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A.I. Artificial Intelligence (2001)

Artificial Intelligence: AI (original title)
PG-13 | | Adventure, Drama, Sci-Fi | 29 June 2001 (USA)
A highly advanced robotic boy longs to become "real" so that he can regain the love of his human mother.

Director:

Writers:

(short story "Supertoys Last All Summer Long"), (screen story) | 1 more credit »
Popularity
1,007 ( 88)

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Nominated for 2 Oscars. Another 16 wins & 67 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Syatyoo-Sama
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Supernerd
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Supernerd
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Supernerd
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Executive
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Theo Greenly ...
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Storyline

In the not-so-far future the polar ice caps have melted and the resulting rise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advancing, reaching the point of creating realistic robots (called mechas) to serve them. One of the mecha-producing companies builds David, an artificial kid which is the first to have real feelings, especially a never-ending love for his "mother", Monica. Monica is the woman who adopted him as a substitute for her real son, who remains in cryo-stasis, stricken by an incurable disease. David is living happily with Monica and her husband, but when their real son returns home after a cure is discovered, his life changes dramatically. Written by Chris Makrozahopoulos <makzax@hotmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

boy | future | fairy | robot | fairy tale | See All (125) »

Taglines:

Do not speak the seven-word activation code unless you mean it. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some sexual content and violent images | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

29 June 2001 (USA)  »

Also Known As:

A.I.  »

Filming Locations:

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Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend USA:

$29,352,630, 1 July 2001, Wide Release

Gross USA:

$78,616,689, 23 September 2001

Cumulative Worldwide Gross:

$235,927,000
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Robin Williams actually recorded his dialogue for the film with Stanley Kubrick directing the recording session, he did it a long time before Steven Spielberg was attached to direct. In Bicentennial Man (1999) Williams plays an android who wants to become human. See more »

Goofs

New Jersey is depicted as having tropical forest. This is due to global warming. See more »

Quotes

[first lines]
Narrator: [narrating, with ocean waves crashing together] Those were the years after the ice caps had melted... because of the greenhouse gases, and the oceans had risen drown so many cities... along all the shorelines of the world. Amsterdam, Venice, New York - Forever lost. Millions of people were displaced. Climates became chaotic. Hundreds of millions of people starved in poorer countries. Elsewhere a high degree of prosperity survived... when most governments in the developed world... ...
See more »

Crazy Credits

Sentient Machine Therapist ... JEANINE SALLA Assistant to Mr. Chan ... LAIA SALLA Toe-Bell Ringer ... KATE NEI Cybertronics - Room 93056 ... CLAUDE GILBERT Sentient Machine Security ... DIANE FLETCHER Covert Information Retrieval ... RED KING These are characters from the AI alternate-reality game that was connected to the release of the film, and was played over the Internet. Several of the TV and cinema trailers for AI contained clues for game players, including the name Jeanine Salla listed in the credits at the end of the first trailer. This was the way into the game. The room number given in Claude Gilbert's credit is a further clue to game players. See more »

Connections

References The Wizard of Oz (1939) See more »

Soundtracks

Une Chanson Douce
Written by Maurice Pon and Henri Salvador
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

God, what a mess
14 July 2002 | by See all my reviews

This was a horrible, horrible movie. A big, incoherent, pointless exercise in the typical Spielbergian club-you-over-the-head-until-you-get-it style that has absolutely no redeeming value whatsoever. Even the special effects are a waste, adding nothing to the plot and serving only as a place to dump millions of dollars where a few would have done just fine. Does it have a point of view? Who knows? The story is as disjointed as a road map of Afghanistan. Does it have humor, charm, pathos, insight--the few things, at least, you think you can count on from Steven Spielberg? No, no, no, no. Does it have a keen insight, a cold, dispassionate worldview, straightforward emotions, economy of action, like most of Kubrick's films? Uh, no, again.

This film is simply miserable. A hateful, ill-conceived, pointless, overblown, fragmented, shrill, poorly-executed disaster of a film that should serve as a cautionary tale to thousands of wanna-be filmmakers when they wonder if success is something that can be maintained after thirty years in the business. A disaster and a colossal disappointment, from beginning to end.


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