Blue Velvet (1986)

User Rating:

7.8/10   

Director:

David Lynch

Writer:

David Lynch (screenplay)

Release Date:

19 September 1986 (USA)

Genre:

Drama | Mystery | Thriller

Tagline:

The Most Talked About Film of the Decade (US Laserdisc release)

Plot:

After finding a severed human ear in a field, a young man soon discovers a sinister underworld lying just beneath his idyllic suburban home town.

Plot Keywords:

Police | Detective | Police Detective | Hospital | Singer

Awards:

Nominated for Oscar. Another 17 wins & 10 nominations

Cast

Isabella Rossellini	...	Dorothy Vallens
Kyle MacLachlan	...	Jeffrey Beaumont (as Kyle Maclachlan)
Dennis Hopper	...	Frank Booth
Laura Dern	...	Sandy Williams
Hope Lange	...	Mrs. Williams
Dean Stockwell	...	Ben
George Dickerson	...	Detective Williams
Priscilla Pointer	...	Mrs. Beaumont
Frances Bay	...	Aunt Barbara
Jack Harvey	...	Mr. Beaumont
Ken Stovitz	...	Mike
Brad Dourif	...	Raymond
Jack Nance	...	Paul
J. Michael Hunter	...	Hunter
Dick Green	...	Don Vallens

Runtime:

120 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby

Certification:

New Zealand:R18 | Canada:13+ (Quebec) | Canada:R (Manitoba/Nova Scotia/Ontario) | Finland:K-16 (1999) | Finland:K-18 (1987) | Israel:18 | Brazil:16 | West Germany:18 (original rating) | Finland:K-16 (re-rating) (1999) | Argentina:18 (video premiere) | Mexico:D (cut) | Norway:15 (re-rating) (2007) | Switzerland:14 (canton of Geneva) | Switzerland:18 (canton of Vaud) | Greece:K-17 (tv rating) | Switzerland:18 (canton of the Grisons) | Singapore:M18 (re-rating) | Singapore:R(A) | Argentina:18 | Australia:R | Chile:18 | France:-12 | Hong Kong:III | Ireland:18 | Italy:VM14 | Japan:R-15 | Netherlands:12 | Norway:18 | Portugal:M/16 | South Korea:18 | Spain:18 | Sweden:15 | Switzerland:16 | UK:18 | USA:R | West Germany:16 | Iceland:16

Filming Locations:

DEG Film Studios - 1223 North 23rd Street, Wilmington, North Carolina, USA

Company:

De Laurentiis Entertainment Group (DEG)

Trivia:

Dean Stockwell held a worklight in the "In Dreams" sequence only after director David Lynch saw him holding one during a lighting session. He was originally supposed to hold a microphone.

Goofs:

Continuity: After Frank and Ben received their glasses there's some froth topping Frank's beer, but not Ben's. However, in the close-up of Ben there's clearly a thin layer of froth. Back to both in frame, and again Ben's beer has no froth.

Quotes:

[first lines]
Radio announcer: It's a sunny, woodsy day in Lumberton, so get those chainsaws out. This is the mighty W.O.O.D., the musical voice of Lumberton. At the sound of the falling tree, it's 9:30. There's a whole lotta wood waitin' out there, so let's get goin'.
Nurse Cindy: Mr. Beaumont? Your son Jeffrey's here to see you.

Movie Connections:

Spoofed in Wrongfully Accused (1998)

Soundtrack:

Blue Star

Only in dreams…

With Blue Velvet, David Lynch made a film that was so pure to his original vision that it would become the archetype of his work for the next fifteen years. Here, Lynch cast his ever probing, surrealist gaze upon small town middle America, and for the first time in a US film, showed the audience the darker side to what was often depicted as nothing more than the birth place of apple pie. We are drawn into the story almost immediately, with what would seem like a simple depiction of small town life, but the use of slow-motion hints that there is something not quite right with what we are looking at. So by the time Lynch has pushed his camera through the soft green grass of a regular front lawn, only to show us the slithering insects that hide in the darkness, we know that we are about to enter a very dark world.

Blue Velvet is a world filled with not only darkness, but also ambiguity. The characters of this world are constantly hiding behind some kind of façade, be it the wardrobe doors that practicing teenage voyeur Jeffrey peers from behind as he watches Dorothy and Frank interact, or something as simple as the make-up worn by Ben. Everything suggests to us that these characters inhabit a world at night, a world away from the life they live in the day. As the film moves closer and closer to the climax Jeffrey begins to feel more of a connection with Frank, having to go to some very dark places within his psyche. However Lynch's message, that underneath the normal persona of a regular human being is a repressed pervert laying in wait, or whatever point he is making doesn't really translate well. Not least to today's audience.

Blue Velvet is very much a film of its time, that time being the mid-eighties, with aids paranoia everywhere, it's easy to see this metaphor for the dangers of sex and love within the films turgid dreamscapes. But beneath this message hides a strong detective story, a modern day neo-noir that delivers interesting twists and a controversial pay-off with it's almost fairytale climax. This is the film David Lynch got right, proceeding to make great films that where all personal, but completely different in terms of style and substance from one another. Blue Velvet is a great film, with some fine (albeit bizarre) performances, still challenging to this day, If only Lynch hadn't gone on to spend the rest of his career re-making it.