After a car wreck on the winding Mulholland Drive renders a woman amnesic, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
In Paris, the shy bureaucrat Trelkovsky rents an old apartment without bathroom where the previous tenant, the Egyptologist Simone Choule, committed suicide. The unfriendly concierge (... See full summary »
A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
Mourning his dead child, a haunted Vietnam vet attempts to discover his past while suffering from a severe case of disassociation. To do so, he must decipher reality and life from his own dreams, delusion, and perception of death.
A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
A blonde actress is preparing for her biggest role yet, but when she finds herself falling for her co-star, she realizes that her life is beginning to mimic the fictional film that they're shooting. Adding to her confusion is the revelation that the current film is a remake of a doomed Polish production, 47, which was never finished due to an unspeakable tragedy. Written by
In an interview with Joe Huang at the AFI Dallas Film Festival, David Lynch stated that "Inland Empire" wasn't originally intended to be a feature film. He would simply come up with an idea and - utilizing the versatility and ease of using DV cameras - would film it, creating a series of seemingly unrelated scenes; the first scene filmed was Laura Dern's monologue to the silent psychiatrist. As time progressed, he began to see how the stories were connected, and continued filming scenes for it until he had what we see now. Rumors that Lynch began filming without a script are more or less incorrect, as he would write a short scene and film it, without having the intention of making feature length film. See more »
Written by Gerry Goffin and Carole King
Performed by Little Eva
Published by Screen Gems-EMI Music, Inc. (BMI)
Courtesy of Rhino Entertainment Company
By Arrangement with Warner Music Group Film & TV Licensing See more »
Let me start by saying I've admired every single Lynch film to date, and I've seen all his feature filmsnot only all the original work, but also the non-auteur stuff (like "Elephant man," "Straight Story," and "Dune") as well.
Moreover, "Mulholland Drive" is on my short list for best movie of all timea hands down perfect piece of art. And I really liked "Lost Highway" and even found "Eraserhead" engaging.
However, I must say the first 90 minutes of "Inland Empire" ranks as some of the most boring and pretentious film making in the short history of the art. I can't speak for the rest of the movie--as 90 minutes of unrelieved murky shots of Laura Dern looking distressed, while the dialogue-obscuring sound track of a B-movie organ drone desperately tries to create some kind of suspense--was all I could stand.
Lynch's images have always been arresting, sometimes even pretty. But he seems to want to play against that here, creating choppy, grainy, bad-home-video-style visuals that just beat down the viewer trying to let them flow. Hey! art should require its audience to work for its pleasure and meaning; but the effort required here is just too much for me.
I think film should tell a story with pictureshopefully a complex story with emotionally and intellectually engaging pictures. But this film is just ugly chaos.
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