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A.I. Artificial Intelligence (2001)
"Artificial Intelligence: AI" (original title)

 -  Adventure | Drama | Sci-Fi  -  29 June 2001 (USA)
7.1
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Ratings: 7.1/10 from 208,424 users   Metascore: 65/100
Reviews: 2,132 user | 282 critic | 32 from Metacritic.com

A highly advanced robotic boy longs to become "real" so that he can regain the love of his human mother.

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(short story "Supertoys Last All Summer Long"), (screen story), 1 more credit »
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Title: A.I. Artificial Intelligence (2001)

A.I. Artificial Intelligence (2001) on IMDb 7.1/10

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Nominated for 2 Oscars. Another 15 wins & 49 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Supernerd
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Supernerd
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Supernerd
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Supernerd
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Sheila
Theo Greenly ...
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Storyline

In the not-so-far future the polar ice caps have melted and the resulting rise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advancing, reaching the point of creating realistic robots (called mechas) to serve them. One of the mecha-producing companies builds David, an artificial kid which is the first to have real feelings, especially a never-ending love for his "mother", Monica. Monica is the woman who adopted him as a substitute for her real son, who remains in cryo-stasis, stricken by an incurable disease. David is living happily with Monica and her husband, but when their real son returns home after a cure is discovered, his life changes dramatically. Written by Chris Makrozahopoulos <makzax@hotmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

boy | future | fairy | affection | robot | See All (119) »

Taglines:

This summer, discover the next step in evolution. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some sexual content and violent images | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

29 June 2001 (USA)  »

Also Known As:

A.I.  »

Filming Locations:

 »

Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend:

$3,369,401 (France) (26 October 2001)

Gross:

$39,192,703 (Europe) (16 November 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Although Jack Angel recorded all of his voice work for Teddy while separate from the rest of the production, he was asked to be on set every day, to re-record lines immediately when necessary. See more »

Goofs

Monica takes David to the forest to abandon him. While she is telling him her plan, the sun is shining brightly on David's head and hair when the camera angle is showing Monica's face. However, whenever David's face is shown, his head is in shadow. See more »

Quotes

Gigolo Joe: You are a goddess, Patricia. You wind me up inside. But you deserve much better in your life. You deserve... me.
See more »

Crazy Credits

For Stanley Kubrick. See more »

Connections

Referenced in The World of 'Minority Report': An Introduction (2002) See more »

Soundtracks

Dead Practice
Written by Al Jourgensen and Paul Barker
Produced by Al Jourgensen and Paul Barker with Robert Ezrin (as Bob Ezrin)
Performed by Ministry
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A mind-blowing movie that will grow in stature
6 March 2002 | by (Norway) – See all my reviews

Wow! That was all I could say when I walked out of the theatre after my first helping of A.I. I wasn't sure whether I loved the movie or was disappointed by it, I just knew it had had a huge effect on me. Having seen it a further three times at the cinema, I still find fault with it, but I keep returning to it, thinking about it, discussing it, and it has left me with a feeling that, five months later, I've still not shaked. In many regards, this movie reminds me of Fight Club, not in terms of theme or emotional content, but due to it's level of craft, the daring nature of it's execution and the fact that I keep re-evaluating it. All the things that are possible to comment objectively on (if anything ever is) are handled expertly. The performances are top-notch, especially Haley Joel Osment as David, the little robot child that longs to be human. The effects are not only very impressive, but are integrated into the story rather than calling attention to themselves. Januz Kaminski's photography is, as one has come to expect, impressive, and the movie is unusually unpredictable for such a big-budget experience.

In my opinion, John Williams' score is among his most impressive. I listened to it on CD for three weeks before seeing the movie, and thought it was fantastic, but once the movie started rolling I completely forgot about the music. That says a lot about both the score and the film itself. I also liked the three-act structure, in which the tone and feel of the movie changes drastically as the story progresses. Part one, as one reviewer noted, feels like a cross between E.T. and The Shining, an odd, but very effective combination. The second part of the movie is awash with Spielbergian imagery, but with the darkness and coldness of a Kubrick movie. And the last part is a head-scratcher that has the intellectual resonance of most Kubrick-films, and the emotional tone of something like Cinema Paradiso. I purposely refrain from saying that it is as emotional as Spielberg-films, because I think the director's complexities, the dark aspects of his style, and the occasional subtleties of his work are often overlooked by critics.

It's difficult to discuss the themes of the movie without spoiling it, but while many people criticised the movie from having several false endings, I felt that each continuation added layers of though and complexities that the movie would have lacked had it ended sooner. I have come to the conclusion, over the past months, that I do love the movie and that it is my favourite film of 2001, even ahead of The Fellowship of The Ring and Amelie. In other words, buy it on DVD, it's more than worth it.


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