines:

Journey To A World Where Robots Dream And Desire See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some sexual content and violent images | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

29 June 2001 (USA)  »

Also Known As:

A.I.  »

Filming Locations:

 »

Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend:

$3,369,401 (France) (26 October 2001)

Gross:

$39,192,703 (Europe) (16 November 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The band playing at the flesh fair, Ministry, was chosen by Stanley Kubrick himself, after overhearing a crew member playing a Ministry album one day on the set of Eyes Wide Shut (1999). Kubrick was also said to have liked the band because they used audio samples from his film Full Metal Jacket (1987) in their 1989 song "Thieves". See more »

Goofs

Much of the film's early action takes place in Haddonfield, New Jersey. New York City is subsequently shown to be under water. Haddonfield's elevation (81 feet) is lower than that of New York City (87 feet), and it is near both the Atlantic coast and a river leading to the ocean, so Haddonfield should be under water too. See more »

Quotes

Patricia in mirrored room: I'm afraid.
Gigolo Joe: Of me?
Patricia in mirrored room: Yes.
Gigolo Joe: That I will hurt you?
Patricia in mirrored room: Yes.
Gigolo Joe: I think... you're afraid of letting go. I think you're afraid of happiness. And this is starting to excite me. Are you afraid of seeing the stars... Patricia? I can show you how to reach them.
Patricia in mirrored room: I'm afraid of what you've got under there. May I see what it looks like first?
Gigolo Joe: Is this your first time... with something like me?
Patricia in mirrored room: I've never been with Mecha.
Gigolo Joe: That makes two of us.
[...]
See more »

Crazy Credits

For Stanley Kubrick. See more »

Connections

Referenced in Muchachada nui: Episode #1.11 (2007) See more »

Soundtracks

Cheek To Cheek
Written by Irving Berlin
Performed by Fred Astaire
The Appearance of Mr. Fred Astaire has been arranged through a special license with Robyn Smith (as Mrs. Fred Astaire),
Beverly Hills, California
All rights reserved
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Spielberg's cinematic tribute to Kubrick
3 July 2001 | by (California, U.S.) – See all my reviews

It is fitting that A.I., Steven Spielberg's monument on film to Stanley Kubrick, is a shoe-in for Best Picture in 2001. A.I. is cinematically beautiful, and tells a wrenching emotional story of a child's quest for maternal love.

In A.I., Spielberg masterfully adopts Kubrick's hard, bare-essentials style of direction, letting the photography tell the story, rather than the dialogue. This style allowed Kubrick to develop an enormous scope of ideas, stories and emotions in his movies. But it often left casual movie goers behind. He had difficulty finding the right treatment for A.I. so he handed the project to Spielberg before Kubrick's death last year.

Spielberg textures A.I. with obvious dollops of his own soft-as-whipped-cream touch. It is Spielberg's great skill that blends the two styles together with mesmerizing results. This blend allows the emotional story of a young robotic boy to come to life, and Kubrick fans will be able to enjoy one last film made by the master -- with the respectful help of another great artist.

The Kubrickian style demands the very best from actors, who must appear unapologetically real, and must, in long sequences with no dialogue, convey strong feelings and emotions. The A.I cast, especially lead actor Haley Joel Osment, meet every measure of the demands. Despite his youth, Osment will surely receive a nomination for Best Actor.

A.I. will rank high among the best movies ever made, but viewers should come prepared for an intense emotional and intellectual work-out. If you want to take in a quick flick to escape life for a couple of hours, this is not your movie. If you want to explore the cinematic depth of a master artist like Spielberg, A.I. will take you places you've never been before.


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