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1-20 of 121 items from 2012 « Prev | Next »
22 May 2012 2:03 PM, PDT | Alt Film Guide | See recent Alt Film Guide news »
Deborah Kerr movies: with Burt Lancaster in From Here to Eternity Deborah Kerr Pt.2: Sexual Outlaw As an unhappily married woman having a torrid affair with an army officer shortly before the Japanese attack on Pearl Harbor, Deborah Kerr is equally powerful in one of her best-remembered movies, From Here to Eternity (1953), stealing the romantic melodrama from her male co-stars. Fred Zinnemann’s Academy Award-winning blockbuster marked one of the rare times when Kerr’s physique played a part in her erotic persona, as she parades around Hawaii in Lana Turner-type shorts and frolics on the wet sand with brawny Burt Lancaster. Less obvious is Kerr’s headmaster’s wife in Tea and Sympathy (1956), who, despite her discreet clothing and demeanor, ends up seducing one of her husband’s teenage students. It’s all for a good cause, of course — the "sensitive" adolescent thinks he may be gay »
- Andre Soares
21 May 2012 1:06 AM, PDT | WENN | See recent WENN news »
The daughter of legendary movie mogul Harry Saltzman insists 007 fans shouldn't be surprised to learn Alfred Hitchcock was considered to direct the first James Bond film - because her dad, his business partner Cubby Broccoli and author Ian Fleming had a series of wacky ideas as they plotted the iconic film projects.
A recently uncovered telegram from Fleming to novelist Eric Ambler in 1959 suggests the writer was considering Hitchcock for the first Bond film, which was initially set to be Thunderball.
Saltzman, Broccoli and the 007 creator eventually settled on Terence Young, who picked Sean Connery to play Bond over Cary Grant - the best man at Saltzman's wedding - and Roger Moore, who eventually took over the role from Connery.
And they decided to make Dr. No the first film. Thunderball became the fourth Bond movie in the series.
Saltzman's daughter Hilary tells WENN, "I've never heard about the telegram before, but Fleming was legendary for floating constant ideas about re casting and possible directors... probably too many.
"Don't forget, he also wanted his next-door neighbour Noel Coward to play the role of Dr. No... and my father contacted Salvador Dali because he wanted him to design the tarot cards for Live and Let Die! They all had wild ideas." »
18 May 2012 12:12 PM, PDT | The Playlist | See recent The Playlist news »
Is there a greater film than "Lawrence of Arabia?" Perhaps. There are certainly few longer ones, or few that are more epic and sweeping in their scope (thanks to the timeless Panavision 70 photography by Freddie Young). But even if the film isn't your absolute favorite, it is the number one of many, including Steven Spielberg, who credits the picture with making him want to be a filmmaker.
David Lean's tale of T.E. Lawrence's adventures in Arabia in World War I is fifty years old this year, and ahead of a brand-spanking-new Blu-ray release next month, a glorious new 4K restoration of the film is screening at Cannes tomorrow night. To mark the occasion, as well as the anniversary of the death of Lawrence himself, who died 77 years ago tomorrow, we've assembled five things you might not know about Lean's unassailable classic.
1. David Lean nearly directed a biopic of »
- Oliver Lyttelton
15 May 2012 11:30 AM, PDT | Slackerwood | See recent Slackerwood news »
One of the best things about living in Austin is getting to attend some of the classic films that screen each summer at the Paramount Theatre. The full Paramount Summer Classic Film Series schedule has just been released, with movies screening at Stateside this year, too.
Here are some from the bunch I find worth noting:
Pillow Talk (1959), pictured above, helps start the summer series off -- screening with the far more serious To Kill a Mockingbird. Although I've been a fan of classic movies since elementary school, it is only in recent years that my love and admiration for Doris Day has grown. This comedy, featuring Day as an interior designer forced to share a party line with playboy Rock Hudson, is now one of my favorite movies, and I can't wait to see it on the big screen! (9:35 Thurs, 5/24; 7 pm Fri, 5/25)An Affair to Remember (1957) -- Cary Grant, »
- Elizabeth Stoddard
13 May 2012 6:26 AM, PDT | Flickeringmyth | See recent Flickeringmyth news »
Commenting on the critics with Simon Columb...
Betsy Sharkey writes for the La Times about foul language in mainstram cinema:
"Now, we head into summer, the prime time for big, bruising action flicks and lots of racy comic outrage and a grand opportunity for filmmakers to cross boundaries of taste on the language front. I'm bracing for what could well become a raging torrent of moviegoer disgust and distress, because despite what anyone claims about the modern acceptance of and appetite for language of the roughest, rawest, most graphic sort, the truth is that a huge contingent of the paying crowd objects to it still."
Read the full article here.
The recent controversy involving Bully portrays an unclear approach to ratings regarding language. Though a documentary about bullying, for children who are bullied, it cannot depict the reality of bullying on the basis that swearing too much is simply not »
- flickeringmyth
11 May 2012 11:13 PM, PDT | DreadCentral.com | See recent Dread Central news »
If you enjoy a bit of old time audio horror now and then, you might want to check out the new horror audio series Mysteries Most Macabre, Inc., Volume 1 of which is now available from John C. Alsedek and Dana Perry-Hayes of Blue Hours Productions.
From the Press Release:
Mysteries Most Macabre, Inc., is a collection of downloadable short audio vignettes, averaging between 6 to 9 minutes in length. Set in the 1930’s, it concerns the adventures of Blake and Beatrice Ashton, a married detective team whose cases invariably take a turn for the supernatural.
“Blake & Beatrice were originally inspired by Nick & Nora Charles from the classic ‘Thin Man’ films and radio show,” notes Alsedek. “However, the characters found their own voices pretty quickly.” Blake is heir to the Ashton Cracker fortune and is described by Alsedek as “the world’s oldest ten-year-old…both aggravating and adorable.” Beatrice is the experienced private eye, »
- The Woman In Black
10 May 2012 12:10 PM, PDT | The Playlist | See recent The Playlist news »
Tomorrow "Dark Shadows" will hit theaters, the latest gothic entertainment from director Tim Burton and his muse Johnny Depp. And, as per our review and many others, it's sadly another disappointment; another wonderful-looking, empty picture that seems to have been derived from the filmmaker and his star taking on the kind of film that's expected of them, rather than something to push or challenge them.
But once upon a time, Burton was one of the most exciting filmmakers around, a former Disney animator who moved into the live-action world with an enduring family comedy classic, and went on for a nearly-decade-long run of critically acclaimed box-office hits that established him as having one of the most distinctive, unusual voices in Hollywood. With "Dark Shadows" bumming us out this weekend, we've decided to provide an antidote by examining five of the most essential Burton directorial efforts in the filmmaker's career. Disagree? »
- Oliver Lyttelton
9 May 2012 4:05 PM, PDT | The Guardian - Film News | See recent The Guardian - Film News news »
The Cannes film festival kicks off next week, and this shot of Marilyn Monroe will feature on all its official posters. Does it matter that she never went?
She is a perennially fascinating screen actress, the incidental subject of new TV drama Smash – and from next week she will be pouting down at us from every street corner in Cannes, the face of the official film festival poster. The photograph shows the beautiful, beguiling, funny leading lady of such pictures as Gentlemen Prefer Blondes and Some Like It Hot blowing out the candle on her 30th birthday cake, giving a seductive air-kiss to the lens. In a press release, the festival organisers explain: "The poster captures Marilyn by surprise in an intimate moment where myth meets reality – a moving tribute to the anniversary of her passing, which coincides with the festival anniversary [Cannes turns 65 this year] … Their coming together symbolises the ideal of simplicity and elegance. »
- Peter Bradshaw
9 May 2012 1:41 PM, PDT | Rope of Silicon | See recent Rope Of Silicon news »
A screening of Alfred Hitchcock's The Birds was held at New York's Cinema Village last night after which star Tippi Hedren told interviewer Robert Milazzo, "Apparently I was up for a nomination for Marnie, and Hitchcock killed it." Hedren made only two films with Hitchcock -- The Birds and Marnie -- and according to the Village Voice's Michael Musto, writing about Hedren's Cinema Village appearance, the reason it was only two films is because she tired of Hitch's increasingly obsessive possessiveness and wanted out of any dealings with him. As Hedren tells it, he then threatened to destroy her career, which included kibboshing the nomination and keeping her under contract for two more years so she couldn't work. Hedren said she would later learn that during that time Francois Truffaut wanted her for Fahrenheit 451. As far as The Birds is concerned, Hedren said she'd been promised she'd work with mechanical birds. »
- Brad Brevet
7 May 2012 6:49 PM, PDT | The Hollywood Reporter | See recent The Hollywood Reporter news »
A collection of never-before-seen vintage photographs of such Hollywood icons as Paul Newman, Doris Day and Cary Grant by famed photographer Leo Fuchs are being offered for sale by V&M (Vintage and Modern), the online retailer. Fuchs, a noted photographer who came to Hollywood in the sixties at the invitation of his friend Rock Hudson and later became an actor and producer, took the photos soon after her first arrived. He passed away in 1994. In 2007, his son Alexandre discovered eighteen trunks worth of prints, negatives and reels among his father's possession. The discovery included numerous
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- Andy Lewis
7 May 2012 3:57 PM, PDT | The Hollywood Interview | See recent The Hollywood Interview news »
DVD Playhouse – May 2012
By Allen Gardner
Shame (20th Century Fox) Director Steve McQueen’s harrowing portrait of a Manhattan sex addict (Michael Fassbender, in the year’s most riveting performance) whose psyche goes into overload when his equally-troubled sister (Carey Mulligan) visits unexpectedly. Exquisitely-made on every level, save for the screenplay, which makes its point after about thirty minutes. While it tries hard to be a modern-day Last Tango in Paris, this fatal flaw makes it fall somewhat short. The much- ballyhooed sex scenes and frontal nudity are the least-interesting things about the film, incidentally, which is still a must-see for discriminating adults who seek out challenging material. Also available on Blu-ray disc. Bonuses: Featurettes. Widescreen. Dolby and DTS-hd 5.1 surround.
Being John Malkovich (Criterion) Spike Jonze’s madcap film of Charlie Kaufman’s script, regarding a socially-disenfranchised puppeteer (John Cusack) who finds a portal into the mind of actor »
- The Hollywood Interview.com
6 May 2012 4:06 PM, PDT | WENN | See recent WENN news »
Character actor George Lindsey has died at the age of 83.
The comedian passed away in Nashville, Tennessee early on Sunday after battling a brief illness.
Lindsey shot to fame as the slow-witted Goober Beasley on U.S. TV sitcom The Andy Griffith Show in the 1960s. His character was soon renamed Goober Pyle and he became known for his hilariously bad impression of Cary Grant and his outrageous Goober Dance, keeping up the antics for the comedy's successor Mayberry R.F.D., which ran until 1971.
He went on to portray the same type of character for country music variety show Hee Haw, on which he starred until its cancellation in 1993.
Lindsey also landed roles on other small screen projects, including CHiPs, The Glen Campbell Goodtime Hour, M*A*S*H, Twilight Zone and The Alfred Hitchcock Hour, while he used his vocal talent on animated Disney films like The Aristocats and Robin Hood.
Paying tribute to his old castmate, Andy Griffith says, "George Lindsey was my friend. I had great respect for his talent and his human spirit. In recent years, we spoke often by telephone. Our last conversation was a few days ago... I am happy to say that as we found ourselves in our eighties, we were not afraid to say, 'I love you.' That was the last thing George and I had to say to each other. 'I love you.'" »
1 May 2012 1:00 PM, PDT | EW.com - PopWatch | See recent EW.com - PopWatch news »
How best to celebrate the arrival of the fifth month, PopWatchers? Lacking a May pole in EW’s office, I decided to turn to pop culture. Though I considered expanding the net to include non-traditional picks like bunkin’ cousin Maeby Fünke from Arrested Development and Ghost’s Oda Mae Brown (“Molly, you in danger, girl!”), there was plenty of May love to go around without getting Fünke with it. Below, five of my favorite May touchstones.
“The Lusty Month of May,” Camelot
If this number from Lerner and Loewe’s hit 1960 musical doesn’t, ahem, get you in the mood for a new month, »
- Lanford Beard
30 April 2012 12:15 PM, PDT | Huffington Post | See recent Huffington Post news »
Classic movie fans, rejoice! If you've enjoyed watching Charlton Heston star in the nativity saga "Ben Hur," or sat on the edge of your seat as Cary Grant outran mysterious pursuers in "North by Northwest," you can now supplement your cinema experiences with eBook versions of the original movie scripts.
Warner Brothers' "Inside The Script" series will feature "Ben Hur," "North by Northwest," "Casablanca" and "An American In Paris." According to BBC News, the eBooks will include supplemental materials such as costume sketches and shooting journals from the film sets. They will cost $9.99 each and be available on the Kindle, Nook, and in the iBookstore.
"People love movies because of the stories they tell," said Thomas Gewecke, President of Warner Bros. Digital Distribution. "Now we can give fans rarely seen details of how these stories came together and take their enjoyment of films to a whole new level."
The Wall »
- Madeleine Crum
27 April 2012 7:56 AM, PDT | The Playlist | See recent The Playlist news »
Few genres of film inspire more personal responses than the romantic comedy. Given how much of our lives is spent on love and romance (falling into it, falling out of it, chasing it, giving up on it), it's no surprise that the rom-com has remained one of the most popular formulas since the dawn of cinema, and while the genre has undisputed classics, you can end up cherishing certain films purely because of their connection to your own life. They can help pull you out of a post break-up tailspin, they can comfort you through unrequited love, and, if a film hits you at the height of your passion for someone, they can end up associated forever, even blinding you to the movie's flaws -- seeing "Elizabethtown" in the midst of first love left this writer swooning after exiting the theater (thankfully, a subsequent rewatch put me straight as to how terrible it is. »
- Oliver Lyttelton
25 April 2012 7:03 AM, PDT | The Playlist | See recent The Playlist news »
Thirty-six years ago today, on April 25th, 1976, filmmaker Carol Reed passed away. One of the greatest directors ever to come out of the U.K., Reed started out as an actor, but gained fame as a writer-director in the late 1930s and 1940s, thanks to films like "Night Train To Munich," and the outstanding "Odd Man Out" and "The Fallen Idol." Later, he'd also find success with films like "Trapeze," "Our Man In Havana," "The Agony and the Ecstasy" and "Oliver!," for which he won the Academy Award for Best Director, beating out Stanley Kubrick's "2001" and Gillo Pontecorvo's "The Battle of Algiers."
But Reed's undisputed masterpiece is "The Third Man," a 1949 film noir based on a screenplay by the great British writer Graham Greene. The film involves a writer of Westerns, Holly Martins (Joseph Cotten), who comes to post-war Vienna after being promised a job by his childhood friend Harry Lime. »
- Oliver Lyttelton
23 April 2012 3:10 AM, PDT | The Guardian - Film News | See recent The Guardian - Film News news »
Hitchcock has been proposed for the national curriculum. Here are a few life lessons children might learn from watching his films
Never mind that cinema is the most popular storytelling medium of our time, and that if Bill Shakespeare were alive today, he would be writing screenplays, not stage plays; some people still think that, as an artform, it's automatically inferior to literature or theatre. So Heather Stewart, creative director of the BFI, caused a stir last week when she said: "The idea of popular cinema somehow being capable of great art at the same time as being entertaining is still a problem for some people. Shakespeare is on the national curriculum, Hitchcock is not."
One should never underestimate the educational value of films – and not just the worthy literary adaptations or bracing social documents our nannies imagine would be good for us. Adolescent exposure to The Charge of the Light Brigade, »
- Anne Billson
21 April 2012 6:00 AM, PDT | Collider.com | See recent Collider.com news »
There are many ups and downs in Alfred Hitchcock’s long and varied career. From the British filmmaker who was learning his craft to the skilled thriller filmmaker we know today, there were many periods of uncertainy and compromise in his filmography. After proving his mastery with such films as The 39 Steps and The Lady Vanishes in England, Hitch was invited to America to work for David O. Selznick. It led to Rebecca, Spellbound and Notorious, which Fox has now put out on Blu-ray, and through the three you can see Hitchhcock learning how to work in America while retaining and refining his voice. Laurence Olivier, Joan Fontaine, Ingrid Bergman, Gregory Peck, and Cary Grant star in the movies, and our review of the three follow after the jump. 1940’s Rebecca was Hitch’s first American production. He worked from a novel by Daphne Du Maurier (who wrote the book »
- Andre Dellamorte
20 April 2012 7:23 PM, PDT | Alt Film Guide | See recent Alt Film Guide news »
Clara Bow, Mantrap What do Andrei Tarkovsky, Edward G. Robinson, Clara Bow, Arthur Conan Doyle, and Audrey Hepburn have in common? Easy. They'll all be featured in some form or other at the Library of Congress' Packard Campus in Culpeper, Virginia, in May. [Packard Campus screening schedule.] Andrei Tarkovsky will be represented by the classic sci-fier Solaris (1971), billed as the Soviet Union's answer to Stanley Kubrick's 2001: A Space Odyssey, and by the classic period drama Andrei Rublev (1969), a meditation on art, religion, spirituality, and human brutality and stupidity. A technicality: Solaris will actually be screened on April 27. Edward G. Robinson stars in The Little Giant (1933), a pre-Code crime comedy featuring Mary Astor. The (at the time) energetic Roy Del Ruth (The Maltese Falcon, Taxi!, Employees' Entrance) directed. Clara Bow is the star of Mantrap (1926), a fluffy romantic comedy of interest chiefly because of Bow and because neither of her two leading »
- Andre Soares
20 April 2012 9:28 AM, PDT | Collider.com | See recent Collider.com news »
Paramount is good about releasing classics on Blu-ray from time to time, and their latest batch offers one of the greatest films of all time, and an entertaining minor work by a master director. Chinatown is Roman Polanski’s masterpiece. It stars Jack Nicholson as a private dick assigned to find out about an affair that uncovers statewide corruption in California. Alfred Hitchcock’s To Catch a Thief offers Cary Grant and Grace Kelly on the Riviera in beautiful Vista-vision. Both are definitely worth checking out on Blu-ray (if not purchased immediately) and our reviews of both follow after the jump. In Chinatown, J.J. Gities (Nicholson) is a Los Angeles detective who mostly handles infidelity cases. He’s hired by Evelyn Mulray to check in on her husband Hollis who runs the Water department and spends most of his days checking out the reservoirs. Photos are taken of Hollis with a woman, »
- Andre Dellamorte
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