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A.I. Artificial Intelligence (2001)
"Artificial Intelligence: AI" (original title)

 -  Adventure | Drama | Sci-Fi  -  29 June 2001 (USA)
7.1
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Ratings: 7.1/10 from 208,251 users   Metascore: 65/100
Reviews: 2,132 user | 282 critic | 32 from Metacritic.com

A highly advanced robotic boy longs to become "real" so that he can regain the love of his human mother.

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Writers:

(short story "Supertoys Last All Summer Long"), (screen story), 1 more credit »
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Title: A.I. Artificial Intelligence (2001)

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Nominated for 2 Oscars. Another 15 wins & 49 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Supernerd
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Supernerd
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Supernerd
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Supernerd
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Sheila
Theo Greenly ...
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Storyline

In the not-so-far future the polar ice caps have melted and the resulting rise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advancing, reaching the point of creating realistic robots (called mechas) to serve them. One of the mecha-producing companies builds David, an artificial kid which is the first to have real feelings, especially a never-ending love for his "mother", Monica. Monica is the woman who adopted him as a substitute for her real son, who remains in cryo-stasis, stricken by an incurable disease. David is living happily with Monica and her husband, but when their real son returns home after a cure is discovered, his life changes dramatically. Written by Chris Makrozahopoulos <makzax@hotmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

boy | future | fairy | affection | robot | See All (119) »

Taglines:

Journey To A World Where Robots Dream And Desire See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some sexual content and violent images | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

29 June 2001 (USA)  »

Also Known As:

A.I.  »

Filming Locations:

 »

Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend:

$3,369,401 (France) (26 October 2001)

Gross:

$39,192,703 (Europe) (16 November 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Shot in 67 days. See more »

Goofs

When the robots are in the cage at the Flesh Fair, the little girl tells her dad about the boy in the cage. On a screen above his head, we see a replay of the "spider" type robot with the human-like head destroyed. He is then taken moments later when David grabs Joe's arm. He is then destroyed in the same manner as the so-called replay. See more »

Quotes

Patricia in mirrored room: I'm afraid.
Gigolo Joe: Of me?
Patricia in mirrored room: Yes.
Gigolo Joe: That I will hurt you?
Patricia in mirrored room: Yes.
Gigolo Joe: I think... you're afraid of letting go. I think you're afraid of happiness. And this is starting to excite me. Are you afraid of seeing the stars... Patricia? I can show you how to reach them.
Patricia in mirrored room: I'm afraid of what you've got under there. May I see what it looks like first?
Gigolo Joe: Is this your first time... with something like me?
Patricia in mirrored room: I've never been with Mecha.
Gigolo Joe: That makes two of us.
[...]
See more »

Crazy Credits

Sentient Machine Therapist ... JEANINE SALLA Assistant to Mr. Chan ... LAIA SALLA Toe-Bell Ringer ... KATE NEI Cybertronics - Room 93056 ... CLAUDE GILBERT Sentient Machine Security ... DIANE FLETCHER Covert Information Retrieval ... RED KING These are characters from the AI alternate-reality game that was connected to the release of the film, and was played over the Internet. Several of the TV and cinema trailers for AI contained clues for game players, including the name Jeanine Salla listed in the credits at the end of the first trailer. This was the way into the game. The room number given in Claude Gilbert's credit is a further clue to game players. See more »

Connections

Featured in Dressing 'A.I.' (2002) See more »

Soundtracks

I Only Have Eyes For You
Written by Harry Warren and Al Dubin
Performed by Dick Powell
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Future classic...?
26 September 2001 | by (Wiltshire, England) – See all my reviews

First of all, once again I think the critics have got it wrong. Like Blade Runner and 2001, this is a film that will be properly judged in 10/20 years or maybe more. Its way ahead of its time, the combination of Kubrick and Spielberg is unique, its unlikely we will ever see anything like this again.

Did I like it? The answer would have to be yes, the mix of styles will put many people off, but I found it to be unlike anything I have ever seen, and all the better for it. The story is by no means original but everything else about the film is so different that this can be forgiven. To get one thing straight, Kubrick decided Spielberg would be the better man for directing it, and I think this was a very wise decision, many of the ideas are pure Kubrick, but Spielberg has the neccassary attributes to direct such a film, and great credit has to go to Kubrick for handing it to him.

Haley Joel Osment is amazing, the robot/human emotion must be amazingly difficult to pull off effectively, but Osment does it with such relative ease to the point where you do believe he is a robot, not that he is just acting as a robot. Jude Law is excellent, and so to is Frances O'Conner.

As for the ending, as brave as an idea it may of been to end on a downbeat note at "the first ending" I think the slightly upbeat ending is much more appropriate.

All in all I would say A.I is a wonderfully unique film that should be judged for what it is, a film. Forget everything about the Spielberg/Kubrick "issue" and just sit back and take in a truely amazing film. You may hate it, you may love it, but no matter what, it will effect your emotions in some way and you will discuss the film afterwards.

This film will be truely judged in 20 years or so, when it can be assessed purely as a film, as with 'Blade Runner', '2001', and even 'The Thing', it will get better with age.


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