Bruce Lee's shocking death left legions of stunned fans and a legacy of 12 minutes from his unfinished Game Of Death. Undeterred, studio executives launched a search for his replacement chronicled here through the eyes of five aspiring thespians who find out what the real game is.
Eight friends in Los Angeles spend their last evening together as they face graduation from high school and the onset of their adult lives. One of them gets in unexpected trouble when he ... See full summary »
Crossover takes you on a fast-breaking journey into the 70-year old phenomenon of the Japanese American basketball leagues. Established in the 1930s when opportunities to play competitive ... See full summary »
Based on Shaolin folklore and set during the transition period between the Sui Dynasty and the Tang Dynasty. When the Tang emperor is betrayed by one of his generals, the son of one of his ... See full summary »
Ben is a perfectionist and overachiever whose tunnel vision leads to nothing less than graduating at the top of his class. As he struggles to achieve social success, he discovers his darker side. He and his friends: Virgil, Daric and Han lead a double life of mischief and petty crimes to alleviate the pressures of perfection. As their adopted identity grows, the gang tumbles into a downward spiral of excitement, excess and fun. Written by
According to an April 2003 NPR radio interview with Elvis Mitchell, Justin Lin's production company was on the verge of folding unless he could secure a certain amount of funding. Lin had essentially resigned himself to failure; but on a whim called a celebrity he had met once in Las Vegas. Lin got a call the day before the deadline from the celeb saying that he had read the script and wanted to provide some backing. Two hours later, the new investor had wired Lin the money and saved the production. The celebrity: MC Hammer. See more »
When the picture for Virgil's candy bar drive is first shown, the words "Runners Up" do not appear. In the close-up, "Runners Up" appears. See more »
I shoot 215 free throws a day. My goal is to beat Calvin Murphy's record of 95.8%. Thats 207 baskets.
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Blood on the Motorway
Written by Josh Paul Davis & Marc Z
Performed by DJ Shadow
Courtesy of Universal-MCA Music Publishing, a division of Universal Studios on behalf of Mo Wax Music,
Ltd. (ASCAP) and Universal-Island Records, Ltd.
Under license from Universal Music Enterprises
Contains a sample of "It's Easy" by Marc Z See more »
Just came back from a screening of this movie in NYC. Being Chinese American, I felt I could vicariously live through the characters' mishaps and adventures. I think this film is a manifestation of some unconscious fantasies I had during high school. Unfortunately, during high school I was too busy trying to land a spot in the incoming class of an Ivy League to think about power trips from petty crimes or even relieving the stress of perfectionism. Being female also dramatically reduced my access to the possibility for petty crimes and other risky experimentation. Chinese girls are raise to be good, dutiful daughters, who in turn become their own slave drivers feeding off of their need for perfectionism. Thanks to the oppressive histories of East Asian cultures, Asian parents brook no rebellion from girls. Girls are constantly taught that the slightest transgression will bring harsh criticism. And, having already fallen out of favor for not being born male, girls are dealt much harsher punishments than boys for rebellious behavior. The patriarchal adage "boys will be boys" resonates through Asian cultures with the accompanying implication that "girls must also be girls". Unfortunately, "Better Luck Tomorrow" makes no mention of the double standards imposed on Asian-American girls. It was disappointing to see the sole female actress become a pawn in the brokering of power between two high school boys.
The Asian girls in my high school who exhibited risky behavior were always sidelined by more daring male exploits. Essentially, female risky behavior amounted to wanton sex with men and occasional petty thievery. How little it differs from our non-Asian counterparts!
But if anything, at least this movie is not about kung fu fighting Chinese actors coupled with black or white male leads in movies like "Bulletproof Monk". Justin Lin's "Better Luck Tomorrow" aptly reminds the audience that Chow Young Fat, Jet Li, and Jacky Chan are not Asian-American men!
Criticisms aside, "Better Luck Tomorrow" is a clever film featuring some fine acting. The strengths and vulnerabilities of the Asian American boys are explored in a hitherto unprecedented way. Kudos to Jason Tobin for some fine acting!
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